Diversity Festival stabbings: German Interior Minister Nancy Faeser wants to crackdown on knives, not immigration

‘Festival Of Diversity’ Horror: Manhunt For ‘Arab-Looking’ Man After 3 Killed, 8 Wounded In Mass Stabbing In Germany

A major manhunt is underway after a Friday night mass stabbing attack killed three people and wounded eight more at a “Festival of Diversity” in Germany. Living up to the event’s billing, witnesses to the bloodshed in the western German city of Solingen say the attacker was Arab in appearance — a detail every major US news outlet is omitting from its coverage as our report is written. …

” While the festival was indeed being held on the occasion of the city’s 650th anniversary, rather than emphasizing German heritage and history, the organizers were apparently determined to put “diversity” front and center. 

Their goal was accomplished in way they didn’t intend, with the attacker himself infusing his own strain of “diversity.” According to the German newspaper Bildwitnesses say the knife-wielding murderer looked like a young Arab man. At around 9:45 pm, he lashed out at an apparently random assortment of victims at the Fronhof, a market square that was being used as a venue for live musical performances. … Video circulating on social media purportedly shows the attack’s bloody aftermath: 

As if it weren’t ironic enough for a “diversity” festival in Germany to be terrorized by someone apparently of foreign heritage, Solingen is also known as the “City of Blades,” owing to its long history as a center of scissor- and knife-making that stretches back to the Middle Ages.

Friday night’s horror show in the small city close to Dusseldorf and Cologne is the just the latest episode of bloodshed visited upon Germany by knife-wielding killers of non-German heritageIn May, a 25-year-old immigrant from Afghanistan slaughtered a police officer and wounded six more people in Mannheim.

This Afghanistan immigrant stabbed a Mannheim police officer to death in a May attack that also wounded six

An immigration crackdown doesn’t appear to be on the table. Instead, German Interior Minister Nancy Faeser recently urged a different remedy: “Knives are used to commit brutal acts of violence that can cause serious injury or death. We need tougher weapons laws and stricter controls,” she told German public broadcaster ARD. She has urged the legislature to only allow the carrying of blades 6cm or smaller; the current limit is 12. She is also pushing for an outright ban on switchblades.

Serious knife attacks in Germany are up 9.7% year-over-year. The Alternative for Germany (AfD) party thinks blades per se aren’t the problem:  “We have exploding foreign crime, youth crime, migrant violence, because we have open borders,” said party co-leader Alice Weidel in July.

Many hours after Bild first cited multiple witnesses who said the Festival of Diversity killer is a young “arab looking” man, no US media outlets are choosing to include that detail. While The Times of London did, it pushed it to the final paragraph of 20 in its coverage.

Similarly, at this writing, German police have not shared a description of their suspect, but have asked the public to send them videos and photos that could be helpful.

Meanwhile, North Rhine-Westphalia interior minister told reporters, “None of us knows why” the attack happened.

We’ve got a hunch it has something to do with another diversifier with an intense distaste for diversity. 

5 replies
  1. Tim
    Tim says:

    Contemporary interpretation
    of Brecht’s “Mack the Knife”:
    Abdul Illegal (with the knife)

    Translation:

    And the shark, it has teeth,
    And it wears them in the face.
    And the Afghan, he has a knife,
    But the knife can’t be seen.

    On a beautiful blue Sunday
    a dead man lies on the beach,
    and a man walks around the corner,
    whose name is not mentioned.

    And many a woman,
    they remain missing,
    and many a man too,
    and an illegal laughs,
    for whom nothing
    can be proven.

    A young girl was found
    with a knife in her breast,
    and there’s an illegal around
    the corner, who knew
    nothing about anything.

    And the big fire in Marxloh,
    seven children and an old man,
    a dinghy driver in the crowd,
    who you don’t ask and
    who knows nothing.

    And the underage widow,
    whose name everyone knows,
    woke up and was disgraced,
    Illegal, what was your price?

    The next crime in Mannheim
    is proof again, the politicians
    have fooled us and the cop
    pays the highest price.

    Twenty-seven seconds was what
    this crime was worth to the media
    People, wake up, something
    is wrong in this country.

    https://www.youtube.com/watch?v=cQttbwBEbJw

    • Tim
      Tim says:

      And anyway, why should there still be German “men” who strive to protect women when they themselves have long since had to be protected? After all, it is no longer entirely clear whether women and men are different at all!

      One example of this is “German-Italian” Riccardo, who wants to marry his Steven from New York. Steven’s surname remains anonymous to protect his identity from anti-LGBT attacks. Perhaps also because it is “Goldberg” or similar.

      https://www.youtube.com/watch?v=Ak2H8xlEVGk

      Video description:

      “The wedding preparations are in full swing – on Instagram, the influencer now gives an insight into a very special fitting. The white dream in question is not an unfamiliar off-the-peg dress: ‘I love my mother’s wedding dress because it’s not the typical, trendy 80s dress you would expect. It was more timeless and she still thinks it’s beautiful even after 40 years,’ enthuses Riccardo and tries the dress on without further ado.

      The presenter combines the transparent, embroidered overlay that his mother wore over a tight dress back in the day with white flared trousers. *I’m still looking for an outfit that I can wear the night before the wedding. So I thought maybe I could wear my mom’s old dress,’ the 31-year-old muses, adding: ‘I can’t believe how well it suits me. The pants are mine, but the top looks like it was made for me.

      After three years of dating, Riccardo proudly announced in November last year that he and Steven were engaged. The proposal took place in a sea of heart-shaped balloons and candles. Celebrity guests were also invited to the wedding.”

      https://de.zxc.wiki/wiki/Riccardo_Simonetti

      Does this all sound like a mean, tasteless joke straight out of a madhouse? No, this is the new “reality” that we are even expected to accept as normal without objection. It must be the worst nightmare ever conceived by sick brains and sent to white mankind. I wonder who is behind all this nonsense?

      To make sure you really get this: “You neer ever want
      to be another person than your most authentic self.”
      https://www.youtube.com/watch?v=wAHiJ7YHbRY

      https://i.ibb.co/Yfwm11k/most-athentic-love-ever-on-earth-so-far.jpg

    • Tim
      Tim says:

      Those were the (“good old”)
      times, very wise philosophy!
      https://www.youtube.com/watch?v=v3cjUwwZ0rU

      Presumably the director with the German surname Seitz had put it in her mouth. Fortunately, the German talent was born in America. This may even have saved her from being blown to pieces by an American “liberation bomb” in Dresden or Hamburg. Unfortunately, she nevertheless died relatively early due to a heart condition.

      Her brother was married to one of my least favorites, Doris “Day” (whose real name was Kappelhoff). I never had “a weakness for ‘strong’ women”. Women who smile all the time are incredibly uninteresting to men from an erotic point of view. Only women who can look melancholy arouse the comforting and protective attitude in real men.

  2. Paul
    Paul says:

    https://www.amren.com/features/2024/08/festival-of-diversity-a-knife-to-the-heart-of-the-west/

    “No joke”: Germany enters the Oscar race with the film ”دانهی انجیر معابد”

    The Germans are becoming less and less German. For the first time, the country is sending a film into the race for the Oscar for Best International Feature Film in which neither German is spoken nor was any German person involved in the filmmaking process. Except for the financing. It is the Iranian work “دانهی انجیر معابد”, the German title is “Die Saat des heiligen Feigenbaums”, spoken in Farsi.

    Hanns-Georg Rodek, one of Germany’s most distinguished film journalists for decades, is rubbing his eyes. He writes in Die Welt: “This is not a joke, but the decision of the selection committee at German Films, the export organization for German cinema.”

    What happened?

    The film came to Germany with director Mohammad Rasulof, who had to flee Iran. He had shot the film secretly. He was threatened with a long prison sentence in his home country, it is said. The film is a masterpiece. It already received an award at the Cannes Festival in May. Rasulof is well known: in 2020, he won the main prize at the Berlinale for the film “Das Böse gibt es nicht”.

    ‘The Seeds of the Sacred Fig Tree’ is about the lawyer Iman, who has been promoted to investigating judge at the Revolutionary Court in Tehran. With his promotion, he also receives a pistol. When it disappears, he suspects his wife and two daughters and interrogates them using the same methods he normally employs during arrests.

    The film was able to be submitted as a German Oscar entry because one of the seven producers is from Germany. According to the rules of the Academy in Beverly Hills, that is enough. Rodek writes in Die Welt: “Iceland could submit a film in Serbo-Croatian for the Oscars. Or China one in Esperanto. Or Argentina one in Tibetan. Of course, none of these countries would come up with such an absurd idea. Only Germany is registering a film in Farsi.”

    And: “So why did the nine-member selection committee of film industry professionals – chaired by actor Ulrich Matthes – still choose a film that is as German as fried halloumi? The answer is: because it thought “The Seeds of the Sacred Fig Tree” had the best chance of winning the Oscar.”

    The film critic ends his commentary with the words: “Every year, almost a hundred countries send their best films to the Oscars; their own best, to be precise, not incorporated through cultural appropriation. The rule-compliant cheating nomination of ‘The Seeds of the Sacred Fig Tree’ is not a sign of the strength of German cinema, but of its weakness. German Films should rethink its rules.”

    https://linkmix.co/25809603

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