The Empire Strikes Back at the Menacing Darryl Cooper

I kept hoping for an evenhanded account of Churchill’s drunkenness, his chronic indebtedness, his Jewish financial benefactors, and essentially Jewish organizations and media promoting war, as Horus has written about authoritatively. But in vain. (Here and here Horus defends Cooper after his appearance on the Tucker Carlson show.) But the “newspaper of record” just provides general negativity from establishment historians. Re David Irving:

a disgraced British historian who has denied the existence of the Nazi gas chambers and helped popularize the theory about Mr. Churchill’s culpability in World War II espoused by Mr. Cooper on Mr. Carlson’s show.

David Irving holds a book titled “Hitler’s War” in front of himself as a scrum of reporters hold mics and tape recorders in front of him.
The author David Irving, who was found by a British court to have distorted facts in his books.

Mr. Cooper has defended Mr. Irving’s work, even though Mr. Irving was found by a British court in 2000 to have misrepresented and manipulated historical evidence in his books. To Mr. Cooper, he’s an example of “pressure groups” succeeding in censoring questioning voices.

It’s a theme that seems to resonate with him: powerful forces keeping people from knowing the full story, even if the story has been discredited.

The link below is not paywalled.

The NYTimes prepares its Readers for the evil Darryl Cooper (Who “Sides with History’s  Villains”) with this scowling portrait

Darryl Cooper wearing a blue plaid shirt, speaking into a tabletop microphone.

A very different photo supplied by the Tucker Carlson Show

The Podcaster Asking You to Side With History’s Villains

Darryl Cooper is no scholar. But legions of fans — many on the right — can’t seem to resist what he presents as hidden truths.

Listen to this article · 17:40 min Learn more

All of a sudden, everyone was coming for Darryl Cooper.

There were the newspaper columnists, the historians, the Jewish groups: “Repugnant,” said the chairman of Yad Vashem, Israel’s Holocaust museum, in a statement. Even the Biden White House released a statement, calling him “a Holocaust denier who spreads Nazi propaganda.”

So it was time for Mr. Cooper, one of the most popular podcasters in the country, to do what he does best: hit record.

In a special episode of his history program, “Martyr Made,” Mr. Cooper addressed the controversy, which had exploded out of his Sept. 2 appearance on “The Tucker Carlson Show,” the podcast started by the former Fox News host. At first, Mr. Cooper — a gifted historical storyteller but not a trained historian — defended the claims he had made on Mr. Carlson’s show: One, that Winston Churchill was the “chief villain” of the war, not, by implication, Adolf Hitler. And two, that millions had died in Nazi-controlled Eastern Europe because the Nazis had not adequately planned to feed them.

But then he pivoted. He admitted he had been “hyperbolic” about Mr. Churchill and said he had not meant to imply the Holocaust was the result of logistical problems. Then he read harrowing testimony from a survivor of the infamous 1941 massacre of Ukrainian Jews at Babi Yar, at one point becoming so overwhelmed that he had to collect himself.

This emotional ventriloquism is a big part of Mr. Cooper’s approach and appeal.

On TikTok, a fan praised him as “one of the best historians of our time because he tries to go out of his way to understand the perspective of everyone involved in a situation.”

Or, as Joe Rogan put it when he had Mr. Cooper on his show in March: Mr. Cooper’s work inhabits extreme positions in an attempt to understand the psychology behind them. The critics, who Mr. Rogan suggested were “paranoid” Jews, were overreacting, missing the point.

These critics have probably helped make Mr. Cooper bigger than ever. He has the most subscribed-to history newsletter on Substack, one spot ahead of the eminent economic historian Adam Tooze’s. In the wake of the Rogan interview, “Martyr Made” was the seventh-most popular podcast on Spotify, just after Mr. Carlson’s, though it has since fallen. Mr. Cooper’s followers on X include Vice President JD Vance and David Sacks, President Trump’s artificial intelligence and crypto czar. This year, a guest on The New York Times Opinion’s “Ezra Klein Show — a fairly reliable barometer of the elite liberal mood — recommended “Martyr Made” as a good window into right-wing thinking.

All of which makes Mr. Cooper a man of this second Trumpian moment: an idiosyncratic autodidact with no formal affiliations who has built a huge audience by promising his listeners ostensibly forbidden histories, a self-fashioned “brave truth-teller” willing to challenge elite consensus, said Nicole Hemmer, a historian at Vanderbilt University who has written about the history of right-wing media.

His project syncs up with the radical skepticism ascendant on the American right, which is currently upending decades of institutional wisdom around public health, education and international trade. And in its outlook, if not its politics, this skepticism rhymes with the “woke” left’s, promising deeper realities concealed by a dying power structure.

To his detractors, Mr. Cooper is a fascist, sloppily peddling old debunked arguments. To his supporters, he is pure of heart, merely asking uncomfortable questions about our national mythology.

“The Western order is coming apart,” Mr. Carlson said in an interview. “This whole postwar structure is going away and we need to rethink it. Darryl is a threat to that.”

The question is, what kind of a threat?

Continues…

12 replies
  1. Emma Smith
    Emma Smith says:

    Irving’s enormous and original research, unaided by university assistants and peer-reviewers, is not totally faultless; and not everyone is happy with his hostile biography of Goebbels. I suspect his original idea was to place Hitler as just one of four culpable western war-makers, Stalin, Churchill and FDR. He did a brilliant job on the post-1937 “Wino Winnie”. Like many others (some not 6 million miles away from TOO) he underplays Hitler’s personal (and I suspect hypochondriac) obsession with the Jews as a biological Weltfiend, as he is more at home with personal opinions, diaries and letters than ideology, and is sometimes foolishly provocative, ever since an augural documentary stunt at London University around 64 years ago. However, he has been disgracefully treated, like Reverend Sizer and others who offend the usual “helpless victims”.

    Reply
  2. Rudolf
    Rudolf says:

    “All we can do is sit and wait.” This is roughly how the overall mental situation and attitude of the white race can be summarized: wishing, waiting, wondering. But basically, collectively viewed, brutal resignation has long since taken hold.

    “I think I am a deutscher Neger”. Ex-GI Sidney wouldn’t be allowed to say that these days, because not even chocolate meringues are allowed to be called that now. This is reserved exclusively for senior Neger Roberto Blanco.

    https://www.youtube.com/watch?v=4OiMFuhlf40

    https://en.wikipedia.org/wiki/Chocolate-coated_marshmallow_treats#Germany

    Not to mention terms such as mulatto beer (dark beer), negro sweat (coffee) or gypsy schnitzel. After 45 years in Mannheim, Sidney can even mumble a few bits of something similar to “German”.

    https://en.wikipedia.org/wiki/Mannheim#Population

    However, his handful of hits were made by Swabians, one of whom named Zundel, whose relative was a mayor. Possibly even distantly related to the notorious “Holocaust denier” Ernst, who came from the same area.

    The Negro Terence Trent D’Arby, who now appropriately calls himself Sananda Maitreya, was also once a GI in Germany. His scarred Negro colleague “Seal” was married to the German race defiler Heidi Klum.

    As a great Swabian Negro star, Sidney is even allowed to perform his ear candy with classical orchestral accompaniment. One can confidently interpret this as a welcomed contribution to contemporary intercultural diversity.

    https://www.youtube.com/watch?v=KQW95hBBhlc

    Those were the days when Negroes were still considered exotics in Europe (even though they had long been part of the street scene in London, Paris and Amsterdam). Is this perhaps more closely related to the devastating American influence (cultural imperialism)?

    https://www.youtube.com/watch?v=6PqrgvwOKNE

    Today, only forty years later, there are entire metropolitan districts where the white indigenous population is considered exotic. But the globalist self-proclaimed left-liberal elite still stubbornly claim that white replacement is a “racist conspiracy theory”.

    We have long been dealing with forgotten towns and abandoned cities. The sound of “If only I could” reminiscent of a minor hit released two years earlier, performed by half-Negroes, but written and produced by white Brits Mark Herman & Henry Priestman.

    https://www.youtube.com/watch?v=OQWYvof0Thk

    Sidney seemed to have taken a lot of inspiration from super Negro Michael Jackson in his africanoid fidgeting on stage at the time. However, Sidney didn’t need to imitate Ebonics like all the Africanoid fake Americans, because it is his mother tongue.

    https://www.youtube.com/watch?v=biLJ_tp0aio
    https://www.youtube.com/watch?v=a2MpMa1PXR4

    “Pump Up The Jam”. The Belgian Jo Bogaert, who called his project “Technotronic”, also used a Negro singer, as did the German Frank Farian (Boney M, Milli Vanilli), for example, he became filthy rich as a result. She was apparently imported from the deepest Congo.

    https://www.youtube.com/watch?v=sgJC3T0JWDY
    https://www.youtube.com/watch?v=R_YMekGnX2U
    https://en.wikipedia.org/wiki/Technotronic

    Such an “artistic” performance is obviously a kind of “cultural beat”. A veritable flood of trashy “acts” boomed out of the speakers without a break. From a musical point of view, the 90s were a horrible disaster. Like Fenslau’s “Culture Beat”, the neo-Swede “Dr. Alban” etc.

    But it all started much earlier with “break dance”, hip hop & co. The most important rap producers are said to be Jewish. Meanwhile, the Negroes dominate the charts and the market unchallenged. And “wiggers” like “Eminem” are even “aping” them.

    Reply
  3. Freddy
    Freddy says:

    NYT Jew Bernstein is doing free mega-promo
    for Cooper, apparently he’s never heard of the
    Streisand Effect, named after his tribal sister.

    Reply
  4. Tim
    Tim says:

    “’StopAntisemtism’ is an Israel lobby front group. StopAntisemitism is calling on Pam Bondi to investigate Miss Rachel as a ‘foreign asset’ — all because she opposed bombing babies. So I dug into StopAntisemitism — and let’s just say, they’ve gone to great lengths to hide who’s funding them.” https://x.com/kenis/status/1910017448981516312

    Reply
  5. Tim
    Tim says:

    “Homer Groening was born to a German-speaking Mennonite family. He served as a pilot in World War II, flying a B-17 Bomber … which included the bombing of Paris (in contrast to the bombing of Germany, this is of course unforgivable).”

    “Dad never referred directly to his war experiences, at least not with me. He was of that generation that didn’t blab about their feelings. I thought he was indestructible and that no real harm would ever come to me while he was around. I was about 14 when The Exorcist came out, and I wanted to go see it. But Dad wouldn’t let me, saying there was too much ugliness in the world without paying money to go see it at a theater.” —Lisa Groening, daughter

    “He was a hell of a nice guy. A great sense of humor. A great sense of empathy. Everybody will say—and it’s absolutely true—that he was one of the nicest guys that you would ever know. Except, like many of my friends growing up, he had killed people. He talked about the fact that there’s no way he could ever perform an act of violence, but during the war he did.” —Ted Mahar, friend and former Oregonian film critic

    Now you just have to reconcile all this with the statement of his son Matt, who was influenced by cartoonist Charles M. Schulz (squad leader on a .50 caliber machine gun team in Europe in WW2): “Garfield is very universal. By virtue of being a cat, really, he’s not really male or female or any particular race or nationality, young or old.”

    Reply
  6. Tim
    Tim says:

    Incidentally, I have been able to add to my list of “Jewish inventions/popularizations” (next to marxism/communism, interest, neo-conservatism, liberatianism, feminism, uni-sex “denim pants”, rubber condom, contaceptive pill, lipstick & nail polish, nuclear bomb, strategic carpet bombing and so on):

    “Fashion designer Rudi Gernreich, who in the mid-1960s created the first topless swimsuit, which he called the monokini, is credited with introducing the modern thong in 1974. when he designed a thong bikini in response to a ban on nude sunbathing by the Los Angeles City Council. In May 1946, Parisian fashion designer Jacques Heim released a two-piece swimsuit design that he named the Atome (‘Atom’) and advertised as ‘the smallest swimsuit in the world’. Popular fashion brands such as Calvin Klein selling men’s thongs.”

    Reply
  7. Harald
    Harald says:

    This nameless gentleman, who lives in China and speaks with a strange accent to my ears, claims to be Canadian. Now he is on the trail of the mystery of who the Canadians are.

    https://www.youtube.com/watch?v=Gh3kYe6ZAXc

    It can at least be said that they are an extremely young nation in world history, which, like the USA, is fed by an ever-changing stream of immigrants. In this respect, one can hardly speak of a people in the ethnic sense.

    However, I would also apply this to the Swiss, even though they had a purely European history, at least until recently. Rupert’s Land was named after a prince who didn’t know whether he was German or British, which wasn’t a flaw because Germany didn’t even exist yet.

    https://en.wikipedia.org/wiki/Rupert%27s_Land

    Reply

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