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What Would It Take?

Edmund Connelly 

July 15, 2010 

I believe Whites are willfully denying the clear and present danger we face. Whether it is through late or broken marriages, lackluster efforts at having replacement-level families, or feeble efforts at keeping the governing elite from importing a new (non-White) people, demographically, White Americans are in free fall. About this, the numbers speak clearly; there is no ambiguity. 

The National Policy Institute, for one, has an excellent set of free publications one can (and should) order. Here’s one of their presentations showing how Whites are faring demographically in the Great Darwinian Race for Survival: 

NPI: Global White Population to Plummet to less than 10% by 2060

A short video of this is available at YouTube. 

The message of this decline is everywhere.  For instance, The Atlantic Monthly, that most American of magazines, founded in Boston in 1857 and featuring such luminaries as Harriet Beecher Stowe, Ralph Waldo Emerson, Henry Wadsworth Longfellow, Oliver Wendell Holmes, Sr., John Greenleaf Whittier and James Russell Lowell, was once as White as they come. Now they revel in the dispossession of White men. 

Readers no doubt saw the collectors’ cover photo of President-Elect Barack Obama in the Jan-Feb, 2009 issue of the magazine last year: 


The cover story read: "The End of White America?" I suppose we exiting Whites should be grateful for the softening question mark attached to the title, though of course the essay itself reads as a elegy for White America.

Hua Hsu

 Written by one Hua Hsu, an instructor at Vassar, it aptly points to the 1993 Michael Douglas film Falling Down. There Douglas “plays Bill Foster, a downsized defense worker with a buzz cut and a pocket protector who rampages through a Los Angeles overrun by greedy Korean shop-owners and Hispanic gangsters, railing against he eclipse of the America the used to know.”


 

In the dénouement, this White character faces a policeman, gun drawn, on the Santa Monica Pier. To his great astonishment, just before he is gunned down and falls into the sea, he learns that this is a new America. Shocked, he stammers, “I’m the bad guy?” And then he’s gone. 

Fittingly, the story that follows Hsu’s account of America is one on First Lady Michelle Obama by Ta-Nehisi Coates (I’ll let readers ponder the race and gender of writer Coates). Accompanying it is a two-page photo of Mrs. Obama dancing with her husband. 

Further, it’s hard to escape the impression that editors at The Atlantic aren't begging advertisers to create ads that minimize the exposure of White men. Microsoft, for instance, ran a series in the magazine that imagined a future in which non-Whites and women would replace the White men who built America and sent rockets out into space. Here’s a sample:  

Or my favorite, Lockheed Martin’s vision of America’s future:

                                     

Recently, after teaching an American culture class where I yet again illustrated the scripted decline of White men because — according to the Hollywood films in question — they were evil, I began to wonder if I had laid it on a bit too thick. Then I went down to the university mailroom and picked up my mail. In it was the July/Aug 2010 Atlantic.  Here’s the cover:

Yes, below the title “The End of Men,” the subtitle reads “How Women are Taking Control — Of Everything,” by Hanna Rosin. 

The story, by the Jewish Rosin ("I'm Jewish, and I was born in Israel, and my whole family is Israeli"), begins:

Earlier this year, women became the majority of the workforce for the first time in U.S. history. Most managers are now women too. And for every two men who get a college degree this year, three women will do the same. For years, women’s progress has been cast as a struggle for equality. But what if equality isn’t the end point? What if modern, postindustrial society is simply better suited to women? A report on the unprecedented role reversal now under way — and its vast cultural consequences. 


The two-page illustration accompanying it, with its outsized image of the Asian woman in blue, reminded yet again of Kevin MacDonald’s observation: "The United States is well on the road to being dominated by an Asian technocratic elite and a Jewish business, professional, and media elite." Indeed.

Interspersed throughout the article are snarky pictures showing the petulant beings American men have become due to their loss of status.  As one enlarged Rosin quote reads, “Dozens of college women I interviewed assumed that they very well might be the ones working while their husbands stayed home. “Guys,” one senior remarked to me, “are the new ball and chain.” 

Contributor Pamela Paul even gets a little room to ask “Are Fathers Necessary?" A paternal contribution may not be as essential as we think.” 

(By the way, last summer The Atlantic published the sizzling anti-male essay 

Let’s Call the Whole Thing Off :

THE AUTHOR IS ENDING HER MARRIAGE. ISN'T IT TIME YOU DID THE SAME?

To work, to parent, to housekeep, to be the ones who schedule “date night,” only to be reprimanded in the home by male kitchen bitches, and then, in the bedroom, to be ignored—it’s a bum deal.

Male kitchen bitches.  Ouch.  Then again, any male that so bought into the Alan Alda-inspired demasculinization of the seventies probably deserves a few bad names thrown his way.) 

In any case, this summer’s issue is a cultural treasure trove of visual evidence that the White race in America is being shown the door. Upon opening the cover — which, recall, asserts the End of Men — we are greeted with this two-page ad from Shell Oil: 

 

Turn the page and there’s another two-page ad for Altria Group illustrating their support for educational programs aimed at "empowering" students to stay in school and picturing a racially diverse student population. Immediately following this is an ad for Dow Chemical featuring a Black woman stating that she is the "human element" in the "duty to put healthy, abundant food on the world's table."

Back in the days when Blacks had no power in America, we never saw them in ads either. What does it say, then, that we don’t see a White man’s face until page 8? (It’s the Pope and the caption reads: “Is the Catholic Church finished?”)  

The issue closes on the inside back cover with Shell stepping up to the plate again. Their focus: Japan.  (Opposite it, there’s a column by the sort of person who functions as a stand-in for a “White male”: Jeffrey Goldberg. The implicit message: Don't worry; with writers like Rosin and Goldberg, it's obvious that we Whites still run the show.) 


Readers won’t be getting a new issue of The Atlantic until September, so make this thick one last. And be sure to interact on the Internet with Hanna Rosin, her husband David Plotz and their three children. 

As for me, I am no Hanna Rosin fan.  Her December 2009 cover story most certainly rubbed me the wrong way.  After a year of mind-boggling economic swindles and bailouts that have used up a significant portion of the universe’s zeroes, who gets blamed? Christians. Now that’s why Jews are so often credited with chutzpah.   


 

Recall that Rolling Stone reporter Matt Taibbi wrote in his essay The Great American Bubble Machine that

The first thing you need to know about Goldman Sachs is that it's everywhere. The world's most powerful investment bank is a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money. 

I just didn’t get the impression he was appealing to a stereotype about Christians. I did an article on the Jewish nature of massive financial swindles over the years in Take the Money and Run. Of course Israeli Rosin was just doing her part in the old Jewish game of blaming the victim. Kevin MacDonald explained this tactic in a recent blog when he observed, “In contemporary human societies, a large part of group competition becomes intellectual warfare over the construction of culture.” I knew deflecting the blame from Jews was on the Sanhedrin “to do” list when I watched the remake of The Taking of Pelham 123.  

In the new version, Travolta’s character is a New York ethnic Catholic very interested in guilt. He was also a high-rolling Wall Streeter who skimmed millions of dollars until he was caught and sent to prison. Between then and now, he has also gone mostly insane, though he’s still canny enough to cook up a scheme to make a killing on stocks when he induces panic in the city with his subway hijacking. Now go back and read James Stewart’s excellent account of the savings and loan swindles of the Reagan ‘80s, Den of Thieves. The thieves were ethnic New Yorkers alright, but they sure weren’t Catholic. Sadly, this concerted media effort to blame others will likely work.

Another area in which White displacement advances is in government favoritism shown toward non-Whites. This was highlighted last year during the nominating process of Sonia Sotomayor for a position on the Supreme Court. She had famously ruled against White firemen, but still had no trouble become a Justice. Quoting TOO editor Kevin MacDonald again, the nomination of Sonia Sotomayor “is yet another marker in the march toward the dispossession of Whites in America.” (She’ll likely soon be joined by another woman this one Jewish when  Elena Kagan gets appointed this summer.)

Speaking of women, it was Michelle Malkin who just stood up to defend Whites against government neglect. As she wrote,

This week, Justice Department whistleblower J. Christian Adams came forward with damning public testimony about how Obama officials believe "civil rights law should not be enforced in a race-neutral manner, and should never be enforced against blacks or other national minorities."

I guess we Whites can use all the help we can get, though. Turning again to MacDonald, we have his commentary on the English translation of a chapter from Solzhenitsyn’s book 200 Years Together, which is about Russians and Jews. MacDonald has often written about the murderous hostility of Jews toward Russians, millions of whom were murdered. He also draws parallels to the situation for Whites in America today. Reporting on how Jews displaced Gentiles in Russia, he concludes that  

This is a speeded up version of what is happening via affirmative action in America and other Western societies now. There is discrimination against higher IQ Whites in favor of lower-IQ groups. Jews, however, continue to be overrepresented in elite academic institutions on the basis of IQ, so they are not suffering a similar level of discrimination.

I’ve written about this, too. Recall my graph on the student makeup at Harvard:

 

To put a human face on such dispossession, let me share a letter from a reader: 

Your observation that Jews have constructed walls to protect their fields such as government and academia is correct. They have also erected barriers to defend other fields which they claim to be their own. One of these is medicine. You would be surprised at the number of Jews running selection committees and medical education departments in hospitals and universities. There they have developed control of who may enter residencies and how residents are evaluated. The acceptance of white males into medical education at this level has sunk to a low. Preferred are Jews, Asians, Mexicans and females.

Another way in which they enforce a leadership role is by the assignment of labor in residency programs, where Jewish chief residents assign work  so as to favor their own kind and put white males at a disadvantage. Jewish physicians also seem to prefer to run organizations and to control the distribution of funds. 

Everything in this article written thus far describes the non-violent dispossession of Whites, but there remains the possibility of the process speeding up through mass slaughter. MacDonald is explicit in comparing the heavily Jewish Bolshevik takeover of Russia to the situation here today: “Again, the analogy is striking. As emphasized repeatedly on TOO, Whites can expect to be increasingly victimized by non-Whites with historical grudges as they sink to minority status and lose political power.”

I don’t need to repeat myself because I’ve written about the potential for such a bloody future for White Americans before. Instead, I’ll try to appeal to readers’ visual sensibilities. Below is a chess set made by Italian Jewish glassblower Gianni Toso. In 1969 he created a stunning set called “Jews vs. Catholics.” 

I strongly suspect most Christians are ignorant of the fact that so many Jews still think in these terms. They’ll soon learn, however.

Let me leave readers by revisiting the issue of The Atlantic I addressed above. The writer I noted, Ta-Nehisi Coates, is an African American male. I found out because he has a three-page article in this summer’s issue. There he gives a short biography, noting that as one of seven children, he was less than a scholastic standout. “My roller-coaster ride through the Baltimore-area schools included two suspensions, two expulsions, and an arrest by school police. In 11th grade . . . I was kicked out of the local magnet school.” Still, he (somehow) made it into college, where he proceeded to do little work and failed to graduate. In an America that gave us Obama, however, that’s not always a hindrance.

In 2005 TIME magazine saw fit to hire him as a journalist, and now he has a solid career going. “I had an office 23 floors in the air, in Midtown Manhattan. I used to look down on Sixth Avenue and wonder about the distance between my scholastic and professional lives. How could I utterly fail in practice and then succeed in the game?”  Gosh, I wonder. 

Perhaps it has something to do with the program of removing White men from the newsroom (and fire stations and NASA offices and the Oval Office, etc.)  and replacing them with non-Whites who will never threaten those with real power in America today: Jews. 

What would it take to make this dispossession process more clear to people? Until they recognize what is happening, there is no hope of confronting it. The loss of the White race would be a true blow to humanity.

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Edmund Connelly (email him) is a freelance writer, academic, and expert on the cinema arts. He has previously written for The Occidental Quarterly.

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