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Jews
Mocking the Tribe?
Edmund Connelly
August
14, 2010
The
Jewish love of mockery is famous. Given the chance, they mercilessly mock many
things, particularly their enemies, the goyim. Toward that end, they also mock
that which is sacred to goyim, such as Christianity and Christian holidays.
For
example, one of Freud’s first students,
Theodore Reik,
found such aggressive themes and hostility toward non-Jews in Jewish humor.
Here is an
example:
Little Moritz
sees an historical film showing the early persecutions of the Christians. During
a Roman circus scene in which many Christians are thrown to the lions, Moritz
breaks out in sobs and says to his mother: "Look at that poor little lion there,
it has not got any Goy to eat!" Under the disguise of duty for the neglected
beast is an old hatred and repressed cruelty toward Gentiles. It breaks through
here, surprisingly, and reaches the emotional surface.
Brandeis University professor
Steven Whitfield
shares this relatively innocuous but revealing joke about Gentiles: "Why did God
create goys?" "Somebody has to buy retail."
Whitfield notes that
Moritz Saphi "may well have been the first writer to perceive Jewish wit as 'the
defense and weapon of the oppressed,' a way of getting revenge and a form of
stress management." As an example, he describes a pious Jew on his deathbed who
announces that he wants to covert to Christianity. Shocked, his family asks why.
"Better one of them should go than one of us."
Cutting humor about
Christianity is at times a staple of Jewish American humor, though Jews have
been careful to gauge the reception such humor among Gentiles is likely to
receive. One comic who pushed these
limits — further than many Jews of the era would have preferred — was Lenny
Bruce. In a "funny variation on Jewish delusions and gentile nightmares," Bruce
joked about Presidential contender Barry Goldwater:
So dig.
Goldwater lives in Arizona. He did a switch, man. He says, "Frig it. I'll keep
my name and I'll change my religion." That was his bit.
That's weird,
you know? Finally we have a man in — that's going to be Goldwater's last step:
gets in, gets before the T.V. cameras for the acceptance speech, and he rips off
the mask and you see the big nose and the semitic look and the spittle coming
out and [Goldwater screaming vindictively] "YAHAHAHAAAAAA!
WE'LL BURN ALL THE CHURCHES!"
Bruce performed one of his most famous routines in a Chicago
nightclub:
You and I
know what a Jew is — One Who Killed Our Lord. I don't know if we got much press
on that in Illinois — we did this about two thousand years ago. . . . And
although there should be a statute of limitations for that crime, it seems that
those who neither have the actions nor the gait of Christians, pagans or not
will bust us out, unrelenting dues, for another deuce.
Alright, I'll
clear the air once and for all, and confess. Yes, we did it. I did it, my
family. I found a note in my basement. It said: "We killed him . . . signed,
Morty." And a lot of people say to me, "Why did you kill Christ?" "I dunno . . .
We killed him because he didn't want to become a doctor, that's why we killed
him."
Mel Brooks and Carl Reiner
share a milder story about Christ, "The Two Thousand Year-Old Man," which
begins:
You're a
little storekeeper in Nazareth, and I would like to know what happened the day
when they crucified Christ on the mountain. Did you know Christ?
Yes; thin,
thin, nervous — wore sandals. Came in the store, didn't buy much, mainly water,
wanted water — so I gave him water. Look! You have a business. You can't always
make a sale. So when people want water, you give them water. But one thing I
have to admit. He was a bit of a
troublemaker. He beat up a couple of rovs on the steps of the shul — and you
know you can't do that! But they didn't have to nail him up. They could have
given him a severe lecture. I didn't agree with such a severe punishment. Oh,
such a terrible day! All that yelling and screaming up on the mountain. I tell
you it was very upsetting. In fact, it got so bad, I had to close up the store.
The authors of
a book on Jewish humor relate a joke
that is a good summation of three Jewish themes relating to Gentiles: love of
the shiksa [non-Jewish woman], social acceptance, and Gentile gullibility:
Three Jews
who have recently converted to Christianity were having a drink together in a
posh WASP country club. They started talking about the reasons for their
conversions.
"I converted
out of love," said the first, and noticing the dubious looks on his friends'
faces, he continued: "Not for Christianity, mind you, but for a Christian girl.
As you both know, my wife insisted that I convert."
"And I," said
the second, "I converted in order to rise in the legal system. You probably know
that my recent appointment as a federal judge may have had something to do with
my new religion."
The third man
spoke up: "I converted because I think that the teachings of Christianity are
superior to those of Judaism."
"Are you
kidding?" said the first man, spitting out his drink. "What do you take us for,
a couple of goyim?"
This joke, Professor Whitfield writes, "reveals more than a hint of contempt toward a sister monotheism. It slyly stabs at the mental inferiority ascribed to non-Jews, whose religious creed is too preposterous to be credible."
This sentiment is in
evidence in another Jewish joke he cites:
Three recent
converts to Christianity were being tested.
"What is Easter?" the first man
was asked.
"Easter is when Jesus was born."
"Go back and study," they said to
him. "Next!"
"What is Easter?"
"Easter," said the second man,
"was when Jesus split the Red Sea."
"I'm sorry," he was told. "You'll
have to do some more studying. Next!"
"What is Easter?" the third man
was asked.
"Easter," he said tentatively,
"was when Christ was reborn."
"Excellent. Please continue."
"Well," the man said cautiously,
"he was in the grave for three days. . . ."
"Very good; and then?"
"And then he came out, saw his
shadow — and went back in!"
Finally, we arrive at what must be the most blatantly hostile and offensive
portrayal of Christmas ever found in the mainstream American media. The creators
of the animated series South Park concocted a Christmas character to replace
Santa. This new character is "Mr. Hankey the Christmas Poo," an animated human
feces. Mr. Hankey was introduced in
a 1997 episode
that showed the young Jewish boy Kyle brushing his teeth. Mr. Hankey, wearing a
Santa hat, jumps out of the toilet bowl and sings a song about Santa and
Christmas. The starkest comment in the scene comes when this animated feces
writes "Noel" in excrement on the mirror. (This early version can be viewed
here and a long
discussion I did of the topic
here.)
One hardly knows
what to make, then, of recent examples where young Jews really push the envelope
on exposing their own power or even crimes, all done with cutting humor.
For instance, the whole question of Jewish power in Hollywood and
in TV is a touchy one. In his excellent
study
The Jews of Prime Time,
David Zurawik asks, “What is ‘too Jewish’ yet not Jewish enough?”
Answer: “the strange history of Jewish characters on prime-time network
television.” The incongruence to which he refers comes from the fact that nearly
all the top TV executives and producers were Jewish, yet they were ambivalent
about portraying their own high status or that of Jews in other important areas
of American life. To illustrate, he begins with an interview with Jewish
comedian Al Franken (now a Senator from Minnesota). Zurawik’s direct access to
Franken and TV mogul Brandon Tartikoff provides an inside view of Jewish
thinking on the “too Jewish” issue.
Tartikoff was concerned about a sketch on NBC Entertainment’s highly popular
Saturday Night Live
show, in which actor Tom Hanks plays a fictional emcee of a game show called
“Jew/Not-a-Jew.” Alluding to Laverne & Shirley co-star Penny Marshall, Hanks
asks, “Okay, panelists, Jew or not a Jew?” Tartikoff allowed that it was funny
“but was it anti-Semitic?” After agonizing over it for a week, he gave the skit
a green light, whereupon his phone rang off the hook on Sunday morning “with
calls from colleagues, many of whom were Jewish.” The most troubling call, said
Tartikoff, came from his mother. “I cannot believe it. I’m embarrassed to call
you my son. This Jew/Not-a-Jew sketch was the most anti-Semitic thing I’ve ever
seen.”
While
Tartikoff may have erred in this instance, there were other times he pulled the
plug because a sketch or show was “too Jewish.” Why did Tartikoff and other
Jewish executives so often react this way? To Franken, it was because “there’s a
feeling among some Jews that ‘Hey, let’s not get too out front in our
Jewishness, because people might not like it.’ . . . ‘Hey, let’s not . . . draw
fire. There’s a lot of us in this business, let’s not call attention to it, you
know.’” This may well explain why so many Jewish network executives and TV
programmers shaded or avoided any connection between Jewish identity and what
characters said or did on so many shows. In fact, Tartikoff in 1991 nearly
canceled Seinfeld after just one episode for being — surprise — “too Jewish.”
Why, then, did the heavily Jewish
Saturday Night Live crew ever create — let
alone run — a skit that makes fun of the prominent role Jews played in the
financial meltdown? The skit spoofs Jews such as Herbert and Marion Sandler,
Congressman Barney Frank, and even George Soros.
Here's
the unadulterated original version.
Who, exactly, are they mocking? True, everyone in the skit
is by definition a buffoon, from the character of President Bush to the Yuppie
scum so totally self-absorbed in their own lives.
Is the real target, however, the gentile audience which
comprises the victim class in all of these Jewish financial crimes? After all,
Jews are no doubt highly cognizant of the fact that co-religionists such as
Bernie Madoff, Ivan Boesky, Michael Milken and literally hundreds more Jews have
been involved in these financial crimes.
Thus, is the joke here in part due to the assumption that
the goyim watching the skit will not really understand who has done what and to
whom? Further, isn’t there more than a suggestion that the skit really mocks
goyim because even if they have figured out the ethnic identity of the bulk of
these scammers, they still won’t or can’t do a damn thing?
Now comes an even
more blatant example of this kind of humor. The problem is, I don’t really know
who should get the credit. It’s a parody newscast from something called Onion
News Network, an offshoot of the original newspaper of that name. At this point,
I can’t say to what extent it or this particular skit is Jewish-influenced, so
I’ll wait for further comment on that.
Still, the ADL has yet to issue a condemnation of the skit,
something one would expect had non-Jews created a blatantly anti-Semitic image.
Or maybe
Nathan Rabin
had a hand in it. He’s the head writer at the
A.V. Club,
the entertainment-oriented sister publication to
The Onion.
Again, I’d like to hear more about this from readers.
In any case, the title of the parody in question is "Overcome Stress By Visualizing It As A Greedy, Hook-Nosed Race Of Creatures." Now to someone of my generation, “hook nosed” is an unambiguously negative reference to Jews. We know this because Jewish groups are constantly telling us NOT to think of Jews in this way. To an older generation, such images are right out of Der Sturmer, the Nazi propaganda magazine:


Have a look now at the image, first a frame from the video, then watch the short video itself.

Overcome Stress By Visualizing It As A Greedy, Hook-Nosed Race Of Creatures
I must say, the set
is professional looking and faux-hosts “Jim Haggerty” and “Tracy Gill” are
indistinguishable from the real thing.
Under the banner "STRESS RELIEF NOW!" we read about today’s guest: Expert
Christine Eckard Shares Stress-Relief Exercises.
On a surface level,
the humor succeeds because the hosts and guest are so typical of today’s
superficial TV personalities and therapy experts. They’re also very goyish (the
name Christine, for example, amplifies this).
As we
go deeper, however, it gets more difficult to read. For starters, what they are
showing is quite accurate. So how does using the truth perform as part of the
humor? I don’t think the skit is making fun of Jews for their appearance or
behavior. Rather, I think the writers are making fun, first, of their goy
audience. “Look, we’re showing you explicitly what Jews are, yet you’re still
too stupid to see it. What can’t we do and not get away with? There is no limit
to your goyische kopf stupidity.”
More
pointedly, however, I think the Jews behind the skit (again, I have to assume
this because I can’t imagine non-Jews ever daring to create images such as
these) are getting a thrill out of scaring and offending older Jews. It’s a very
adolescent thing — to scandalize your parents. For a young Jew in America today,
where physical safety has also been guaranteed and financial or job prospects
never a true worry, what can beat the frisson of excitement associated with
tweaking the noses of the goyim with some secrets about the tribe and in the
process really upsetting mom, dad and uncle Bernie down at the country club in
Miami?
For instance, our goyische “expert”
tells her audience to
Imagine
my money-related stress as the most disgusting terrifying creature I can think
of. I’d like to imagine an ugly, greasy little creature with a hooked nose and
oily black hair. I call him the Grabbler because he’s a greedy little monster
who wants to grabble up all your money. Now think of all the problems. He
invented interest rates like the ones on your credit card. He’s taking the jobs
because Grabblers
only hire their own kind.”
That’s hitting a little too close to home, isn’t it,
messieurs
Madoff, Blankfein and Soros?

The next part
clearly mocks goyim for our penchant of sticking our heads in the sand rather
than face up to real problems. Better, it mocks us because rather than face our
problems and deal with them, we resort to puerile tactics such as shifting our
focus to happy, sappy things. Like, say, rather than dealing with the fact that
a gang of Black punks has just knifed your neighbor's 16-year-old, you light
candles, hug each other and visualize a world filled with nothing but love.
Goyim can be really, really stupid.
In the case of this
video, our expert beseeches us to imagine yourself in a peaceful field full of
lilies. Meanwhile, the banner at the bottom of the screen reinforces this:
“Picture Yourself In A Quiet Space Free Of Grabblers, Such As A Field Or A
Church.”
Get it?
A church is where goyim go.
The expert than asks
us to expunge idea that grabblers are scheming or trying to rob you. The power
of positive thinking. How utterly stupid. But of course a grabbler by nature
schemes and tries to rob people. You’ve just imagined away any defense from
these grabblers. I guess that’s funny to some people.
Therapist Christine moves next to “Blabblers,” “people who love
to argue and complain in a nasal voices. They’re always lurking like rats.”
Here’s the image:

The first thing that came to my mind when hearing the world
“blabbler” was an image of Barbra Streisand who is affectionately known as
“Babs.”
The mock interview ends with host Haggerty plugging guest Christine Eckard’s latest book. We then get a close-up of the title: The Solution: Kill all the Grabblers.
So our expert with
the German-American sounding name, Christine Eckard, has genocide in her eyes,
quite appropriate for anyone with German blood. Ha ha ha.
As I’ve said, there
is a lot going on in this short video, and I’m far from reaching any
conclusions.
A Google search
turns up a few hints. A site called
Subverted Nation, for one, argues that
to your
conscious mind, it all sounds just as silly as it’s presented. The problem is
that your subconscious mind only sees things in a literal sense. It does not
have the ability to reason, and it is completely unable to use any logic
whatsoever. So, when you are told to visualize these problems simply fading
away, and replacing the imagery with something soft and sweet, this is exactly
what your subconscious mind does.
It’s very subtle, but this kind of
neuro-linguistic programming works extremely well, and your enemy is seasoned in
this practice in ways many of you are unable to imagine. These are the kinds of
techniques taught in the secret mystery schools to all of their kind. This is
the stuff you often miss, that is playing a vital role in their battle for your
mind, bodies, and souls.
This
writer also argues that “90% of the people on planet Earth do not know who this
enemy really is, they do not recognize the “grabbler” as the Jew, and they are
utterly clueless as to how serious of an issue this really is.” I simply can’t
agree with that. I refuse to believe that anything close to such a majority of
fellow Americans are clueless about such stereotypes about Jews. Could it be
possible? Again, I’d like to hear
from readers.
An acquaintance
seemed to think it possible, though. He told me that “Most people watching the ‘Grabbler’
sketch don't see it with our [Jew-wise] eyes. Indeed, one could come up with a
PC, philo-Semitic reading of the spoof: it reveals that all gentiles have
anti-Semitic fantasies and thus are in need of sensitivity re-education." If
he’s right about this reading, then we’re in deeper trouble than I had realized.
In
closing, let me proffer one last hypothesis for the Jewish medium known as
television for offering negative but fairly accurate depictions of Jews: Could
these Jews be crying out to get caught? Naaaaawwww.
Edmund Connelly (email him)
is a
freelance writer, academic, and expert on the cinema arts. He has previously
written for
The
Occidental Quarterly.