‘Reality denied comes back to haunt.’
Philip K. Dick, Flow My Tears, The Policeman Said

Introduction

A persistent theme at TOO, and in the works of anyone objectively dealing with Jewish historiography, culture and politics, is that of self-deception. A couple of hours spent reviewing the TOO archive reveals more than thirty articles which deal directly with the subject, in addition to countless more which touch upon the obvious and undeniably negative consequences of the phenomenon on our culture and our people. An entire chapter of Kevin MacDonald’s  Separation and Its Discontents: Toward and Evolutionary Theory of Anti-Semitism [1] (hereafter SAID) is devoted to the subject, and self-deception forms a major component of MacDonald’s analysis of Jews and the Left in the third chapter of The Culture of Critique (hereafter CofC).[2] Diverse examples of Jewish self-deception have also featured as a topic of discussion, though to a lesser extent, in Gilad Atzmon’s The Wandering Who? A Study of Jewish Identity Politics,[3] and Albert Lindemann’s Esau’s Tears: Modern Anti-Semitism and the Rise of the Jews.[4]

In the sixth chapter of CofC, MacDonald, noted the scale of the problem, pointing to “a general tendency for self-deception among Jews as a robust pattern apparent in several historical eras and touching on a wide range of issues, including personal identity, the causes and extent of anti-Semitism, the characteristics of Jews (e.g., economic success), and the role of Jews in the political and cultural process in traditional and contemporary societies.”[5]

Put simply, Jewish self-deception is of great and central importance to the problem we face in resisting Jewish influence in the West. Read more