Tristan Tzara depicted in a contemporary painting Go to Part 1. Dada in Paris By 1919, when Tzara left Switzerland to join the poet André Breton in Paris, he was, according to Richter, regarded as an “Anti-Messiah” and a “prophet”.[1] His 1918 Dada Manifesto had appeared in Paris, and, according to Breton, had “lit the touch paper. Tzara’s … Continue reading Tristan Tzara and the Jewish Roots of Dada — Part 2 of 3