Le Pen’s National Rally Continues to Surge
But it’s depressing that even with the disaster of present-day France, the polls say National Rally is at around 35 percent. This NYTimes op-ed talks a lot about budgetary problems, but then it’s pretty clear that in the end, it’s all about French identity and fear that the right is eventually going to take over.
In France, malaise is all around: In one recent poll, 87 percent of respondents agreed that the country is in decline. This story is often told in the language of civilizational threat and culture war, amplified by recent conflicts in France’s overseas territories. Fanned by a rising Fox News-style conservative media, the trio of insecurity, immigration and Islam fuels a mounting call to defend a besieged French identity. Even the centrist Mr. Bayrou speaks of a feeling of “submersion.”
…
That’s where Marine Le Pen’s far-right National Rally comes in. The party is often stereotyped as a protest vote for “left behind” industrial workers, but its appeal is much broader. While the party still trails the left among the very lowest paid, its electoral support has in recent years stretched deep into the middle class. Given that Ms. Le Pen inherited the leadership from her multimillionaire father, the party might not seem like an ideal champion of meritocracy. Yet this promise, to restore the value of individual endeavor, is its pitch today.
Ms. Le Pen is often cast as a defender of the old French social model, and it’s true that her party opposed Mr. Macron’s raise of the retirement age. Yet she takes a far more ambiguous position on welfare provision generally, as her preference for a pension system more dependent on individual employees’ contributions shows. Her party channels the dissatisfaction of many late-career employees forced to work longer, to be sure, but also that of younger voters skeptical about paying into a system that might never reward them. By the same balancing logic, the party tends to oppose budget cuts while also standing against tax rises for consumers and households.
For much of France, Ms. Le Pen’s rise is itself cause for pessimism. Her poll ratings for the next presidential election, in 2027, stand at around 35 percent; given France’s fragmented party system, she is on track to receive the highest first-round percentage for any candidate in the past half-century. In last summer’s parliamentary elections, a so-called republican front of left-wing and centrist voters held back her party’s expected victory. Yet warnings of far-right danger are securing diminishing returns.
Perhaps France isn’t headed for disaster. For all its recent anxieties, it remains far from a Greek-style sovereign-debt crisis. If borrowing has risen sharply, the country has transgressed European Union deficit limits for much of the past quarter-century without risking economic meltdown. Productivity and worker incomes remain much better than in neighboring Italy. Social mobility is not especially strong, but wage inequality has tended to fall in recent decades. Even Ms. Le Pen’s triumph is hardly assured; an embezzlement trial may soon see her barred from running for office.
Yet France’s malaise is not simply a product of an overheated culture of complaint or political missteps like Mr. Macron’s rash call for snap elections last summer. The National Rally is exploiting a deeper disaffection with the public realm, as residual elements of the postwar social compact jar with a rising mood of privatization. In some areas, trade unions and social movements stoutly defend welfare and labor rights. But it is less clear that left-wing parties, which today command under one-third of the electorate, can rebuild a wider consensus around a more collectivist model.
This isn’t the only project in doubt. Mr. Macron began his presidency promising to rally both left and right behind a modernizing, liberal agenda. Yet his support has shriveled, a result of cutting social protections without securing broader public buy-in and offering tax breaks for the rich without lessening the debt load. His presidency has revolved around what has been termed a “bourgeois bloc,” appealing to a slice of wealthier voters but failing to offer much for the majority. The exhaustion of this strategy, and the political fragmentation it has caused, could prompt snap elections as soon as the summer.
The longtime patriarch of the French far right, Jean-Marie Le Pen, died last month. Yet while the cadaver lies in the ground, to paraphrase Victor Hugo, the ideas are standing on their feet. France is in a rut — and time is running out to stop Mr. Le Pen’s heirs from taking advantage.
“Hyperpodcastism returns as Borzoi does a solo show covering the actual culture war in music with The War on Music by John Mauceri and perspectives on Weimar Germany with Weimar Culture: The Outsider as Insider by (((Peter Gay))).”
https://odysee.com/@fashydisco:3/hyperpodcastism-music:1
https://en.wikipedia.org/wiki/John_Mauceri
https://pdfhost.io/v/aZ2bsBr73_The_War_on_Music
https://en.wikipedia.org/wiki/Peter_Gay
https://pdfhost.io/v/m2snRVhho_Weimar_Culture
Study: Aryan Mozart Sharpens but Jew
Mahler Degrades Word Memory Trace.
https://pdfhost.io/v/HeP0M8yvZ_study
https://dailystormer.in/macerata-pro-migrant-rewrite-of-mozarts-magic-flute-booed-by-audience/
https://en.wikipedia.org/wiki/Graham_Vick
https://archive.is/2VB8l
https://web.archive.org/web/20190603182521/https://diversitymachtfrei.wordpress.com/2018/07/29/jew-does-politically-correct-rewrite-of-wagner-opera/
New National Vanguard articles
https://linkmix.co/34304959
We can all still clearly remember the grotesque, obscene opening event of the Paris Olympics (“The Last Supper”) eight months ago, and the justified worldwide outrage and disgust of the audience. The “director” of this insane monstrosity was the Jew Thomas Jolly, his “leading actress” the Jewish lesbian (“artiston”) Barbara Butch.
Today I saw a similarly degenerate event in the current stream of “JoshWho Truth TV”, which he commented on very amusingly, but which already took place in 2016: The inauguration of the Gotthard Base Tunnel (which is named after a German “saint” from Hildesheim). https://rumble.com/v6hquqv-joshwho-truth-tv-real-truth-not-the-normal-bullsht-you-see-everywhere-else..html
“The opening ceremony was accompanied by a controversial and spectacular theater piece staged by German director Volker Hesse. This spectacle included half-naked dancers, a bare-breasted angel in the air, zombie construction workers and other bizarre elements, causing controversy and confusion among the audience.”
https://youtu.be/0xyamrdTYJk?feature=shared&t=8287
https://en.wikipedia.org/wiki/Volker_Hesse
https://en.wikipedia.org/wiki/Stephan_M%C3%BCller
Hesse’s “doctoral dissertation” concerned the theatrical work of Jew Bernhard Diebold (actually named Dreifus). His closest “artistic” buddy Müller relocated to the United States in 1975 where he worked for several years among others with Robert Wilson (LGBT), and the Jews Meredith Monk and Richard Foreman. Obviously one of the sources of “inspiration” for all this vile, degenerate trash.
ps
Apparently even Swiss television cut
out the scenes in question from their
video. But here is one of the few com-
plete (qualitatively acceptable) copies.
https://www.youtube.com/watch?v=gIZszF-QTZQ
https://www.youtube.com/watch?v=7G6HBZthO1c