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	<title>Comments on: Those Awful 1950s</title>
	<atom:link href="http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/</link>
	<description>White Identity, Interests, and Culture</description>
	<lastBuildDate>Sun, 19 May 2013 18:48:04 +0000</lastBuildDate>
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		<title>By: Dustin</title>
		<link>http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/#comment-95676</link>
		<dc:creator>Dustin</dc:creator>
		<pubDate>Sat, 20 Oct 2012 23:31:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.theoccidentalobserver.net/?p=16334#comment-95676</guid>
		<description><![CDATA[I just watched The Hunger Games last night and noticed it had the same director as the movie featured in this article Pleasantville. I tried looking for a movie review similar to the ones that I&#039;ve seen here but came up short. Is it possible to see one posted on this website sometime in the near future? 

There were several underlying themes that stuck out to me in this movie. It takes place in the future where the country has been divided into 12 districts, which appear to be racially segregated. The peasants live under some sort of serfdom while the cities are large and grande. The cities appeared to be populated with white tyrannical aristocrats who dressed in some sort of futuristic victorian fashion, with almost no people of color except for a one in a servant type role and maybe a few others who were part of the security forces. All throughout the movie not one Jew was in sight. One would imagine they would be the supreme rulers of a future such as this,but as  in real life it appears to be the same in fiction. The white man is the scape goat of their evil deeds.]]></description>
		<content:encoded><![CDATA[<p>I just watched The Hunger Games last night and noticed it had the same director as the movie featured in this article Pleasantville. I tried looking for a movie review similar to the ones that I&#8217;ve seen here but came up short. Is it possible to see one posted on this website sometime in the near future? </p>
<p>There were several underlying themes that stuck out to me in this movie. It takes place in the future where the country has been divided into 12 districts, which appear to be racially segregated. The peasants live under some sort of serfdom while the cities are large and grande. The cities appeared to be populated with white tyrannical aristocrats who dressed in some sort of futuristic victorian fashion, with almost no people of color except for a one in a servant type role and maybe a few others who were part of the security forces. All throughout the movie not one Jew was in sight. One would imagine they would be the supreme rulers of a future such as this,but as  in real life it appears to be the same in fiction. The white man is the scape goat of their evil deeds.</p>
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		<title>By: arthurdecco</title>
		<link>http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/#comment-92809</link>
		<dc:creator>arthurdecco</dc:creator>
		<pubDate>Mon, 08 Oct 2012 05:57:30 +0000</pubDate>
		<guid isPermaLink="false">http://www.theoccidentalobserver.net/?p=16334#comment-92809</guid>
		<description><![CDATA[@&lt;a href=&quot;#comment-91308&quot; rel=&quot;nofollow&quot;&gt;Alice Teller&lt;/a&gt;: &quot; Who is likely to be the better dancer, the woman who practices with the same partner for years, or the one who has a new partner every other evening?&quot;

The answer to your question is obvious. The woman who changes partners is much more likely to become a better dancer than the one who sticks to one partner. 

But the real answer to your ridiculously naive question should be that when you stick to the same partner you learn how NOT to step on each others&#039; toes...

And to me and my love, that&#039;s more important, fulfilling and comforting than virtuosity.]]></description>
		<content:encoded><![CDATA[<p>@<a href="#comment-91308" rel="nofollow">Alice Teller</a>: &#8221; Who is likely to be the better dancer, the woman who practices with the same partner for years, or the one who has a new partner every other evening?&#8221;</p>
<p>The answer to your question is obvious. The woman who changes partners is much more likely to become a better dancer than the one who sticks to one partner. </p>
<p>But the real answer to your ridiculously naive question should be that when you stick to the same partner you learn how NOT to step on each others&#8217; toes&#8230;</p>
<p>And to me and my love, that&#8217;s more important, fulfilling and comforting than virtuosity.</p>
]]></content:encoded>
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	<item>
		<title>By: arthurdecco</title>
		<link>http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/#comment-92808</link>
		<dc:creator>arthurdecco</dc:creator>
		<pubDate>Mon, 08 Oct 2012 05:38:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.theoccidentalobserver.net/?p=16334#comment-92808</guid>
		<description><![CDATA[@&lt;a href=&quot;#comment-91280&quot; rel=&quot;nofollow&quot;&gt;Marcy Fleming&lt;/a&gt;: As usual, You&#039;ve nailed it the soft-focus lens most mature (in age only,) Americans apply to their television-manufactured past. Not many realize how indoctrinated and propagandized they are and how unrealistic and idealized their memories of their childhoods are.]]></description>
		<content:encoded><![CDATA[<p>@<a href="#comment-91280" rel="nofollow">Marcy Fleming</a>: As usual, You&#8217;ve nailed it the soft-focus lens most mature (in age only,) Americans apply to their television-manufactured past. Not many realize how indoctrinated and propagandized they are and how unrealistic and idealized their memories of their childhoods are.</p>
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		<title>By: John hearns</title>
		<link>http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/#comment-92210</link>
		<dc:creator>John hearns</dc:creator>
		<pubDate>Wed, 03 Oct 2012 03:40:55 +0000</pubDate>
		<guid isPermaLink="false">http://www.theoccidentalobserver.net/?p=16334#comment-92210</guid>
		<description><![CDATA[@&lt;a href=&quot;#comment-91670&quot; rel=&quot;nofollow&quot;&gt;Thundertoad&lt;/a&gt;: 

&lt;i&gt;
The entity known as “John Hearns” is the Anglo-Israelite, TyronParsonRoberts. Simple linguistic analysis proves this. 
&lt;/i&gt;
I don&#039;t know what your problem is but you can think this entity is the Anglo-Israelite Sant-ee Claus and that would be just fine. Simple linguistic analysis or not. 
haha]]></description>
		<content:encoded><![CDATA[<p>@<a href="#comment-91670" rel="nofollow">Thundertoad</a>: </p>
<p><i><br />
The entity known as “John Hearns” is the Anglo-Israelite, TyronParsonRoberts. Simple linguistic analysis proves this.<br />
</i><br />
I don&#8217;t know what your problem is but you can think this entity is the Anglo-Israelite Sant-ee Claus and that would be just fine. Simple linguistic analysis or not.<br />
haha</p>
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		<title>By: arthurdecco</title>
		<link>http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/#comment-92209</link>
		<dc:creator>arthurdecco</dc:creator>
		<pubDate>Wed, 03 Oct 2012 03:30:59 +0000</pubDate>
		<guid isPermaLink="false">http://www.theoccidentalobserver.net/?p=16334#comment-92209</guid>
		<description><![CDATA[I haven&#039;t watched TV for 20 or more years, btw, dubyasee...]]></description>
		<content:encoded><![CDATA[<p>I haven&#8217;t watched TV for 20 or more years, btw, dubyasee&#8230;</p>
]]></content:encoded>
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	<item>
		<title>By: arthurdecco</title>
		<link>http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/#comment-92208</link>
		<dc:creator>arthurdecco</dc:creator>
		<pubDate>Wed, 03 Oct 2012 03:29:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.theoccidentalobserver.net/?p=16334#comment-92208</guid>
		<description><![CDATA[@&lt;a href=&quot;#comment-91207&quot; rel=&quot;nofollow&quot;&gt;dubyasee&lt;/a&gt;: &quot;How do you combat decades of TV, print media, and movie propaganda? Is such a thing possible?&quot;

You do it by doing it. I realize that sounds stupid but it&#039;s the only way - you have to put one foot in front of the other and keeping walking towards the truth, no matter how many branches hit you in the face.]]></description>
		<content:encoded><![CDATA[<p>@<a href="#comment-91207" rel="nofollow">dubyasee</a>: &#8220;How do you combat decades of TV, print media, and movie propaganda? Is such a thing possible?&#8221;</p>
<p>You do it by doing it. I realize that sounds stupid but it&#8217;s the only way &#8211; you have to put one foot in front of the other and keeping walking towards the truth, no matter how many branches hit you in the face.</p>
]]></content:encoded>
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	<item>
		<title>By: arthurdecco</title>
		<link>http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/#comment-92206</link>
		<dc:creator>arthurdecco</dc:creator>
		<pubDate>Wed, 03 Oct 2012 03:26:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.theoccidentalobserver.net/?p=16334#comment-92206</guid>
		<description><![CDATA[@&lt;a href=&quot;#comment-91205&quot; rel=&quot;nofollow&quot;&gt;Alice Teller&lt;/a&gt;: Brilliant comment.]]></description>
		<content:encoded><![CDATA[<p>@<a href="#comment-91205" rel="nofollow">Alice Teller</a>: Brilliant comment.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: arthurdecco</title>
		<link>http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/#comment-92205</link>
		<dc:creator>arthurdecco</dc:creator>
		<pubDate>Wed, 03 Oct 2012 03:23:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.theoccidentalobserver.net/?p=16334#comment-92205</guid>
		<description><![CDATA[Thank god I refuse to watch the filth produced by modern Hollywood.]]></description>
		<content:encoded><![CDATA[<p>Thank god I refuse to watch the filth produced by modern Hollywood.</p>
]]></content:encoded>
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		<title>By: Al Ross</title>
		<link>http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/#comment-91946</link>
		<dc:creator>Al Ross</dc:creator>
		<pubDate>Tue, 02 Oct 2012 00:31:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.theoccidentalobserver.net/?p=16334#comment-91946</guid>
		<description><![CDATA[Quite so, Pierre. At the considerable risk of introducing a blinding flash of the obvious, I would point out that Gary Ross, the Jewish director of &#039; Pleasantville&#039;,  purloined an ancient Scottish surname. Yet another egregious example of Jewish crypsis.]]></description>
		<content:encoded><![CDATA[<p>Quite so, Pierre. At the considerable risk of introducing a blinding flash of the obvious, I would point out that Gary Ross, the Jewish director of &#8216; Pleasantville&#8217;,  purloined an ancient Scottish surname. Yet another egregious example of Jewish crypsis.</p>
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		<title>By: Pierre de Craon</title>
		<link>http://www.theoccidentalobserver.net/2012/09/those-awful-1950s/#comment-91889</link>
		<dc:creator>Pierre de Craon</dc:creator>
		<pubDate>Mon, 01 Oct 2012 14:55:20 +0000</pubDate>
		<guid isPermaLink="false">http://www.theoccidentalobserver.net/?p=16334#comment-91889</guid>
		<description><![CDATA[@&lt;a href=&quot;#comment-91888&quot; rel=&quot;nofollow&quot;&gt;Al Ross&lt;/a&gt;: Reading your comment, Al, I realize we should be grateful that to commit similar murders, Obama still needs to sign a document or two placed in front of him by a kosher adviser.]]></description>
		<content:encoded><![CDATA[<p>@<a href="#comment-91888" rel="nofollow">Al Ross</a>: Reading your comment, Al, I realize we should be grateful that to commit similar murders, Obama still needs to sign a document or two placed in front of him by a kosher adviser.</p>
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