Sigmund Freud: “Sexual morality is contemptible. I advocate an incomparably freer sexual life….If only Americans knew, we are bringing them the plague!"   

Sex Plague 

Dr. Lasha Darkmoon

October 6, 2010

A recent pamphlet published by the German government contains these chilling words:

Fathers do not devote enough attention to the clitoris and vagina of their daughters. The child touches all parts of their father’s body, sometimes arousing him. The father should do the same.

Toddlers are to be encouraged to indulge in “unlimited masturbation.” Their parents are expected to offer practical demonstrations if need be — the better to produce sexual precocity in their offspring. “Children should learn there is no such thing as shameful parts of the body,” the booklet advises. “The body is a home you should be proud of.” 

Children, it is suggested, should be taught the movements of copulation as soon as they reach the age of four, giving them what virtually amounts to a crash course in the Kama Sutra as soon as they have learnt to walk.

Depravity, it seems, cannot be taught too early.  

In Holland, things have gone further. Here a political party, set up by convicted pedophiles, clamors for the legalization of child pornography and intergenerational sex between children of twelve and adults old enough to be their grandparents. I forgot to mention bestiality. They want to legalize that too. (See here for a full report).

Who is to blame for the sex addictions we see suppurating all round us? This licentiousness, growing by the day, thanks to the internet and the mass media, is far deadlier and more destructive than it was half a century ago, before the sexual revolution.

Those who are responsible for this sickening depravity are clearly the people who started the sexual revolution. They are the people, moreover, who control the mass media. 

Who controls the media? Who determines the imagery and attitudes drip-feeding steadily into the minds of the public? Who runs Hollywood? Who contaminates mass consciousness? Who defiles the collective mind? Who pulls the puppet strings of marionette man? Who are the Bad Shepherds leading the sheeple astray?

Who are to blame, in short, for letting the world go to hell in a handcart? 

I won’t bother to answer that question. More to the point, I dare not. If you don’t know who owns the media—lock, stock and barrel—you’re wasting your time reading this article.

Art and Sexual Subversion: The Vaginocentric Female Artist

Let me resume here my discussion of sexual depravity which formed the basis of my recent article Sex and the Jews; and let me begin by saying a few words on art, a subject I know something about. (See here and here). And then let me proceed to the subject of pornography and consider its deployment in the systematic demoralization of the masses.  

First, ask yourself this question: is there anything intrinsically admirable or aesthetically pleasing about British painter Tracey Emin’s attention-seeking leg-and-vagina paintings?

If you were a man of taste, which of these two depictions of the Eternal Feminine would you prefer: this beautiful woman painted by Botticelli or the ugly feminist icon who appears below?

Botticelli’s Venus

 Feminist icon Tracey Emin: "I've got it all"

Consider only these titles by the outrageously untalented Emin and draw your own conclusions: Everyone I Have Ever Slept With, Fucking Down An Ally (sic), Asleep Alone With Legs Open (several large-scale canvases of her splayed legs and vagina), I’ve Got It All (legs splayed again, clutching banknotes to her crotch), Weird Sex, CV Cunt Vernacular, Is Anal Sex Legal, Masturbating, Get Ready For the Fuck Of Your Life.

With titles like these, Tracey Emin could hardly fail. Her rich Jewish patron, advertising mogul Charles Saatchi, knew he was on to a good thing.

As the Gadarene swine hurtle over the cliff top, Tracey Emin and her kind clearly lead the pack on their way down into the bottomless abyss. These are the dupes of organized Jewry. By doing exactly what appeals to art patrons (almost all Jewish; see below), these infinitely corrupt talentless opportunists know they will become rich and famous.

The sad truth is that so many female “artists” — almost all of them rabid feminists and sexual exhibitionists — have nothing to sell but vaginas.

Here are ten other vagina-obsessed females, apart from Tracey Emin and the notorious Annie Sprinkle (see my previous article), who use sex to sell their “art”:  Karen Finley, Hannah Wilke, Carolee Schneeman, Andrea Fraser, Sarah Lucas, Marlene McCarty, Vanessa Beecroft,  Malerie Marder, Katy Grannan, and Kembra Pfahler.

Being unable to paint properly or produce objects of lasting value, these exhibitionists like to display their vaginas to the world and call it “art”. Here is one such exhibitionist, Jewish performance artist Carolee Schneemann, pulling a paper scroll out of her vagina:

Carolee Schneemann:  “I saw the vagina as enlivened by its passage from the visible to the invisible, a spiralled coil with the shape of desire and generative mysteries….”

Who helps to promote this pretentious claptrap? You don’t need three guesses to answer that question.

In 2001, ARTnews listed the world’s Top Ten Art Collectors. Eight of them were Jews. Ponder these staggering statistics: A people who constitute 0.2% of the world’s population make up 80% of the world’s richest art collectors. Out of every thousand people in the world, roughly two are Jews. To be precise, one in every 457 people are Jews. Yet go to a conference at which 1000 of the world’s wealthiest art collectors have gathered and you will find, to your amazement, that 800 of them are Jewish! Phenomenal, isn’t it? (See here)

Some of the vaginocentric exhibitionists mentioned above, like lesbian “performance artist” Annie Sprinkle, maintain websites blocked by porn filters. The aptly named Sprinkle—a nom de porn in honor of  urolagnia — is the lady who douched her vagina onstage in 1991, before lying down and opening her legs so that members of the audience, mostly male, could inspect her cervix with the help of a flashlight and speculum.

Annie Sprinkle (Ellen Steinberg): performance artist, prostitute, porn actress, feminist icon, and lesbian diva of depravity. Her idea of “art” is to masturbate onstage with sex toys, her legs wide open, and invite members of a predominantly male audience to peer up her vagina with torchlight and speculum. Sprinkle’s show was funded by the National Endowment for the Arts, a mini-empire controlled by the hidden hand of organized Jewry.

If Sprinkle acquired fame and fortune by allowing dirty old men to peep between her legs, Hannah Wilke and Karen Finley sought variations in which the vulva was again put to good use. The Jewish Wilke, being sadly deficient in originality, molded bits of chewing gum into vulvas and stuck them all over her body, much to the delight of the dirty old men who could now examine an assortment of vulvas simultaneously instead of just one. Not to be outdone, Finley smeared her naked torso with chocolate syrup and performed public acts—using a yam—which I won’t describe in detail in case nuns are reading this article. Rape, flatulence and menstruation formed the least offensive items in her repertoire.   

Andrea Fraser, however, deserves first prize for sheer chutzpah. This raunchy performance artist arranged to meet a man at the Royalton Hotel in Manhattan, owned by Jewish hotelier Ian Shrager. Above the bed, an overhead camera played Peeping Tom. The man was persuaded to part with $20,000 for the privilege of helping to create a “work of art” with the frisky Fraser, the said work of art being a pornographic video filming the two participants copulating on a Queen-size bed. This sex video, now available for posterity, is pretentiously called “Untitled”.

It’s not “art” we’re dealing with here, of course.  It’s pornography pure and simple.

The Jewish Affinity for Porn 

Nina Hartley, Jewish porn star, who is reported to have said, “I’ve yet to meet a Jewish guy who wasn’t a horny rabbit.” 

Jews dominate the world’s $10 billion a year porn industry, roughly 90 per cent of which is generated within the United States.   

As many as 260 new porn sites go online daily, more than ten sites an hour.  

Since Jews are known to dominate the porn industry and comprise only 2% of America’s population, it is reasonable to suppose that most of the new sites being started up every hour are being started up by Jews.  

It is even more alarming to note how sex is now deployed by many American Jews as a weapon against Christianity with its socially cohesive and family-friendly values. 

Jewish pornographer Al Goldstein’s infamous words — “The only reason that Jews are in pornography is that we think that Christ sucks”—surely tell us all we need to know about the bitter hatred felt by so many Jews for the Western countries that have harboured them and given them hospitality for so long.

Jewish hatred for Christianity is legendary, spanning the Jewish political spectrum, from the far left to the neoconservative right. It can hardly be doubted, as the picture below makes only too clear. 

“Christ sucks!”

The arrogance and sense of entitlement of so many Jews, whose values Al Goldstein seems to have imbibed with his mother’s milk, never cease to astonish me. “The difference between a Jewish soul and the soul of non-Jews,” Rabbi Kook assures us, “is greater and deeper than the difference between a human soul and the soul of cattle.” Given that Rabbi Kook would be the first to agree that rabbis form the intellectual and spiritual backbone of Jewry, one is tempted to ask what makes a man become a rabbi in the first place. Is it the thirst for God? Is it the wish to save one’s soul and help others along the path to salvation? 

Here is Jewish actor Richard Pacheco who couldn’t quite make up his mind whether to become a rabbi or a porn star:

Five years before I got my first part in an adult film. ... I went to an audition for an X-rated film with my hair down to my ass, a copy of Wilhelm Reich’s Sexual Revolution under my arm and yelling about work, love and sex, which were Reich’s three principles. These things have got to be in balance or your life is going to be fucked.

Note that Pacheco had signed on to the radical left-Freudian views of Wilhelm Reich—the wackiest and most extreme of the subversive sexual ideologies that emerged from psychoanalysis. Jewish devotees of psychoanalysis typically saw it, first and foremost, as a blow against Christian sexual mores; hence, as a sneak attack on Christianity itself. For Jews, psychoanalysis  placed  Western culture on the couch.  It was an assertion of Jewish  contempt for Christian culture—the culture of the outgroup now destined for the dustbin of history.   

Pacheco didn’t get the job, but he kept on auditioning, since all he really wanted was to screw gorgeous blonde shiksas—doubtless an atavistic expression of Jewish hatred for the goyim, every act of sex being an act of revenge.

Five years later I auditioned for another X-rated film. That very day, I also interviewed at Hebrew Union Seminary to do rabbinical study. I made the choice that the kind of rabbi I would be, if I became one, was one that could have been performing in sex films as part of his experience. (My emphasis, see here).

Mindboggling, isn’t it? This dupe of the sexual revolution couldn’t make up his mind whether to sing hymns to God or kiss the devil’s ass! In the end, it’s the devil who won out. Pacheco decided to build a career in pornography—with the full blessings, incidentally, of ADL chairman Abe Foxman who said that porn offered American Jews a valid and worthy way “to pursue the American dream.”

Richard Pacheco (b. 1948). Scion of an orthodox Jewish family from Pittsburg, Pacheco was attracted from an early age to the rabbinate and to porn in equal measure.  Star of over 100  X-rated films and winner of countless awards for his sexual prowess in front of the cameras, Pacheco was lucky to receive the loyal support of his wife Ashley. Managing somehow to juggle  a career in porn with a commitment to family life, Pacheco later had sex with Ashley “considerably less often after they had children and AIDS became a threat, but he credits his pornography career for giving him the opportunity to continue sexual encounters for a time without endangering his home life.” 

Here is Pacheco being interviewed after his retirement from porn:

As a young husband, I had no idea how to ask my beloved wife to be my “fuck-your-ass whore”. Yeah, I wanted some of that kind of sex, some very, very selfish lust with a sex kitten.  A “fuck-me-fuck-me” woman. There’d be corsets and leathers, high-heeled boots laced up to crotchless  panties, breasts spilling out of nippleless bras in lush bordello bedrooms filled up with sex toys. Like blindfolds and vibrators, handcuffs and paddles. Yeah, and there’d be me with a genuine tarted up won’t-say-no-woman. All the best drugs and oils in the world and plenty of time. And there’d be no “I love you” in any of it! I would meet this X-rated woman at the hotel where they were holding the auditions…and I would have sex with her right there in the hotel elevator! And then I would go home to my wife.

Richard Pacheco (a recent photo). Asked if he still watched adult movies now that he was  a Senior Citizen, the former rabbinical student replied: “Not much.  Occasionally I’ll toss one on for masturbation if my wife ain’t around.” (See here).

In 1984, Pacheco won the Best Couples Sex Scene (video) with porn star Nina Hartley. In 1999, he was inducted into the AVN Hall of Fame with feminist porn diva Annie Sprinkle.  In 2000, along with Sprinkle, he was given a Lifetime Achievement Award by the Free Speech Coalition (FSC), an organization that had given Nina Hartley an award only a few months earlier. (See here).

Note that these three luminaries of lust—Pacheco, Sprinkle and Hartley—are all Jewish pornographers and that the impressively named “Free Speech Coalition” is in fact a trade association set up in 1991 to safeguard the interests of “adult entertainers” — pornographers who for the most part are Jewish.  

The FSC rejects all claims that pornography is addictive; it refuses to consider the possibility that serial killers and rapists could in any way be influenced by inflammatory erotica.

In an important court case in 2002, Ashcroft v. Free Speech Coalition, the US Supreme Court decided in the Coalition's favour, thereby making it easier for pornographers to demoralize Americans, corrupt their children, and promote a general debasement of values — all this in accordance, incidentally, with the Frankfurt School agenda of producing a “culture of pessimism” designed to foster anarchy and promote impotent anger and despair.  (See here and here).

Our new elite is clearly engaged in the business of mind manipulation and mass demoralization, nor will it rest until it has rebuilt the world in the image of a new Sodom and Gomorrah — a dystopic nightmare.

 
America, 2050

Apocalypse America

I have said it before, and I will say it again:

A great storm is brewing and only a military coup or revolution can now save America. Save it from what?  From the spiritual cancer that is consuming it from within, and from the foreign wars into which it is being lured—Afghanistan, Iraq, and soon perhaps Iran—on behalf of another nation and its indefatigable agents in America.

Unless a miracle soon occurs and some charismatic leader comes to our rescue, an unimaginably bleak future surely awaits us: a future in which the only consolations left to us will be mindless entertainment, drugs, alcohol, sexual intoxication—and suicide.

Depravity appears to have no limits, as those who have surfed the internet have often discovered to their cost. The most appalling sexual addictions now render even children helpless. Many a marriage is blighted and ends in ruins amid these terrifying toxins.

And yet, we are only at the beginning. We have many a slime-green step to go before we reach rock bottom. Abyss yawns below bottomless abyss, and even to peer into these black moral chasms is to make us giddy with vertigo. 

There is indeed no end to man’s depravity.

And now…

Things fall apart. The centre cannot hold. The blood-dimmed tide is loosed, and everywhere the ceremony of innocence is drowned.

And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born…?
           — William Butler Yeats, The Second Coming