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The Crucifixion of Mel Gibson
James Edwards
July 12, 2010
The William Morris Endeavor Agency has announced that they’re dropping Mel
Gibson from their talent roster,
and will no longer represent him.
Because he used a “bad word”, about no one in particular, and in a moment of
passion:
I’ve just learned that WME Entertainment actually fired Mel Gibson the
day before his longtime Hollywood agent Ed Limato’s death last weekend. I’m told
what happened is that the news media reported last week there was a tape of Mel
Gibson making a racial slur. And last Friday, WME board member Ari Emanuel “woke
up at 3 AM and emailed his partner Patrick Whitesell that
‘we can’t
represent a guy who said the N-word’.” So the agency dumped Mel Gibson on
July 2nd, and the next day, on July 3rd, his agent Limato died. Today the
2-minute recording was released by the celebrity website RadarOnline.com which
initially broke the news that on it Mel Gibson allegedly uses a racial epithet
during a fight with Oksana Grigorieva, the mother of his child: “You’re an
embarrassment to me. You look like a f***ing bitch in heat, and if you get raped
by a pack of n***ers, it will be your fault.”
Let’s be absolutely clear about what’s going on here. This isn’t about “the N
word”, or about Grigorieva’s unproven claim that Mel Gibson slapped her around.
It has nothing to do with any of that, and I’ll prove it.
Kevin MacDonald: James Edwards' current TOO article ("On the crucifixion of Mel Gibson") emphasizes themes that have been a staple here: Jews adopting very different strategies and attitudes in Israel than in the Diaspora and Jews making alliances with other minorities against the White majority.
Ari Emanuel is horrified that Gibson would use the N-word but he comes from a long line of racial Zionists--followers of Vladimir Jabotinsky who believed that Jews were shaped by their long history as a desert people and that the establishment of Israel as a Jewish state would allow the natural genius of the Jewish race to flourish. For example Jabotinsky stated, “These natural and fundamental distinctions embedded in the race are impossible to eradicate, and are continually being nurtured by the differences in soil and climate.” As Geoffrey Wheatcroft recently pointed out, at the present time Israel “is governed by [Jabotinsky’s] conscious heirs.”
On the other hand, as soon as they move to the US, the family adopts the leftist, pro-multicultural, anti-White attitudes typical of American Jews. His mother was a civil rights worker in the US, and of course his brother Rahm Emanuel is a major power in the Obama administration and its left-leaning multicultural, anti-White agenda. Edwards shows that Emanuel's talent agency also represents several White-hating rappers. Of course, Jews have their own grudges against the people and culture of the West, epitomized by the hostility toward Gibson's The Passion of Christ.
It's only common sense for Whites to fear an America in which they are a minority with a hostile Jewish elite that has made an alliance with Blacks and other minorities with their own historical grudges.
This is Hollywood paying Mel Gibson back for the unforgivable crime of making a
movie about Jesus Christ several years ago. And for refusing to condemn his own
father when Hollywood scum attacked Hutton Gibson for having his own views about
World War 2. And for Mel telling a cop that Jews are behind all the wars of the
world, which might’ve been an exaggeration, but not a huge one. They certainly
were behind the Iraq quagmire – over in Israel,
the main newspaper bragged in 2003
that the Iraq War was a Jewish creation:
The war in Iraq was conceived by 25 neoconservative intellectuals, most of them
Jewish, who are pushing President Bush to change the course of history.
In the course of the past year, a new belief has emerged in the town: the belief
in war against Iraq. That ardent faith was disseminated by a small group of 25
or 30 neoconservatives, almost all of them Jewish, almost all of them
intellectuals (a partial list: Richard Perle, Paul Wolfowitz, Douglas Feith,
William Kristol, Eliot Abrams, Charles Krauthammer), people who are mutual
friends…
So it’s just terrific for the Israeli media to boast about Jews dragging America
into a no win war, but if Mel Gibson mentions Jews and war after having a few
drinks, he’s an anti-Semite?
But mostly it’s about
The Passion
of the Christ. The Hollywood elites hated that movie more than any
other theatrical production in history, and they hated Mel Gibson for using film
to preach the gospel of Jesus Christ. They declared war on him as soon as the
project was announced, and stepped up their hate campaign after it was released,
after they tried, but failed, to block its release. In New York City, run by the
same kind of people who run Hollywood, the authorities even dispatched 20 cops
from the Hate Crimes Unit to go watch the movie for possible “hate crimes”
violations.
Here’s a reprint of an article that originally appeared in
the New
York Post: (You can also
read about it here.)
‘Hate' Cops Go See Mel MovieE
By Larry Celona and William Neuman
March 2, 2004 — The cops at the NYPD’s Hate Crimes Unit are passionate
about their work – and they’ve all been told to watch Mel Gibson’s controversial
new movie about the last hours of Jesus.
Some Jewish leaders and Christian scholars charge the movie, “The
Passion of the Christ,” could lead to an upsurge in anti-Semitism because of the
way it portrays Jews and their role in Jesus’ death.
Aware of those concerns, the Hate Crimes Unit supervisor, Inspector
Dennis Blackman, ordered the 20 detectives under his command to see the film
after it opened last week. One NY elected official who’s tight with the
Hollywood crowd
used the power of his political office to intimidate studios into
refusing to have anything to do with the movie:
In 2003, Hikind and a group of supporters protested Mel Gibson’s film
The Passion of the Christ. He led about 50 Jewish leaders and supporters to the
Fox News Corp. offices in Manhattan in a demonstration, chanting “The Passion is
a lethal weapon against Jews.” Hikind was vocal in his anger against the movie,
saying: “It will result in anti-Semitism and bigotry. It really takes us back to
the Dark Ages … the Inquisition, the Crusades, all for the so-called sin of the
Crucifixion of Jesus.” After a News Corp. spokesman announced that they had
passed on the film, Hikind warned other movie companies that they too should not
distribute the film.
Another group who share the same ethnic and religious background of Ari Emanuel
actually wrote to the Attorney General of the United States,
demanding that Mel Gibson
be prosecuted for making the film:
Los Angeles, Alta California [!] – March 16, 2004 – (ACN) A Jewish group
led by Ephraim ben Laibl says that Mel Gibson’s film “The Passion of the Christ”
violates “Hate Crime Laws” and wants US Attorney General John Ashcroft to
prosecute the Actor-Director. Ephraim ben Laibl is the founder and director of
the Messiah Truth Project and is often featured in The Jewish Press, The
Jerusalem Post and at USAJewish.Com. He also serves as CTO for Pirchei
Shoshanims’ “Schulchan Aruch Learning Project” and is a producer of Israel
National Radio.
Ephraim ben Laibl and his Jewish supporters are presently distributing a
petition in the Jewish communities of Los Angeles, New York City and other major
cities throughout the USA. When enough signatures are collected, the petition
will be forwarded to the US Department of Justice for action. The petition
effort is getting significant publicity in the Zionist media including on radio
here in Los Angeles.
The petition reads:
Gibson’s “The Passion” in Violation of Hate Crime Statutes
Mel Gibson’s “The Passion of the Christ,” through purposeful rewriting of the
Christian Gospel mythos has, itself, become an anti-Semitic diatribe which,
since it’s February 25, 2004 release resulted in hate crimes against Jews,
Synagogues and Jewish Cemeteries in cities throughout the US. Mel Gibson’s
unbiblical and a-historical account of the “crucifixion” story has taken Hutton
Gibson’s claims that the Holocaust is “fiction,” even one step further.
Just as Adolf Hitler described the 300th anniversary performance of the
Oberammergau Passion Play as “a convincing portrayal of the menace of Jewry” in
1934, Gibson and Writer/producer Tom Fontana’s 2004 use of extreme graphic and
excessive violence set up and perpetrated at the urging of “the Jews” in their
portrayal displays a clear prejudicial bent against the Jewish faith.
United State law defines “bias related” or “hate crime” to mean a
“designated act that demonstrates an accused’s prejudice based on the actual or
perceived race, color, religion, national origin, sex, age, marital status,
personal appearance, sexual orientation, family responsibility, physical
handicap, matriculation, or political affiliation of a victim of the subject
designated act.” Depending on the state, criminal and / or civil laws may apply,
as well as recently enacted Federal statutes.
We implore US Attorney General John Ashcroft and the US Department of
Justice to evaluate the anti-Semitism clearly presented in Gibson and Fontana’s
portrayal, and ask that civil, criminal, and Federal hate-crime laws, as
appropriate, be utilized not only against the perpetrators involved in each and
every act which it has encouraged, but against the directors, producers, and
screen writers responsible for the work itself.”
The Hollywood-DC-New York axis of evil have never forgiven Mel Gibson for making
what they regard as the most disgusting movie in history, and they’ve been
trying to bring him down ever since. The people who run Hollywood absolutely
despise
Jesus Christ, and they despise Mel Gibson for making a movie about Him.
That’s
what this is about. It has nothing to do with “the N word.”
I said I’d prove it, so here goes.
This is about “the N word”? What a laugh. This was a private conversation, which
is nobody’s else’s business. And it took place in the heat of passion. What man
in his right mind wouldn’t be upset about the mother of his infant child running
around dressed provocatively? Everyone talks differently when they’re extremely
angry, even liberals. And Mel Gibson never used the word about anybody but
potential rapists. Since when do rapists deserve respect? Contrast this to the
reaction to Bill Clinton’s racial insult of Obama. When Ted Kennedy refused his
request to endorse Hillary for president instead of Obama, Clinton
angrily retorted that “a few years ago, this guy would have
been getting us coffee.” But that’s okay, because Bill Clinton never made a film
about Jesus Christ, so he gets away with that sort of thing.
Ari Emanuel, the head of the William Morris Endeavor agency, emailed his
colleague to say “we can’t represent a guy who said the N word.” Really?
Check out some of WME’s other clients
—
P. Diddy, Kanye West, Snoop Dogg, Mary J. Blige, 50 Cent, and many other rappers
who toss the N word around like confetti. Just do a quick search for the lyrics
of any of those people, and you’ll see that their “songs” are filled with 'the N
word'. But Ari Emanuel hasn’t announced that he’s dropping any of these
performers.
Emanuel’s WME agency also represents Ice Cube. Ice Cube is not only a rapper,
he’s also a movie star. He became famous in the early 1990s with the group
Niggaz With Attidude, who made songs like “F*** Tha Police.” He left the group a
little later, after a bitter dispute, which he blamed on their “White Jew”
manager, Jerry Heller. He wrote a song attacking his former group called
No Vaseline,
in which he went on about the “White Jew”, and told the group
they needed to put “a bullet in his temple.”
Ice Cube is also a member of the White-hating Nation of Islam cult, and he
recorded songs about killing White “devils.”
Here’s one sample:
Bust a Glock; devils get shot … when God give the word me herd like the buffalo through the neighborhood; watch me blast … I’m killing more crackers than Bosnia-Herzegovina, each and everyday … don’t bust until you see the Whites of his eyes, the Whites of his skin … Louis Farrakhan … Bloods and CRIPS, and little old me, and we all getting ready for the enemy.
About this time, Ice Cube discovered and mentored a group called Da Lench Mob.
He gave them their big break by featuring them on his album
AmeriKKKa’s
Most Wanted, and then went on to produce their debut album, and
their follow up album.
Here are some of the lyrics from Da Lench Mob, who also
hate White “devils” and want to kill a whole bunch of us:
Swing by on the pale guy … break him in the neck … the guerrilla with the poison tip … shaking pinky up on a dull-ass ice-pick … this is Lench Mob … devil, what you want to do; when you see the boot, knew your head is hoohoo
Dropping verses, casting curses, throwing these hexes on the devils … respect to Farrakhan, but I’m the jungle-don, the new guerrilla, top-ranked honky killer … what do blacks do; they just keep on blowing devils away … evil f***ing cracker … I’m tightening up the laces to my steel-toed boots, so I can walk, stomp; we stomp this devil down in the park
We’re having thoughts of overthrowing the government … the brothers and
sisters threw their fists in the air … it’s open season on crackers, you know;
the morgue will be full of Caucasian John Doe’s … I make the Riot sh*t look like
a fairy tale … oh my god, Allah, have mercy; I’m killing them devils because
they’re not worthy to walk the earth with the original black man; they must be
forgetting; it’s time for Armageddon, and I won’t rest until they’re all dead
The crackers ain’t sh*t; chase them out of the jungle; now raise up off the planet … we get the 12 gauge; shot to the chest … we hitting devils up … Da Lench Mob, environmental terrorist … I gripped the Glock and had to knock his head from his shoulders … I got the .30[6] on the rooftop; pop; pop; so many devils die … make sure I kill them … lynch a thousand a week if it’s necessary
That’s the group Ice Cube discovered, mentored and
served as producer and executive producer for both their albums.
And today he’s not only still represented by Ari Emanuel’s WME agency,
he stars in
kid’s movies, and
makes production deals with Disney.
Ari Emanuel has no problem with Ice Cube, but Mel Gibson has to go?
Hollywood can’t tolerate Mel saying a naughty word but turns a man who recorded
song after song about killing White people into a lovable kid’s movie star?
And what about “Snoop Dogg”, another WME “artist”? He’s also a member of Louis
Farrakhan’s hate Whitey cult. And that’s just the beginning. I won’t even try to
list all his songs about killing “niggas” and cops; you can look them up if you
want. A few years ago he told
Rolling
Stone magazine that in 2003, ten years after hitting the big time
and making tens of millions of dollars, he was actually running a string of
hookers, because he loved the real pimp lifestyle. He wasn’t some wannabe who
just rapped about running prostitutes;
he actually did it.
Snoop claimed in a 2006 interview with Rolling Stone magazine that
unlike other hip hop artists who’ve superficially adopted the pimp persona, he
was an actual professional pimp in 2003 and 2004, saying “That sh*t was my
natural calling and once I got involved with it, it became fun. It was like
shootin’ layups for me. I was makin’ ‘em every time.” He goes on to say that
upon the advice of some of the other pimps he knew, he eventually gave up
pimping to spend more time with his family.
He often wears Pittsburgh Steelers jerseys and caps.
That’s because he’s a fan of the Rollin’ 20s Crips, a
murderous Los Angeles gang.
In 1993, as his career was just taking off, he was charged with murder. He was
driving the vehicle from which his bodyguard shot and killed a man. They claimed
self defense, and an “urban” jury acquitted both of them, just as another one
would let OJ walk a few years later.
And this guy presents no ethical problems from Ari Emanuel and the rest of the
Hollywood crowd, but Mel Gibson is beyond the pale because he said one naughty
word?
You can believe that if you want, but anyone who’s not completely brain dead
knows that this isn’t about “the N word.”
Now here’s where some idiot liberal will chime in that it’s different, and I’m
comparing apples and oranges, because Mel Gibson is White, so he’s not allowed
to use that word, but black people are, and it’s fine for them to record song
after song about killing White people because that’s “art.”
Really? Then how come there are no skinhead bands signed to big Hollywood
labels, being represented by the William Morris agency, if songs about killing
members of a racial group are “art”?
And it’s BS to claim that black people are allowed to use the “N word”, but
White people aren’t.
And tell it to Charlie Sheen. He’s another actor
who’s also represented by the William Morris Endeavor agency.
He’s the star of one of the most popular shows on TV,
Two and a
Half Men, which he’s been starring in since 2003.
In 2005, Charlie Sheen
left this message on his ex-wife’s answering machine:
Yea, I just got your other email and I am a little confused because you
told me that was something you only told a couple of people, and this and that,
and I just, again you continue to be deceitful and mischievous and sneaky, and
you’re a f***ing liar. Okay. You’re a f***ing liar. So, you know what it’s like,
f*** you. Okay, I hope you rot in f***ing hell. You’re a piece of sh*t f***ing
liar and I hope you f***ing rot in hell. So f*** you. I hope I never f***ing
talk to you again you f***ing c**t. F*** you.
You’re a
coward and a liar and a f***ing nigger alright, so f*** you.
Now, granted, Ari Emanuel wasn’t the head of the agency back in 2005. But he’s the head of the agency now. Has he fired Charlie Sheen because “we can’t represent a guy who said the N word’? Uh, no. In fact, the William Morris Endeavor agency just negotiated a huge new contract for Sheen which pays him nearly $2 million an episode.
But Charlie Sheen never made a movie glorifying Jesus Christ.
That’s why they’re going after Mel Gibson. I told you I’d prove it, and I did.
Ari Emanuel’s agency has lots of performers who use the “N word”, including the
very White Charlie Sheen.
Their hatred of Mel Gibson has nothing to do with the naughty word he said.
They hate Mel because he made a film about Jesus Christ, and they despise Jesus
Christ. That’s why they put him through hell back in 2003 and 2004, calling him
all sort of vile names, accusing him of all kinds of despicable motives and
schemes, sending cops out to screen the movie for hate crime violations, using
elected officials to intimidate studios into not touching the movie, and
demanding that the US Attorney General lock Mel up for making the movie.
These are the people who run Hollywood, New York and DC. They hate you, they
hate your Lord and Savior, and they hate everything about us and our way of
life, and they want to destroy it.
Ari Emanuel is scum. He’s not worthy to even be in the same room as Mel Gibson.
His father was a terrorist.
He was part of the terrorist group
that blew up a hotel killing 91 people.
But because some terrorists are more equal than others, he was allowed into the
United States where he became a doctor, and his wife became a “civil rights
activist.” His son now heads up the most powerful agency in Hollywood, and one
of his other sons, Rahm, is the de facto president who gives orders to the
figurehead Barack Obama.
But scum like the Emanuel’s are in charge now. They make up the DC-New
York-Hollywood axis of evil, and what they’re doing to Mel Gibson is just a
little taste of what they’ve got planned for the rest of us. If you want to know
their ultimate plans, just read an account of the Communist Revolution in Russia
back in the early 20th century, which was orchestrated by people just like Ari
and Rahm Emanuel and their terrorist father and “civil rights activist” mother.
They’re going after Mel Gibson because he dared to make a film about their arch
enemy, Jesus Christ, the One they’ve despised for 20 centuries.
They can’t get to Him, so they’re crucifying Mel Gibson instead.
Well, I’m standing with Mel, and I hope you will too.
James Edwards (email him) is the host of the Political Cesspool radio show. This article is based on his blog of the same title.
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