An edited abridgement of E. Michael Jones’ 2003 essay, Rabbi Dresner’s Dilemma: Torah v. Ethnos, presented with pictures and captions by Lasha Darkmoon
Anti-Jewish cartoon from a German school book for children (c. 1935) alleging the sexual exploitation of German women by Jewish men.
8. The sexually corrupted have now become the corrupters
The impression one gets by reading Rabbi Dresner’s book—Can Families Survive in Pagan America?—is that over the course of the twentieth century in America the Jews have suffered one of the greatest defeats in their history.
Dresner blames this defeat on assimilation, but the irony is that the Jews were corrupting America’s morals at the same time that they were undergoing moral corruption themselves by assimilating so successfully in America.
Assimilation means the adoption of pagan sexual mores of the sort that nearly destroyed the Israelites at the time of the Book of Kings. The Jews who came to America, who arrived from the Polish shtetls, arrived to find a ruling class more interested in Darwin than in Christ. They adopted the worst aspects of modernity and became both the corrupted and—because of their influence in the media—the corrupters simultaneously.
The success that Jews have achieved in media, publishing and academe over the course of the 20th century only magnified the corrupting influence which modernity inflicted on them—and which they would in turn inflict on their host culture.
Dresner’s antipathy toward both Woody Allen and Isaac Bashevis Singer stems from the fact that he is both an American and a Jew, and from the fact that Woody Allen and Singer can be seen as corrupting influences from both perspectives. Dresner’s anger is based on the fact that he sees American Jews succumbing to the perennial temptation of sexual idolatry.
The connection between Singer and Sabbatai Zevi is nothing if not explicit. Dresner notes Singer’s early “fascination with Sabbatianism.” Singer writes: “I read whatever I could about the era of Sabbatai Zevi, in whose footsteps Jacob Frank had followed. In these works I found everything I had been pondering: hysteria, sex, fanaticism, superstition. (p. 184)
Dresner mentions Sabbatai Zevi and his successor Jacob Frank in connection with the sexual corruption of contemporary Jews.
Not only have America’s Jews been corrupted by Sabbatianism, the Sabbatian infection has become the majority position: the lifestyle of Jews has trumped the Jewish style of life based on the Torah as the Jewish norm.
Dresner is in many ways more upset about Singer’s popularity than he is about Woody Allen’s.
Are Singer’s writings ‘true’? [he asks]. The corruption, the adultery, the demonic, the philandering, the decay, the perversion that pervade Singer’s picture of Polish Jewry—is it all true? And if it is not ‘true,’ then why has someone not said so? (p. 177).
The silence of American Jews over Singer and Allen indicates ambivalence, which is to say, “their secret desire to repudiate the moral direction of three thousand years of Jewish history in favor of the worship of sensuality and fear of the demonic finding meaning in their animal nature instead of in the power of man to transcend himself.” American Jews have embraced Singer’s writings, “because they express what Jews secretly desire.”
And what is that? Sexual liberation in Jewish garb, which is to say, Sabbatianism.
9. Sabbatianism: a Satanic cult promoting “salvation through sex”
The modern Jew is now the devotee of an alternate faith: Sabbatianism.
Jewish silence on Singer “may be a sign of a sickness so severe we do not perceive its symptoms,” Dresner notes.
He considers Singers’ writings one long calumny of eastern European Jews. Why, he wonders, are American Jews so interested in promoting this calumny? Because if eastern European Jewry is what Singer says it was, then, according to Dresner, American Jews
need feel no guilt; they can go about their way, not much different from other Americans, philandering, corrupting, and making of their faith a sham in the comforting belief that it was, after all, always like that. That’s what the Jews of Eastern Europe were—philanderers, adulterers and corrupters: why should American Jews be better?
The conclusion which Dresner draws from this is inescapable. If Woody Allen speaks for the majority of American Jews, then American Jews have been corrupted. They are now no longer followers of Moses, but rather followers of Sabbatai Zevi.
In the process of succumbing to that corruption, American Jews have played a major role in the corruption of American morals and culture.
American cultural life in the last half of the 20th century, in other words, has been dominated by Jewish rebellion against the Torah and the adoption of the sexual practices and worldview of Sabbatai Zevi.
[LD]: Sabbatai Zevi (left), 1626-1676, the self-proclaimed false Messiah of the Jews, diagnosed as a manic-depressive by Jewish academic philosopher Gershom Scholem. The figure in the center is Nathan of Gaza (1643-1680), Sabbatai Zevi’s chief promoter, a mystic and seer steeped in Talmud and Kaballah who is said to have indulged in orgies of ecstatic dancing and emitted an intoxicating odor associated with the scent of the Garden of Eden. Jacob Frank (far right), 1776-1791, claimed to be a reincarnation of Sabbatai Zevi and preached the bizarre doctrine of salvation through sin, more euphemistically known in Jewish parlance as “purification through transgression.” (Pawel Maciejko, The Frankist Movement in Poland, the Czech Lands, and Germany (1755–1816). Oxford University Press, 2003. (Cited here)
The overwhelming majority of American Jews—as evidenced by the surveys Dresner cites—have defined themselves as sexual revolutionaries; and because of the disproportionate role which Jews play in publishing and the media, they have, in effect, established Sabbatian sexual degeneracy as the American cultural norm.
Judaism, according to Dresner, “stands as inexorably against the new paganism as it did against the old. And so should the Jew.” But at the same time that the American Jew was reaching cultural prominence, he was also converting to Sabbatianism, “an alternate faith.” As a result, “Jewish rebellion has broken out on several levels,” one being “the prominent role of Jews as advocates of sexual experimentation.”
The Jewish elite have used Woody Allen to define the Jew as a sexually deviant cultural bolshevist. As a result, anyone who objects to sexual deviance or Hollywood’s promotion of it gets defined as an “anti-Semite”.
The equation is very simple. Since Hollywood is run by Jews, being anti-Hollywood means being an anti-Semite.
The Woody Allen Jew is, in other words, engaged in Kulturkampf not only with the ‘Christian’ culture which he wants to destroy but with the Sam Dresner Jews who would define the Torah as normative. Since Woody Allen is a cultural icon for most Jews, most Jews have defined themselves as sexual degenerates.
10. How the Anti-Defamation League indirectly helps to promote moral corruption and sexual deviance in America
Luke Ford was raised as a Seventh Day Adventist in Australia. He came to Los Angeles to study and after coming down with chronic fatigue syndrome, spent his time in convalescence listening to Dennis Prager’s radio program. As a result of listening to Prager, he converted to orthodox Judaism.
Since Los Angeles is the center of the pornography industry and since Ford was also interested in pornography, he noticed that Jews dominate the porn industry in Hollywood and decided to discuss the issue on his website, lukeford.com. Luke Ford noticed that “secular Jews play a disproportionate role throughout the sex industry”.
LD: A long list of Jewish porn producers, including male and female Jewish porn stars, is provided next here. (89 names). If you wish to see what some of these characters look like, click on Jewish Faces in Porn.
According to Abe Foxman, even if Jews dominate a particular field, as is the case with both Hollywood and the related pornography industry, that bears no relationship to the fact that they are Jews. To say otherwise is to be an anti-Semite.
Rabbi Dresner notes:
An unusually high percentage of the material on sexual liberation was written by Jews. Jews have been strongly represented in the Playboy enterprises. B’nai Brith’s Anti-Defamation League had no problem presenting their American Freedom Award to Hugh Hefner.
In other words, the ADL was rewarding Hefner for the role he played in bringing about widespread moral corruption and the spread of sexual deviance in America.
11. Pornography as a form of Cultural Warfare
Luke Ford, according to one report, “insists that pornography constitutes a deliberate attempt by ‘non-Jewish Jews’, alienated from normative Judaism and Christian mores, to undermine Western civilization.”
According to Ford, that is their aim because they are Jews, and they are reaching for even more control than they already have. This is the historic modus operandi of the Jews. They are outsiders everywhere except in Israel, and when they first appear in any Gentile society and begin reaching for power they are resisted. The society treats the Jews as outsiders, as aliens, and attempts to keep them from gaining control. The Jewish method of countering this opposition is to work quietly to accumulate as much wealth as possible. At the same time they work to corrupt the society’s leaders with money and to sow dissension among the masses, to set one social class against another, to break up the society’s solidarity and its cohesiveness, so that there will be less resistance to their penetration of the society.
During the latter half of the 19th century and the first part of the 20th century fomenting class warfare has been their most successful technique in Europe. In Russia, for example, they would have had difficulty in corrupting the enormously wealthy aristocracy with bribes, but their technique of fomenting class warfare succeeded in destroying Russian society and letting the Jews seize control through their Marxist movement.
In the United States, on the other hand, where the political leaders are essentially hucksters and lawyers, the Jews have had much more success with corruption.
Jewish involvement in pornography goes deeper both commercially and philosophically than Abe Foxman is willing to admit. The traditional animus against majority culture, combined with a decline in moral scruple, would naturally lead “the advocates of Woody Allen” to become involved in pornography as a form of cultural warfare.
The most significant thinker in this regard is Wilhelm Reich, a Jew from Galicia who was a student of both Sigmund Freud (quite literally) and Karl Marx. He was a man who tried to create an intellectual marriage between their two quintessentially revolutionary ideologies. Reich wrote the book on sexual revolution and many Jewish porn stars have read it. Richard Pacheco is one.
Five years before I got my first part in an adult film [Pacheco explained] I went down to an audition for an X-rated film with my hair down to my ass, a copy of Wilhelm Reich’s Sexual Revolution under my arm and yelling about work, love and sex, which were Reich’s three principles. These things have got to be in balance or your life is going to be fucked.
(Pacheco didn’t get the job, but he still went on auditioning.)
Five years later I auditioned for another X-rated film. That very day, I also interviewed at Hebrew Union Seminary to do rabbinical study. I made the choice that the kind of rabbi I would be, if I became one, was one that could have been performing in sex films as part of his experience.
LD: For an exposé of Reich’s perverted sex life, hitherto suppressed in the mainstream media, and more on Jewish porn star Richard Pacheco, see my Masters of Porn: The Systematic Promotion of Sexual Deviance.
The connection between Jews and pornography is like the connection between Jews and Bolshevism: both are forms of revolutionary activity.
Jews become involved in pornography for reasons similar to why they become involved in Communism, which is to say, not just because they happened to be Jews, but because being Jewish—as they and Sabbatai Zevi and Wilhelm Reich defined it—found logical expression in producing pornography as a form of cultural warfare through moral subversion.
Just as the Jews were the vanguard of the political revolution in Russia (1917 and later), so they are in the vanguard of sexual revolution in the United States (1960s and later). When the attraction of communism began to pale, they dedicated themselves just as fervently to sexual liberation.
Like Rabbi Dresner, Luke Ford feels that
Virtually all movements to change the world come from the Jews: Christianity, secular humanism, Marxism, Socialism, Communism, feminism, the labor movement. That’s part of the reason that Jews are hated. The world doesn’t want to be changed.
Pornography becomes a Jewish fantasy. Even when Catholics are involved, they are generally involved on Jewish terms. According to one industry insider, “the leading male performers through the 1980s came from secular Jewish upbringings and the females from Roman Catholic day schools.” The standard porn scenario became, as a result, a Polish Jewish fantasy: the horny Jew schtupping the Catholic shiksa.
Porn star Nina Hartley agrees. “I have not yet met a Jewish guy who wasn’t a horny rabbit. They get to have sex with all these beautiful blonde women. Where else are you going to get a succession of shiksas [non-Jewish females] to bed you down?”
What Miss Hartley leaves out of her description is the cultural dimension. Pornography becomes a way of defiling Christian women, which, as Eldridge Cleaver pointed out in another context, is just another way of defiling Christianity and all it stands for.
“Rape,” according to Cleaver, “is an insurrectionary act.” By defiling the white woman, Cleaver “was defying and trampling upon the white man’s law, upon his system of values,” something Cleaver found “most satisfying” (Soul on Ice, p. 14).
The same thing could be said of Jewish involvement in pornography.
When Luke Ford asked Al Goldstein, the publisher of Screw magazine, why so many Jews were involved in pornography, Goldstein, unlike Abe Foxman, did not say the connection was fortuitous. He instead got to what one might call the theological heart of the matter:
The only reason that Jews are in pornography is that we think that Christ sucks. Catholicism sucks. We don’t believe in authoritarianism.
Luke Ford interviewed Goldstein on one occasion. In response to Ford’s question, “Do you believe in God?” Goldstein answered,
I believe in me. I’m God. Fuck God! God is your need to believe in some super being. I am the super being! I am your God, admit it. We’re random. We’re the fleas on the ass of the dog!
The corrosive effects of Sabbatai Zevi’s ecstatic sexual messianism are with us today in the porn industry and in Wilhelm Reich’s philosophy of control through sexual demoralization.
“A really efficient totalitarian state,” Aldous Huxley once noted, “would be one in which the all-powerful executive of political bosses and their army of managers control a population of slaves who do not have to be coerced, because they love their servitude.”
A population of slaves will quickly swear its allegiance to what it sees as the source and guarantor of its pleasures.
These pleasures, in the form of the most addictive pornography, are now being promoted by organized Jewry as a form of political control. By demoralizing the masses, Jews help to weaken the power of the non-Jewish majority.