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The Party is Over
Tom Sunic
This is the revised and shortened essay published first in
Chronicles of American Culture
under the title “The
Right Stuff,” October 1996.
Morphine is said to be good for people subject to severe depressions, or even
pessimism. Although the drug first surfaced in a laboratory at the end of the 19th
century, its basis, opium, had been used earlier by many aristocratic and
revolutionary nationalist thinkers. A young and secretive German romantic,
Novalis,
enjoyed eating and smoking opium juice, probably because he had always yearned
to alleviate his nostalgia for death. Probably in order to write his poem
Sehnsucht nach dem Tode (“Nostalgia of
Death”). Early poets of Romanticism turned inward to their irrational
feelings, shrouding themselves in the pensive loneliness which opiates endlessly
offer.
Revolutionary-Conservative, Anarcho–Nationalist Aesthetics
Once upon a distant time we met Homer's Odysseus, who was frequently nagged by
the childish behavior of his pesky sailors. Somewhere along the shores of
northern
The escape from industrial reality and the maddening crowd was one of the main
motives for drug use among some revolutionary conservative poets and thinkers,
who could not face the onset of liberal mass society. The advent of early
liberalism and socialism was accompanied not only by factory chimneys, but also
by loneliness, decay, and decadence. The young English Tory
Thomas De Quincey,
in his essay Confessions of an English
Opium Eater, relates his Soho escapades with a poor prostitute Anna, as well
as his spiritual journeys in the aftertaste of opium. De Quincey has a feeling
that one life-minute lasts a century, finally putting an end to the reckless
flow of time.
The mystique of opium was also grasped by the mid-19th-century French symbolist
and greatest poet of all time,
Charles Baudelaire.
He continued the aristo-nihilistic-revolutionary-conservative
tradition of dope indulgence via the water pipe, i.e., the Pakistani
hookah. Similar to the lonely
albatross, Baudelaire observes the decaying

Charles Baudelaire
When studying the escapism of postmodernity, it is impossible to circumvent the
leftist subculture and its pseudo-intellectual sycophants of 1968. The so-called
"sixty-eighters" hollered out not only for liberty from all political authority,
but also for free sex and drugs. At the beginning of the 60's, the musical alter
egos of the Western left, the Rolling Stones and Bob Dylan, called out to
millions of young white people throughout America and Europe, telling intruders
to "get off of my cloud" and urging them that "everybody must get stoned." More
damage did they inflict than the entire Freudo-Marxist scholastics.
Here lies the main difference between
leftist and rightwing intellectuals, scholars and artists. Leftist escapism, by
definition, means instant gratification. By contrast, the whole rightwing
spiritual heritage is immersed in cultural despair and magic words of “Weltschmerz.”
It
must be a matter of individual character, psychological strength and moral
perseverance for all Euro-American White thinkers not to fall into cheap
oblivion but to continue Faustian and Promethean resistance against all odds.
As Friedrich Nietzsche warned us long
time ago: “A free man is a fighter”!
Unquestionably alcohol consumption has done more damage to intelligent
nationalist and traditionalist poets, thinkers and politicians than all Marxist
and liberal foes combined. When in the 21st century the flow of history switches
from first gear into fifth gear, many among them (among us?) may rightfully pose
a question: What do we do after the orgy? The French author
Jean Cocteau
knew the answer: "Everything we do in our life, even when we love, we perform in
a rapid train running to its death. Smoking opium means getting off the train."
Don’t ‘Bogart’ Political Correctness!
Hashish and marijuana change the body language and enhance the babbling about
“human rights” and “social philanthropy.” Smoking joints triggers abnormal
laughter. Therefore hashish may be described as a communistic drug —
custom-designed for multiracial individuals who by their lifestyle loathe
solitude and indulge in vicarious humanism and unrepentant globalism. In the
permissive society of today, one is allowed to do everything—provided one does
not rock the boat, i.e., "bogart"
political correctness.
If Stalin had been a bit more intelligent he would have solemnly opened
marijuana fields in his native
Cocaine induces eroticism and enhances the sex act. The late French fascist
dandy and novelist
Pierre Drieu La Rochelle
took coke, and in addition loved all possible and impossible women. The problem,
however, is that the coke intaker often feels invisible bugs creeping from his
ankles up to his knees, so that he imagines himself sleeping not with a
beautiful woman but with scary reptiles. In his autobiographical novels
Le feu follet (“Sparkling lights”)
and L'homme couvert de femmes (“Man
Loaded with Women”)

Indeed,
The English conservative and aristocrat author,
Aldous Huxley
is unavoidable in studying communist pathology (Brave
New World Revisited) and Marxist subintellectual schizophrenia (Grey
Eminence). As a novelist and essayist his lifelong wish had been to break
loose from the flow of time. Mexican mescaline and the artificial drug LSD
(‘acid’) enabled him new intellectual horizons for observing the end of his
world and the beginning of a new, brave new one. In his book
The Doors of Perception,
Huxley notes that "mescaline raises all colors to a higher power and makes the
percipient aware of innumerable fine shades of difference, to which, at ordinary
times, he is completely blind." On his
deathbed in
And what to say about the German essayist and novelist
Ernst Jünger,
whom the young Adolf Hitler in Weimar Germany liked to read. Jünger is today the
greatest literary icon among European nationalists and revolutionary
conservatives. In
his book Annäherungen: Drogen and Rausch,
(Rapprochements:
Drug and Getting High)
Jünger describes his close encounters with drugs.. "Time slows down. . . . The
river of life flows more gently... The banks are disappearing."

Ernst Jünger's compatriot, the cultural pessimist, anticommunist and
anti-liberal essayist and poet, the medical doctor
Gottfried Benn,
also took drugs. His observations, which found their transfigurations in his
poems "Kokain"
are indispensable in studying the decaying liberal, democratic pre-National
Socialist Weimar Germany. He records in his voluminous poetry nameless human
destinies stretched out dead on the tables of the mortuary. He describes the
dead meat of prostitutes out of whose bellies crawl squeaking mice. A
connoisseur of French culture and genetics, Benn was sympathetic to National
Socialism, which explains, why after the end of the war, like thousands of
European artists, Benn sank into oblivion. Probably because he once remarked
that "mighty brains are strengthened not on milk but on alkaloids."
Modern psychiatrists, doctors, and sociologists are wrong in their diagnosis of
drug addiction among large segments of Western youth. They fail to realize that
to combat drug abuse one must prevent its social and political causes before
attempting to cure its deadly consequences. Given that the crux of the modern
liberal system is the dictatorship of well-being and the dogma of boundless
economic progress, many disabused young people are led to believe that everybody
must be entitled to eternal fun. In
an age of TV-mimicry, headless young masses become, so to speak, the impresarios
of their own deadly narcissism.
By contrast, drug abuse among a handful of anarcho-nationalists and
revolutionary conservative thinkers has historically been an isolated death wish
to escape time and feelings of cultural despair.
Their drug abuse also dispels the myth that right wingers are prim
and prudish, and prone to living in the past. The fact that they were very
intelligent dispels the myth that they are stupid. Quite to the contrary: modern
right-wingers, who appear today under different names such as
“national-anarchists,” “ anarcho- traditionalists,”
“revolutionary conservatives,” or “archeo-futurists,” have always
combined past heritage with hypermodernity, while strictly avoiding cheap and
deadly physical thrills.
However, when the same joint finds its way into the liberalo-leftist dirty hand,
it does more than just burn the stained forefinger: its multiracial promiscuity
destroys the entire white society.
Tom Sunic (http://www.tomsunic.info;
http://doctorsunic.netfirms.com)
is author, translator, former US professor in political science and a former
Croatian diplomat. He is the author of
Homo americanus: Child of the Postmodern Age
(2007). His new book of essays, Postmortem
Report: Cultural Examinations from Postmodernity, prefaced by Kevin
MacDonald, will soon be released.
Email him.
Permanent link: http://www.theoccidentalobserver.net/authors/Sunic-Drugs.html