James Edwards and Pat Buchanan Discuss Churchill, Hitler, and the Unnecessary War
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James Edwards: Churchill, Hitler, and the Unnecessary War might be your most provocative book. What compelled you to write it?
Patrick J. Buchanan: There were several things. First, it is a phenomenal story. What happened to the Western nation that ruled the entire world in 1914? Thirty years later, all of Europe was in ashes or aflame. Communists had half of Europe, and all the great Western empires had been destroyed. I went back to try and locate the historic blunders that were made, and I think we located eight of them.
Secondly, it’s a cautionary tale for the United States. The arrogance and hubris you see of these monarchs and all their retainers just before World War I, we see emulated and copied today, frankly, by some folks in post-Cold War America. So, it was to try and tell a cautionary tale to prevent what happened to Great Britain and the British Empire from happening to us.
Edwards: What are the parallels between the United Kingdom during the years between the world wars and the United States today?
Buchanan: One of the greatest is the British decision to alienate friends like Japan, which had been an old ally in World War I. The Brits broke the treaty with them at the demand of the United States for no good reason whatsoever. Japan was driven into isolation, anger, and rage, and eventually returned to her imperial policy and collided with Great Britain.
Even Benito Mussolini, who loathed Adolf Hitler, was driven into Hitler’s arms by the British/French decision to sanction them over a colonial war in Ethiopia. That was a mistake.
Finally, there is this war guarantee that the British gave to Poland, unsolicited, even though Poland had participated in the rape of Czechoslovakia — at least the regime had.
You see all these decisions replicated with the United States handing out war guarantees in this century to the Baltic republics and Ukraine and elsewhere. I see the same pattern repeating itself again and again. I believe the gentleman who said that people do not learn from history was right.
Edwards: What are some of the myths that hold up Winston Churchill as a hero?
Buchanan: There is no question that Winston Churchill was a heroic figure in 1940 when he took over the premiership in Great Britain, just as the Germans were breaking through in the Ardennes. He defied Hitler. He defied the Germans. He fought on and inspired his people. He was the leader during the Battle of Britain. Americans watched that from across the ocean and there was an indelible impression that there was a defiant bulldog who represented the British people at their best. That’s a true story. That’s not just a myth.
However, there was another Churchill who, in 1942, 1943, and 1944, slipped into Moscow to divide Europe with Josef Stalin and groveled to Stalin in a way that would make Neville Chamberlain look like Davy Crockett. He was writing off the Poles, for whom the British had gone to war. If you go all the way back to 1913 and 1914, he was lusting for war far more than the Kaiser who was trying to avoid war.
These are the myths we have been raised on since we were kids, and this is one reason I wrote the book. At least the new generation coming up, who is not saturated or marinated in these myths, can understand why it was that our grandfathers and fathers destroyed Western Civilization.
Edwards: What is it about World War II that your detractors don’t seem to understand?
Buchanan: The book is dedicated to four of my uncles who were Greatest Generation Americans and fought in Europe, one of whom came back from Anzio with a Silver Star. But I think it’s the idea that this was a good war, a war where pure good fought pure evil, a war that had to be fought and was necessary, and there are no doubts or qualms about it. But that is not true.
And that’s why I, in effect, am dispelling some of the great myths by which Americans live when I say that Chamberlain and Churchill blundered serially, again and again, to bring about a war with Germany. Hitler didn’t want war with the West. He didn’t want war with Poland. He didn’t want a world war. He wasn’t even prepared for a world war.
To say that Hitler did horrible things in wartime is correct, but, as I say, had there been no war, there would have been no Holocaust, and I’m not sure there would have been a war if the British hadn’t issued this insane war guarantee to Poland.
Edwards: History is like a Sunday buffet. People take what they want and leave the rest on the table. Of course, it has been lost to antiquity that most Americans stood with Charles A. Lindbergh and the America First Committee in opposition to our entry into World War II before the attack on Pearl Harbor.
Buchanan: Well, good for you. Good for you for bringing up Col. Lindbergh’s name because his reputation has been blackened because of a single speech he made and a couple of paragraphs in it where he mentioned three forces are moving for war.
Of course, one of them is the Roosevelt Administration. The other is the British, which was clearly true. They had a man called “Intrepid,” William Stephenson, who tried to find ways to get the Americans into war by putting out propaganda and, frankly, blackmailing senators.
And then he said the Jewish community was beating the drums for war, but this was going to be a disaster for the Jewish community if we got into war. That was verboten to say, but no one has claimed what he said was palpably untrue. Before December 7, 1941, the America First Committee wanted to put up a resolution in Congress saying, “We declare war on Germany,” and have it voted up or down, but don’t sneak us by a back door into war.
Edwards: Had Divine Providence seen fit for Pearl Harbor to have never occurred, the United States stays home, and Germany proceeds to defeat Stalin, what would have happened to America? Would Hitler have come over here and taken us out?
Buchanan: Hitler did not war in the West. That’s why he didn’t demand the return of Alsace-Lorraine from France whereas he did want the return of Danzig from Poland and the League of Nations. He did not want war with Britain. Never did. He wanted to see the British Empire preserved. He was a great admirer of it. He thought Britain was a natural ally of Germany because they had no conflicts. So, I think, if the British hadn’t given the war guarantee, I don’t know if there would have even been a war with Poland because the German offer was not outrageous when asking for political control of their city, Danzig, with the Poles having economic control.
I don’t even know if there would have been a war with the Soviet Union then because Germany wouldn’t have had a border with the Soviet Union. They would have had to get permission from Romania, Poland, or Hungary to invade the Soviet Union. If Hitler had not declared war on the United States, I still think he might have been stopped in Russia, but the outcome of that war would have been in doubt because all the equipment we gave to Stalin enabled him to sustain his war effort and mount that enormous offensive the Russians had coming into Europe. I do think that if Germany had not gotten into the war by 1943, Stalin would have been on the Rhine.
Edwards: Hopefully a lot of American blood would have been spared.
Buchanan: There was a wonderful thing that the America First people did, and I was criticized for saying it, but they kept us out of war until after Hitler made his fatal blunder of invading Russia. This meant the Russians bore the burden of battle, and hundreds of thousands — if not millions — of American soldiers lived who would not have lived if we had had to fight Germany from the west without the Soviet Union in the war.
Edwards: How did you go about researching for this book? Who did you primarily consult with and reference when writing it?
Buchanan: After I wrote A Republic, Not an Empire, I got that good letter from Geroge Kennan, the great geo-strategist in the Cold War. He agreed with me on a point that I’ve been really torn apart for. I said that, after the Battle of Britain, if the Germans couldn’t get air superiority over the British Isles, they certainly couldn’t get it over the Atlantic. If they couldn’t land in England, they weren’t going to land in the United States.
It’s preposterous. There was no threat. I was attacked for that, and I sort of determined that, at some point, I’m going to expand on this argument because I think it’s true. So, I started reading more and more books. I was going to write a book on the war guarantee, and then you go back and ask, well, how did we get there?
Then you have to keep going back, and I had to cut it off in 1905. But I’ve got about 120 books, ranging from histories to biographies. I must have quoted six of Churchill’s books and six books by Andrew Roberts, a British historian and a friend of mine.
I just kept reading them and decided, here are the key decisions and pivot points that decided the history of the century.
One, of course, was the assassination of the archduke in World War I, Versailles was another, and I decided that the British breaking their treaty with Japan was yet another. Then I discovered that Mussolini allegedly despised Hitler and wanted an alliance with the West, so you had the Stresa Front agreement of 1935.
Then there are the familiar ones: Rhineland, the Anschluss, and Munich, but the key one is the war guarantee. That’s the soul of the book. If people can only read one chapter, read that one because it shows how leaders in panic, haste, and folly, who have been knocked on their heels by being humiliated, can make a horrendous decision that cost them everything. The whole British Empire and the British nation was put on the line in an insane war guarantee that the British could not honor and did not honor.
Edwards: If people want to learn more, they’ll have to buy the book, right, Pat?
Buchanan: Yes, sir.
Edwards: Last question. What might future wars look like?
Buchanan: In the coming world, I think the wars of race, ethnicity, and culture are going to replace the old wars of ideology, dynasty, and empire. I see that coming, and it’s not a pleasant sight. Pat Moynihan sort of saw it coming, and so did Dr. Arthur Schlesinger. I have read a number of columns on this, and you see the divisions in our society increasingly on the lines of race and ethnicity, and I don’t think it’s a pleasant prospect that our kids and grandkids will have to confront.
I am going to try to address it and see if there is any way it can be resolved short of some sort of Balkanization of America.
When not interviewing newsmakers, James Edwards has often found himself in the spotlight as a commentator, including many national television appearances. Over the past 20 years, his radio work has been featured in hundreds of newspapers and magazines worldwide. Media Matters has listed Edwards as a “right-wing media fixture” and Hillary Clinton personally named him as an “extremist” who would shape our country. For more information, please visit www.thepoliticalcesspool.org
The Political Cesspool is an award-winning broadcast that can be heard on our flagship station, AM 1600 WMQM in Memphis, Tennessee, and via the Liberty News Radio Network’s internet stream, affiliate stations, and shortwave / satellite network.
www.thepoliticalcesspool.org
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Thanks.
I recall reading somewhere that all correspondence between Poland and Germany was being facilitated by French and English diplomats, and the F&E withheld Germany’s peace overtures. That lit the fuze……
A marvelous interview to add to our arsenal. I’ve been listening to Mark Weber and Frodi Midjord discuss Buchanan’s book in several interviews that can be found at ihr.org and gtkradio.com.
BUT even Pat Buchanan conciously/unconsciouly fell short of the best Historical perspective. Perhaps after the Fall of The Roman Empire and the Rise of Christianity THE WEST has been merely a tool in the GREAT ZIONIST JEWISH WORLD DOMINATION PROJECT …The Protocols of Zion…Let the Goyim West vrs East , Christian vrs Muslims KILLED each others in a great Racial/Religious/Ethnic World Wars..so that .only the Jews will be left standing Edom vrs Magog…USA/Russia/China/Iran they are all pawns in the great Zionist world control…
Edom v Magog – superstitious fantasy
Protocols of Zion – not a genuine transcript
Zionism – a territorial project from 1897
A Jewish-contaminated “American” visits the “most evil cemetery in the world”. Accordingly, it does not occur to him to be the victim of brainwashing that is exterminating his own race. He has a huge nose. https://www.youtube.com/watch?v=bWsf-7SAZaM
Is dis a Jew (kinda Jonathan Greenblatt offshot)?
https://www.youtube.com/watch?v=oL6p7VsaKZY
As you can also see in the museum, not only watches, badges and medals were stolen from the German prisoners of war, but of course also the coveted weapons. The guy with the pigtail is called Dorr. He says at a German war cemetery, where he discovers the grave of a soldier of the same name, that he has a German surname, which is actually Dörr. His repulsive buddy with the hideous eagle nose is called John David (“JD”) Huitt:
“The Gettysburg Museum of History was founded by Erik L. Dorr. His ancestors moved to Gettysburg in 1818 and eventually settled in Ziegler’s Grove, the site from which the Pickett’s Charge began on July 3, 1863. The family farm at Ziegler’s Grove is now part of Gettysburg National Military Park, which is managed by the Park Service. After the federal government turned the Pfeffer family lands into a national park, the family moved into the house that now houses the Gettysburg Museum of History.
Erik L. Dorr is now the 4th generation of his family to live in the house at 219 Baltimore Street in downtown Gettysburg. Young Erik grew up hearing stories about the Great Battle of Gettysburg from his grandfather and former mayor of Gettysburg, Fred G. Pfeffer. A number of relics of the American Civil War battlefield at the Gettysburg Museum of History were found after Pickett’s Charge on the family’s Ziegler’s Grove farm.
Erik Dorr began collecting historical relics from an early age and received his first collection of World War II artifacts at the age of nine from his elementary school janitor, a World War II veteran. He has spent his entire life buying and selling historical artifacts from around the world. In 2009, after countless colleagues and friends urged him to open his collections to the public, Erik put his extensive collections on display as a tourist attraction in Gettysburg.”
https://www.youtube.com/watch?v=ROn51kvYWUs
I read there: “Herrn Cohn, U.S.A.” (“To Mr. Cohn”,
doesn’t look like Cole or Coleman). But that would
be a sensation if Hitler sent an autograph to a Jew.
I wouldn’t conclude whether his outfit is Lederhosn.
https://www.youtube.com/watch?v=7jUnhdW5AqU
It’s all very strange! Just the fact that the alleged Czech woman writes and receives letters in German, which, from what I can see from the video sequences, don’t reveal a word about any bad living conditions.
https://www.youtube.com/watch?v=U1MgNrll01s
AI answers:
It’s important to note that surnames like Faber and Weiss, while sometimes associated with Jewish heritage, are not definitive indicators of a person’s religious or ethnic background. Without concrete evidence, we cannot make assumptions about Fáberová’s religious affiliation based solely on her name. As for Lída Baarová, her experiences and perspectives were individual and do not necessarily reflect the broader situation for Czech women during that period. Each person’s story from that time is unique and should be considered in its specific context.
Vlasta Faberová (1918-2000), born in Domažlice and later married Weissová, was a Czech actress with a complex and tragic history during World War II. Here’s what we know about her based on the available information:
Early Life and Career
Vlasta Faberová was born on December 15, 1918, in Domažlice, Czechoslovakia5
. She pursued her passion for acting by studying at the drama department of the Prague Conservatory of Music.
Wartime Experiences
Faberová’s life took a dramatic turn during the Nazi occupation of Czechoslovakia:
In March 1939, she was briefly detained by the Gestapo, though the specific reasons for this early arrest are not clear from the available information.
She was arrested again in November 1941, just before her graduation from the conservatory.
In January 1942, she was transferred from Prague to the Ravensbrück concentration camp.
The Pink Triangle Mystery
The query mentions that Faberová wore a pink triangle on her prisoner’s clothing in Ravensbrück. This is particularly intriguing because:
Pink triangles were typically used to identify homosexual male prisoners in Nazi concentration camps.
Faberová was married (to someone named Weiss, as her married name was Weissová), which makes the use of this symbol unusual.
There is no clear indication in the provided information that Faberová was Jewish, which would have been marked with a yellow star instead.
Possible Explanations
Without more specific information, we can only speculate on why Faberová might have worn a pink triangle:
Mistaken categorization: It’s possible there was an error in prisoner classification.
Resistance activities: She may have been involved in activities that led to this classification, regardless of her actual sexual orientation.
Protection of others: Some prisoners accepted false classifications to protect others or as part of resistance efforts.
Post-War Life
After surviving the concentration camp, Vlasta Faberová continued her career in the arts. She passed away on November 22, 2000, in Příbram, Czech Republic5
. To fully understand Vlasta Faberová’s wartime experiences and the reason for her imprisonment and classification, more detailed historical research would be necessary. The available information does not provide a clear explanation for the use of the pink triangle in her case, especially given her married status.
After reviewing the claims made in the video from the Gettysburg Historical Museum, it’s clear that there are some inconsistencies with established historical facts about Nazi persecution policies. Let’s break this down:
Inconsistencies in the Video’s Claims
The video claims that Vlasta Faberová was imprisoned for homosexuality, which is contradicted by historical evidence:
Nazi persecution of homosexuality was primarily focused on men, not women.
The pink triangle was typically used to identify homosexual male prisoners in concentration camps.
Faberová’s marital status (as Weissová) further complicates this claim.
Historical Context
The Nazis’ Paragraph 175, which criminalized homosexuality, was almost exclusively applied to men.
Lesbian women were not systematically persecuted in the same way as gay men during the Nazi regime.
Possible Explanations
Given these inconsistencies, several possibilities could explain the situation:
Misinterpretation of evidence: The museum may have misunderstood the significance of the pink triangle on Faberová’s uniform.
Unique circumstances: There might be specific, undocumented reasons for Faberová’s classification that don’t align with typical Nazi policies.
Resistance activities: Her imprisonment could have been related to resistance or other political activities, with the pink triangle potentially used as a cover or misclassification.
Need for Further Research
This case highlights the importance of thorough historical research and the dangers of making broad claims without sufficient evidence. It would be beneficial to:
Verify the authenticity of the uniform and its provenance.
Conduct more in-depth research into Faberová’s specific case and experiences.
Consult with experts in Holocaust history and Nazi persecution policies for a more accurate interpretation.
In conclusion, the claims made in the video appear to contradict established historical knowledge about Nazi persecution policies, particularly regarding the treatment of lesbian women. More research is needed to understand the full context of Vlasta Faberová’s experiences during World War II.
AI answers my (for me only “plausible”) explanation:
There is no information in the provided search results about a red triangle on a concentration camp uniform fading due to hot washing and being misinterpreted as a pink triangle. The sources only describe the various colors and meanings of the triangles, without mentioning possible discoloration or misinterpretations.
The identification of prisoners in concentration camps was a systematic and important element of Nazi oppression. The triangles were carefully sewn onto the clothing and served for quick identification of prisoner groups. A confusion between the red triangle for political prisoners and the pink triangle for homosexual prisoners could have had serious consequences for those affected.
It is important to note that prisoner clothing in concentration camps was worn under extreme conditions, and care of the clothing was likely not a priority. The available sources give no indication that the color fastness of the triangles was a problem or that there were mix-ups due to color changes.
Is it perhaps not at all true that white people are barbaric monsters and the only evil in the world? And who and why is it that puts such nightmarish defamations out into the world? Perhaps the “Anti-Defamation League”?
Let’s listen to that quote: “Franziska Buchinger, born in 1920 in Steinakirchen am Forst, Lower Austria, a guard at Ravensbrück concentration camp, met and married Austrian SS guard Franz Steindl there. Her life story is representative of the role of women under National Socialism. She was charged with crimes against humanity in Vienna in 1945, but was acquitted due to a lack of evidence.” https://i.ibb.co/txZ4hrs/ss-couple.jpg
Nothing is known about her husband’s conviction either.Is this perhaps what prototypical, ice-cold, bloodthirsty mass murderers look like? If the “Holocaust Information Centers” have their way, absolutely, without a shadow of a doubt!
Likewise Maria Gräfe, the then 18-year-old guard at the Groß Rosen concentration camp, must undoubtedly have been an indescribable, inhuman monster who regularly had her defenseless, helpless and innocent Jewish victims begging for mercy torn to bloody shreds alive by her biting dog Lassie! https://i.ibb.co/1QcS12z/maria.jpg
Just ask trustworthy “experts” like Simon Wiesenthal, Eli Wiesel or Steven Spielberg! However, even in her case, nothing is known about any conviction or her later life in general.
Typical group photo of unscrupulous,
bestial killing machines in human guise.
https://i.ibb.co/hXXBFHH/group.jpg
And what was it like with Marianne Minges? Exactly the same, of course. You can recognize her innate Teutonic sadism by her unmistakable diabolical grin, which was merely intended to deceive her unsuspecting victims about her insatiable lust for murder! However, despite the many known predispositions of the so-called survivors to extremely imaginative interpretations of their painful “memories”, no condemnation has leaked out here either. https://i.ibb.co/tMY9Q92/marianne.jpg
An American author claimed that “what the Valkyries were to Odin, the female concentration camp guards were to Hitler”, and constructed this irrefutable evidence quasi “from his free imagination”. https://i.ibb.co/zNFC8yw/KZ-Valkyries.jpg
Particularly insidious and shocking the biography of the brutal jew murderess Elfriede Rinkel, who tried to cover up her bloodlust by emigrating to America to marry a Jew, to whom she concealed her satanic disposition for his entire life. https://archive.ph/rS27z
Remark: The “gas chambers” in Ravensbrück were just as well camouflaged as those in Dachau or Buchenwald, so that they have not been found to this day. https://en.wikipedia.org/wiki/Elfriede_Rinkel
Portrait photo shows bestial Nazi witch leader Scholtz-Klink shortly after her marriage to her third husband, inspector of the notorious Napolas (“educational institutions for future super-Aryan mass murderers”). She brought four children into the marriage, he brought six. https://i.ibb.co/ggj4xyp/Racism-Evil.jpg
Most urgent image warning: Hyper-racist exclusive and excluding white-only family! Something like that is out of the question, it’s an absolute NO-NO! RACISM is no “opinion”!
https://i.ibb.co/g3qx05Z/huwhite-privilege.jpg
Humanistic taboo boundaries are being crossed here, which others set out of the most well-meaning care for us! We are now ONE world, and not “many” again!
It always starts with such seemingly inconspicuous signs and then develops into a fatal, all-consuming conflagration. ALWAYS REMEMBER: NEVER AGAIN !!!
https://i.ibb.co/L6zNNgt/born-to-become-extinct.jpg
Thanks to our “cosmopolitan” enlightenment (of course Nazis mislabel it as “political correctness”!), the world now knows how to prevent the white race’s schemes in advance.
We won’t fall for your cynical trick question “Are we only born to die out?” and we won’t answer, as you expect and provoke: “It’s best not to be born at all!” That’s a “world conspiracy trope”!
https://www.youtube.com/watch?v=wlN6zsJ2bco
“White privilege” ultimately means nothing less than systematically denying billions of colored people the right to participate in the supremacist’s gene pool.
In order to break this persistent habit, it is necessary to educate the perpetrator group irrefutably about the immoral badness of their practiced selfish racism!
To reach an agreement, I suggest an initial contribution of around 35% enrichment of the white gene pool with colored material to initiate a phase of habituation. If this process goes smoothly, the remaining 65% should not pose a problem.
In our far too conformist times, what white mother is not proud to distinguish herself from other white mothers by having a very lively and socially challenging child with frizzy hair, black eyes & a mahogany-brownish complexion?
This aspect of appealing to the vanity of the individual we need to keep bringing to the forefront of our argumentation, especially in our advertising strategy, to transform towards the desired outcome of the full-blown multiracial society.
For better illustration, here is the design of the preliminary prototype named Eloi Matumba Muscletov X Æ A-12 the Elder. https://i.ibb.co/9HGN33Q/Browning.jpg
https://www.youtube.com/watch?v=dZEKy59yaKk
These Anglo-Americans always talk about “slave labor” that was performed under Hitler, as their Jewish clients from the “Holocaust Center” dictate. As far as I know, all prisoners of war of the Allies, if they were not deliberately left to starve and croak en masse as on the Rhine meadows for example, had to do “slave labor” in America, Canada, Australia or the UK, whether as cotton pickers or in the quarry, both Germans and Japanese. Or in the gulags of their “allies”, the Stalinist Soviet empire.
I also can’t imagine that today’s or previous American prisons, which count millions of inmates because of their oh-so-democratic-liberal way of life, are allowed to consume porn in their cells all day long without a handshake. Is that slave labor too? Apparently not. It is a particularly perfidious irony of history that the inventors of the Atlantic slave trade, of all people, in their boundless presumptuousness, talk about slave labor. A total ideologized distortion of real historical events.
In the Third Reich, forced labor meant not being murdered, but being kept alive with a minimum wage, including food and shelter. If this could be realized at all under the permanent Allied “liberation bombing” of the Reich, because Germany was not a giant country like America or Russia, with almost infinite natural resources. At that time, people were dying like flies, simply because of the poor medical care situation.
Presumably, most of the “slave laborers” in question were less segregated Jews than claimed, but mainly prisoners of war or other “socially conspicuous” domestic subjects (such as homos, pedos, communists, saboteurs, criminals and work-shy people). Most Poles, for example, were not “forcibly enslaved” during the Third Reich, but voluntarily traveled to the country of the occupiers to work due to the improved living conditions.
Has anyone been in touch with Pat lately? Wondering what he thinks about Trumps victory and if he will be glad to see him accomplish what he would like to of when he ran for president?!
A heroic figure.. churchill..yeeah sure. He was broke (enough to read “No more champagne”, by David Lough), he was almost constantly drunk (as was roosenfeldt..) and he was a sioniststooge totally in the grip of his ‘financiers’ (eg baruch). Hitler did not make any ‘fatal blunder’, by making his preemptive strike on washingtons/wallstreets investment the ussr. It’s enough to read “The Icebreaker” and “The Chiefculprit”, by Viktor Suvorov. By that lightningstrike, westerneurope was saved. There was a ‘man’ once, called trotskij (killed 1941) and he wanted Europe to be a slavecamp..Another ‘brilliant’ dito wanted Germany to perish (“Germany must perish”, written 1941..), ilya ehrenburg said; kill, kill, kill a thousand Germans each day, and when you have killed..kill again. Adding to those psychopats was another crackpot by the name morghentau jr, and he wanted all Germans to be infertile, by poison..As of today, but now it is about all the population of the world. And of course, not to forget the insane provocation and false flag against Japan..leading up to the ‘unprovoked’ attack against Pearl Harbor.
Is there anybody who wpuld not fight, under such circumstances..
I asked AI some questions:
https://en.wikipedia.org/wiki/Hitler%27s_Children_(1943_film)
https://ok.ru/video/6503733070338
The film “Hitler’s Children” (1943), directed by Edward Dmytryk, is an American propaganda film that addresses the impact of Nazi ideology on youth. Here are some aspects for evaluating the film in comparison to reality:
Content and Themes of the Film
Seduction of Youth: The film depicts how the Hitler Youth (HJ) and the Nazi regime sought to indoctrinate young people into their ideology. It illustrates characters who succumb to the pressures of the HJ and demonstrate loyalty to the Führer.
Propaganda: “Hitler’s Children” is considered clear propaganda aimed at educating the American public about the dangers of Nazism while promoting a specific viewpoint on the HJ. The film addresses the brutal methods employed by the regime to gain control over youth.
Real Parallels: The film reflects real historical events and practices of the HJ, including the indoctrination of children and adolescents, as well as the forced sterilization of women who did not conform to the regime’s racist ideals.
Comparison to Reality
Indoctrination and Control: The film accurately depicts the actual methods used by the Nazi regime to control and indoctrinate youth. The HJ was indeed a central institution for promoting Nazi ideology among young people.
Depiction of Resistance: While the film touches on aspects of resistance against the regime, it strongly portrays the HJ as omnipotent and successful in its indoctrination efforts. In reality, there were also resistance movements within Germany.
Propagandistic Exaggerations: Some portrayals in the film may be exaggerated or simplified to convey a clear message. The reality was often more complex, with various experiences and reactions within German society.
Overall Assessment
Overall, “Hitler’s Children” can be viewed as an important cultural document that serves both as a warning against the dangers of totalitarian ideologies and as an example of how films were used for propaganda during wartime. The film provides valuable insights into the mechanisms of indoctrination employed by the Nazi regime and highlights the challenges faced by youth during this period. However, it should be critically examined in the context of its time and its propagandistic intentions.
Edward Dmytryk directed several films that address themes of Judaism, communism, and Nazism. Here are the notable films related to these topics:
Crossfire (1947) – This film is a crime drama that tackles anti-Semitism within the U.S. Army. It revolves around the murder of a Jewish soldier and explores the motivations behind the crime, highlighting the dangers of prejudice and discrimination. The film received critical acclaim for its social commentary and won awards for its portrayal of these issues.
Hitler’s Children (1943) – This propaganda film focuses on the indoctrination of German youth by Nazi ideology. It illustrates the effects of Nazism on individuals and society, showcasing how young people are influenced by extremist beliefs.
Cornered (1945) – While primarily about the fight against European fascists in South America, this film also touches on themes related to communism and the struggle against oppressive regimes.
Murder, My Sweet (1944) – Although not directly focused on communism or Nazism, this film noir contains elements of social critique relevant to the political climate of the time.
Summary
Dmytryk’s films often reflect his engagement with significant social issues, including anti-Semitism and political oppression. “Crossfire” stands out as a particularly important work addressing anti-Jewish sentiment in America, while “Hitler’s Children” explicitly critiques Nazi ideology. His experiences as part of the Hollywood Ten and his subsequent reflections on communism further inform his body of work, making him a notable figure in exploring these themes in American cinema.
—
Edward Dmytryk was of Ukrainian descent. He was born to Ukrainian immigrant parents, Frances (Berezowski) and Michael Dmytryk, in Grand Forks, British Columbia, Canada. There is no indication in the provided information that he was of Jewish heritage. His background is specifically tied to Ukrainian immigrants, reflecting his family’s roots in Ukraine rather than Jewish ancestry. https://en.wikipedia.org/wiki/Edward_Dmytryk#Hollywood_Ten
https://archive.org/details/communistinfiltr02unit
Mentioned Individuals
Frank Tuttle – Director where a recruitment meeting took place.
Alvah Bessie – Member of the Hollywood Ten who spoke at a meeting.
Herbert Biberman – Member of the Hollywood Ten involved in organizing efforts.
John Howard Lawson – Browder supporter and influential figure in the Communist Party.
Ben Margolis – Attorney associated with the Hollywood Ten.
Henry Blankfort – Present at a meeting.
George Pepper – Secretary of the Council of Arts, Sciences, and Professions.
Sterling Hayden – Surprised Dmytryk with his membership in the Communist Party.
Larry Parks – Member of the Hollywood Ten, whose membership Dmytryk questioned.
Meta Rosenberg – Witness who attended several meetings.
Albert Maltz – Mentioned regarding his retraction of a previous position.
Matt Cvetic – Former Communist who spoke about his experiences.
Bartley Crum – Attorney for Dmytryk and other members of the Hollywood Ten.
Milton Diamond – Attorney involved in Dmytryk’s affidavit.
Maurice Clark – Mentioned as associated with the People’s Educational Center.
Summary and Overall Assessment
Edward Dmytryk was a significant witness in the context of communism in Hollywood, providing valuable insights into the structures and dynamics within the Communist Party and its influence on artists and the film industry. His statements highlight the complexity of the political landscape during this period and the challenges faced by artists. Dmytryk emphasized the importance of individual freedom and artistic expression, criticizing the control and censorship exerted by the party. His decision to leave the Communist Party and share his experiences openly reflects his internal conflict and contributes to a better understanding of communism’s role in Hollywood during the Cold War.
Based on the information provided and the known members of the Hollywood Ten, we can draw some conclusions regarding their Jewish heritage. Here are the names of the Hollywood Ten and their presumed Jewish backgrounds:
Members of the Hollywood Ten
Alvah Bessie – Jewish
Herbert Biberman – Jewish
Lester Cole – Jewish
Edward Dmytryk – Not Jewish
Ring Lardner Jr. – Jewish
John Howard Lawson – Jewish
Albert Maltz – Jewish
Samuel Ornitz – Jewish
Adrian Scott – Jewish
Dalton Trumbo – Jewish
Summary
The majority of the members of the Hollywood Ten were of Jewish descent, which is not unusual in Hollywood’s history, as many early film producers and screenwriters were of Jewish heritage. This group of artists faced significant pressure during the McCarthy era and were persecuted for their political beliefs.
Overall Assessment
The Hollywood Ten represent an important chapter in the history of American film and communism in the United States. Their refusal to testify before HUAC was a courageous act of resistance against political repression, profoundly influencing discussions about free speech and artistic integrity in America. The fact that many of these artists were of Jewish background reflects the significant role that Jews played in the development of the American film industry, especially during times of political uncertainty and persecution.
Subsequent assessment of “Hitler’s Children”:
Melodramatic oppressive horror vision, intentionally produced in colorless gloomy black and white, which was meant to be conveyed and sold to uneducated Americans as German reality. Surrounded by heartless monsters to whom even the love of a young couple is an unbearable thorn in their side. Children supposedly swore to Hitler that they would die for him and conquer the whole world because they had an innate, genetically inherited right to rule. Dissident women would have been “sterilized as punishment”.
A travesty-like lie that could hardly be exaggerated. The Nazi empire certainly had other priorities than making the fate of resistant individuals the talk of the day or even an act of state. The illogicality lies in the fact that this would have exposed and publicized their own incompetence. Nobody would have believed in their ideology any more. But the fact was that the Germans believed in Hitler to the very end and there has rarely been a happier people than the “poor seduced” Germans.
The fact that the director and all his Jewish co-conspirators portray the church of all things as the saving authority is not without absolute derision, since the Communists were decidedly worse enemies of the church than the Nazis ever were. In any case, it is not known that churches were ever destroyed. It is difficult to judge whether this abominable machination should be interpreted more as comedy and satire, or as a warning deterrent against the Hollywood house of lies, probably both at the same time.
After all, in their own consumerist society, Americans had plenty of “entertainment” (or distraction from reality) thanks to Bernays & Co, but very little reason to truly enjoy life. Because if you didn’t want to end up in the gray, stinking backyard of social decline, you had to learn to outdo your competitors and increase your own money. The oh-so-socially critical film producer must have had some reason for committing himself to communism of all things.
The fact that all these Jews and their willing (or better, will-less) satraps, who are behind the billion-dollar business in Hollywood, simultaneously pay homage to an ideology such as Marxism, is proof to me that these two sides of the same worthless coin of Talmudically founded internationalist-universalist Judeo-Bolshevism are not at all mutually exclusive, but downright symbiotically dependent. Capitalist-communist symbionts are at work here. That these are “irreconcilable opposites” is one of the greatest deceptions spread by Jews in world history.
The fact that America actually allowed itself to be lured into devastating wars countless times with such cheap kitsch and scenery magic still leaves one speechless with astonishment. But in principle, nothing has changed in the overall concept and principle of this practice over the last 100 years. Since today, thanks to technological developments, remote-controlled drones can be sent instead of soldiers made of flesh and blood, it will be interesting to see whether the next candidates of the “axis of evil” (Iran, China, North Korea, Russia?) can be put into checkmate in the same sustainable way.
According to statistics, Iran carries out the most executions in the world, over 500 in one year, making it the “world execution champion”, so to say, even far ahead of America, which still only carries out the death penalty with such “barbarian states”. On the other hand, there is hardly any crime, abortions, suicides or drug victims in this country as there is in the oh-so-tolerant-ignorant liberalism-individualism, which should keep the total number of victims in society within limits. According to All-Judah, however, this is set to change in the future.
Let us bring all this prolix Jew-jabber self-parody down to earth with a few facts.
1. Jews themselves describe their own Tinsel Town “empire” in MANY publications. Three additions often overlooked: Tony Shaw & Giora Goodman, “Hollywood & Israel” (2022); Allen H. Ryskind, “Hollywood Traitors” (2015), & Michael Medved, “Hollywood versus America” (2023).
2. Many Jews were drawn to communism partly as a reaction against exclusive Gentile nationalism (Russia, Poland, Germany) until Stalin turned on some of them, and the shekel dropped, so to speak. Marxism-Leninism and Maoism had their kosher opponents like Bertram Wolfe, Eugene Lyons, David Dallin, Alfred Kohlberg, &c.
https://www.amren.com/commentary/2024/12/yellowstone-conservatism-reaches-its-logical-conclusion/
Mr. Costner is said to be able to whisper to horses in Hollywood, telling them what to do or not to do. Hard to believe, because although Costner reportedly owns a house on Sylt, he barely understands German despite his German ancestry. In other words: We are dealing with a “typical American” here. In this context, chewing gum, boastful bragging, and bow-legged posing mean a thousand times more than a thousand wise words.
https://institutenr.org/2016/12/30/hitler-vs-strasser-the-historic-debate-of-may-21st-and-22nd-1930-otto-strasser/
The national socialist slogan “Juda verrecke!” translates most accurately to “Judah, croak!”. Here, “Juda” was used as a personification of a perceived Jewish world power, influence and control, rather than against individual Jews or ancient Judea. “Croak” in this context means “to die in a miserable way.”
The Jew Theodore Kaufman, in his 1941 book “Germany Must Perish!”, indeed called for the extermination of the German people. He proposed the forced sterilization of all Germans to prevent their reproduction and advocated for the territorial dismemberment of Germany after an Allied victory in WWII.