Mearsheimer on the Iran War: US has no military options and economic catastrophe looms

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  1. PS
    PS says:

    https://i.ibb.co/RTXxBs4D/cass.jpg
    https://en.wikipedia.org/wiki/Moss_Cass

    What innocent times: an American school class, as depicted in a 1982 movie. Almost exclusively white students, no “chimpouts.” No anti-white racism (as explicitly promoted as it is today), no wokism, no DEI, no “affirmative action.” https://www.youtube.com/watch?v=D55LkspO5ZU

    Instead, the teacher indoctrinates the students with Jewish atrocity propaganda that traumatizes them. Shown is the infamous propaganda film from Dachau, where a steel door to the shower room (“Brausebad”) opens, and a gloved arm with no identity (was it “Billy Wilder” himself, or his horror colleague Hitchcock?) sneakily opens a valve in the boiler room, which is deceptively portrayed as a “gas tap.”

    “How could the Germans have gassed 10 million [sic!] Jews without a single one of them putting up a fight?” the teacher is asked. This implies that every German was personally aware of what became known after the war as the “Holocaust.” Yet the Nazis themselves are said to have kept it a secret (though, on the other hand, they took “evidence photos” of it).

    Who is indoctrinating whom here: the Nazis their youth, or the Jews the postwar youth? The answer shouldn’t be too difficult. Who actually wants to exterminate whom here: Germany the Jews, or the Jews “Amalek”? The teacher instills “German discipline” in his students (again through trickery) so that “the group dynamics become clear.”

    https://en.wikipedia.org/wiki/The_Wave_(1981_film)
    https://en.wikipedia.org/wiki/The_Third_Wave_(experiment)

    “Director Fern Field was born in Milan in 1934, the daughter of William Field and Betty, née Dosnansky.” (The name Dosnansky is not found on the internet, but AI suggests it may be associated with a Russian-Jewish background.) “Fern Field began her film career at Norman Lear’s Tandem Productions as an assistant to the executive producer of the television series ‘Maude’ (1975–1978).” And “The Wave” also reveals the usual suspects behind it:

    “Cinematography by Hanania Baer”
    https://en.wikipedia.org/wiki/Hanania_Baer

    “Production company: T.A.T. Communications”
    https://en.wikipedia.org/wiki/ELP_Communications
    https://en.wikipedia.org/wiki/Norman_Lear

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