Last month, a Texas district court judge ordered Smith and Cole to pay $3.2 million in damages to Vann after a civil trial last year found that they had fabricated the entire story and “intentionally inflicted severe emotional distress” on the innocent teen.
Also, of the $120,000 donated to Smith, only $1,000 went to her son. Much of the rest was spent on luxury items, including “a designer dog, dining and travel, beauty products, liquor, vapes, cell phones, car payments, and rent,” according to a Washington Free Beacon review of account statements.
Regarding the media outlets that had been so eager to promote the Humphrey hoax, none of them has published any follow-up reports mentioning either the 2025 jury decision or the damages the Texas judge ordered paid to Vann.
5 years later, yet another woke-era hate crime hoax has fallen apart
The Hill – Opinion by Becket Adams, opinion contributor -2/9/26
Hate crime hoaxes are nothing new, but during the “woke” overcorrection of the late teens and early 2020s, when everyone was morally obligated to pretend they enjoyed “Hamilton” and that Kendrick Lamar absolutely deserved a Pulitzer, they reached heretofore unimaginable heights.
Consider the 2021 case in Plano, Texas, where a white teenager, Asher Vann, was accused of “torturing” a Black classmate, SeMarion Humphrey, by shooting him with BBs, abusing him with racial slurs and even forcing him to drink urine.
It was a shocking story. It was also a total fabrication, cooked up to raise money and the national profiles of the supposed victim’s family and their attorney.
A civil jury determined last year that nothing transpired as initially described. The accused’s vindication reached its completion last month when a judge announced the amount of damages the white teen is owed. But you would hardly know any of this, because the news outlets that breathlessly reported the initial hoax — even to the point of potentially putting the accused’s life in danger — haven’t published any follow-up stories as of this writing.
That is outrageous, given the sheer scale and audacity of the original lies.
It was 2021 when Humphrey’s mother, Summer Smith, first made these allegations of utterly depraved wrongdoing. NBC, CBS, CNN, the Dallas Morning News and Good Morning America were among the first to jump on the story. Each eagerly reported the supposed indignities suffered by a Black teen at the hands of a racist white Texan.
Smith, who would later describe Vann as “evil,” made the rounds on the networks with her attorney, Kim Cole, appearing on CNN and ABC News. The latter even promoted a GiveSendGo campaign set up by the attorney on behalf of the supposed victim’s family.
The fundraising account raised an impressive $120,000 from supporters, who responded to the call for help with SeMarion’s schooling and therapy. The NAACP organized marches. Vann was doxxed, and protesters showed up at his home. The leader of a Black Lives Matter-affiliated activist group claimed that the Black student had been “tortured for hours.”
That was then. Last month, a Texas district court judge ordered Smith and Cole to pay $3.2 million in damages to Vann after a civil trial last year found that they had fabricated the entire story and “intentionally inflicted severe emotional distress” on the innocent teen.
Also, of the $120,000 donated to Smith, only $1,000 went to her son. Much of the rest was spent on luxury items, including “a designer dog, dining and travel, beauty products, liquor, vapes, cell phones, car payments, and rent,” according to a Washington Free Beacon review of account statements.
Regarding the media outlets that had been so eager to promote the Humphrey hoax, none of them has published any follow-up reports mentioning either the 2025 jury decision or the damages the Texas judge ordered paid to Vann.
Lastly, regarding Vann himself, he has moved on with his life and is now in college, having spent the past five years receiving death threats and dodging doxxing attempts. He also told the Free Beacon that, during the height of the hoax against him, none of the newsrooms that amplified the supposed victim’s story ever contacted him for comment. Not even once. An oversight, perhaps?
The 2021 hoax story was, in its time, the most shocking racial hate-crime allegation reported since 2019. That was when two white Trump supporters supposedly jumped actor Jussie Smollett in downtown Chicago at 2 a.m. in sub-zero temperatures. They were reported to have doused him with bleach, put a noose around his neck, and yelled, “This is MAGA country.”
That, of course, never happened either. Smollett stage-managed the attack upon himself, apparently in a bizarre and ill-advised attempt to boost his personal profile.
The most frustrating thing about such hate-crime hoaxes, besides all the media attention they tend to attract, is that they persist precisely because we in the media keep falling for them, treating them with seriousness and care, even when they are clearly dubious from the beginning.
There is no shortage of recent examples.
An Arab American server in Odessa, Texas, claimed he had been stiffed on a bill, and that the customer had written, “We don’t tip terrorist [sic]” on the receipt. He lied.
A black waitress in Virginia reported that a customer left her a note saying, “Great service, don’t tip black people.” Clearly a lie.
A gay waitress in New Jersey said her customers left her a note that said, “Sorry, I cannot tip because I do not agree with your lifestyle and the way you live your life.” She lied.
A bisexual North Park University student claimed a stalker had sent her homophobic notes and emails referencing President Trump. It was a lie.
A Muslim student at the University of Louisiana claimed that two white Trump supporters had torn off her hijab and stolen her wallet the day after the 2016 election. She lied.
A lesbian couple in Colorado accused their neighbor of spray-painting “Kill the Gay” on their garage and placing a noose on their front door. They lied.
A gay pastor claimed a cake decorator at a Whole Foods in Austin wrote “Love Wins F–” on his dessert. It was a lie.
David’s Episcopal Church in Bean Blossom, Indiana, was vandalized with a swastika and the words “Heil Trump” and “F– Church.” It turned out the church’s organist, who is gay, was the one who did it.
A Black Viterbo University student claimed she was targeted with harassment, including racist graffiti and messages, and an arson fire in her dorm. It turned out she wrote the notes and set the fire herself.
During the 2023 Colorado Springs mayoral race, a trio of Black activists, who supported the Black candidate, “found” a burning cross and a campaign sign defaced with a racial slur on their front lawn. It turned out the supporters had staged the supposed hate crime themselves.
In each case, the alleged hate crime claim received extensive media coverage, all of it issuing grim warnings about America rushing headlong into a future of intense racist and phobic abuse.
Journalists are supposed to think critically. We don’t have to bite on every bogus story. Decline, as people say more and more nowadays, is a choice. Likewise, when it comes to uncritically parroting some of these hate crime stories and spreading moral panic, we all have a choice.
T. Becket Adams is a longtime journalist and media critic in Washington.
“Nazi” Germany: The mutilation of Uranus by Saturn
https://upload.wikimedia.org/wikipedia/commons/4/4c/The_Mutilation_of_Uranus_by_Saturn.jpg
https://www.astrotheme.com/astrology/Nazi_Germany
The subject comes from Theogony, Hesiod’s ancient Greek account of the world’s creation. In it, Gaia — the Earth — urges her son Cronus (the Roman Saturn) to overthrow his father Uranus, the Sky, whose endless embrace kept their children from being born. With a sickle forged from earth’s metal, Cronus severs Uranus, and from the blood and foam of the act new life arises: the Furies, the Giants, and Aphrodite herself.
Symbolically, this moment represents the first “division” in the cosmos — the separation of idea from form, potential from reality. Uranus embodies infinity, imagination, and the boundless heaven; Saturn brings measure, law, and mortality. His violence is both rebellion and necessity: by cutting the sky from the earth, he makes creation and time possible.
Many modern artists reinterpret this myth not as mere brutality but as a drama of consciousness — the painful birth of structure from chaos, or of civilization from primal vision. The scene captures a universal paradox: every act of order wounds freedom, yet every act of wounding generates new beauty.
In astrological language, Saturn and Uranus remain eternal adversaries — and partners. Saturn governs structure, discipline, and boundaries; Uranus rules awakening, invention, and revolt. Their cycles mark the rhythm of history: periods when order must adapt or collapse, when rules confront revelation, and when progress risks becoming tyranny.
In every civilization, the same cosmic play unfolds. When Saturn dominates, society gains stability but loses spirit. When Uranus prevails, vision flares but soon burns without form. True renewal arises only when both are reconciled — when freedom accepts structure not as a prison but as a vessel.
Thus, the myth of Uranus and Saturn is not distant myth at all. It is a mirror for every age that invents beyond its conscience and governs beyond its soul — a reminder that creation and destruction are twin movements of the same divine clock.
The twentieth century offered a tragic enactment of the Saturn‑Uranus drama. Nazi Germany rose under the sign of Aquarius — the promise of collective renewal and technological advance — yet was ruled by Saturn’s iron hand. The movement claimed the language of vision and destiny but emptied it of soul, turning the light of invention into the machinery of control.
In that regime, Uranus’s genius — the power to create and to imagine — was chained to Saturn’s darkest impulse: the will to order at any cost. The result was a civilization where progress itself became a weapon, and obedience masqueraded as enlightenment.
This episode stands as the human warning written in the stars: when structure devours spirit, when innovation serves oppression, the harmony of the cosmos breaks. Yet from the wreckage, the Uranian fire eventually returns — not to destroy, but to remind us that freedom without conscience and order without compassion are twins in ruin.
Hitler was the DEVIL (or SATAN in Hebrew), a demonic one-man-force, there can be no doubt about that; millions of people share this view. But he was not only evil incarnate, he was also a diabolically brilliant psychopath who needlessly led the whole world into destruction. At some point, even the last holdouts must finally understand that racism, fascism, Nazism and anti-Semitism have no place in this world, ever again! This is an urgent warning to all politically interested viewers.
I have just watched one of those countless mainstream and court historian documentaries that relentlessly hammer this political insight into our brains. Otherwise, they themselves would not engage in tendentious, one-sided propaganda that deliberately conceals and suppresses all positive or at least neutral aspects of the supposedly “exclusively evil,” which of course never includes themselves. Five hours of concentrated bombardment, after which all the questions and doubts you ever had are answered.
https://www.youtube.com/watch?v=X2-Dm-tvLmw
Okwui Enwezor, the Nigerian director of Munich’s Haus der Kunst, an institution created during the Third Reich by Hitler’s architect Albert Speer, apparently made one of his last appearances in this British fabrication before dying far too young from cancer. It goes without saying that we now live in a cosmopolitan, tolerant, and democratic world that harbors no racial, anti-Semitic, homophobic, misogynistic, chauvinistic or any other prejudices against anyone!
https://en.wikipedia.org/wiki/Okwui_Enwezor
The Jewish-American “conceptual artist” Mel Bochner, who has since also passed away, decorated the diabolical building with Yiddish words that no one understands, since the Nazis killed all the Jews. However, the question arises as to why, despite the explicit ban on Nazi symbolism, swastikas still appear in the mosaics of the building instead of being removed, which gives cause for concern that they will once again be misused in the name of hatred by evil forces!
https://en.wikipedia.org/wiki/Blah!_Blah!_Blah!
https://www.youtube.com/watch?v=80FNLLQa0Uw
https://www.almosthistorypodcast.com/the-birth-of-nazi-architecture/
Sanity is on the way. Picked this article up at Breitbart.com about how few Amerikans actually swallow this non-sense confabulation.
https://www.breitbart.com/the-media/2026/02/11/nolte-only-six-percent-have-great-confidence-journalists-act-in-publics-best-interest/