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Michelle Goldberg: Why Israel Fears This Searing New Documentary

September 19, 2026/5 Comments/in General/by Kevin MacDonald

Ultimately, Israel’s fury at “NAZA” — which has its U.S. premiere at the New York Film Festival on Sept. 26 — is almost certainly not about journalistic ethics. Part of the uproar is simply Netanyahu and his allies demagoguing ahead of next month’s parliamentary election, trying to cast the Israeli left as traitorous enemies of the military. (One Haaretz writer called the controversy a gift to Israel’s “fascist-nationalist bloc.”) But there’s also a broader sense of a taboo being smashed, of Israel being confronted with something it desperately doesn’t want to see.

Why Israel Fears This Searing New Documentary

Sept. 18, 2026
Yuval Abraham and Rachel Szor look off camera.
Credit…Photo Illustration by The New York Times
Michelle Goldberg

By Michelle Goldberg

Israel is treating the new documentary “NAZA,” by the Israeli filmmakers Yuval Abraham and Rachel Szor, less like bad publicity than a national security crisis.

Eyal Zamir, chief of staff of the Israel Defense Forces, pledged to use “every tool at our disposal” against the documentary, which features anonymous interviews with 24 intelligence officers and soldiers, most involved in remote strikes in Gaza. Prime Minister Benjamin Netanyahu has called for legislation that would let the state strip Abraham and Szor of their citizenship. Israel’s culture minister has asked the Interior Ministry to investigate them for treason. Activists and staff members from the far-right party of Security Minister Itamar Ben-Gvir protested outside Szor’s parents’ house, where a speaker called for Abraham and Szor to be executed and their families’ homes demolished, as often happens to the homes of Palestinians.

The official calls for persecution of Abraham and Szor, who previously made the Oscar-winning documentary “No Other Land” with two Palestinian filmmakers, seem strategically unwise, since they’re spurring heightened interest in “NAZA.” A press screening I went to on Wednesday, at New York’s 268-seat Walter Reade Theater, was at capacity, and I was told to arrive a half-hour early to get a seat. This is, in my experience, very unusual for documentaries of any sort, even those that, like “NAZA,” win the Special Jury Prize at the Venice Film Festival.

After seeing it, I can understand why Israel finds it so threatening. Its subjects described factory-scale targeting, enabled by artificial intelligence, in which little effort was made to avoid enormous numbers of civilian casualties. “The goal was quantity, not quality,” said one of the speakers. According to the sources in the film, the military chose to target members of Hamas, some low-level, at home at night rather than when they were out during the day because it was easier, even though it meant killing their families and neighbors. One man told of hacking into the phone of a 12-year-old girl to learn when her father arrived home, and then ordering a bombing in which she was killed.

“NAZA” is Hebrew military shorthand for nezek agavi, or collateral damage. One of the speakers described a computer interface showing how many people would be killed if a particular site were bombed. Typically, said one, “20 NAZA” was a benchmark — meaning it was OK to kill 20 civilians for one Hamas target. (That figure was previously reported by The New York Times.) An interviewee said that for one bombing, a NAZA figure of 500 was approved, which the I.D.F. has denied.
Part of what makes “NAZA” so devastating is the way it shows that mere indifference to civilian deaths can shade into deliberate mass killing. To Israel’s defenders, after all, the fact that the military puts limits on acceptable collateral damage shows that it’s not trying to kill as many people as possible and thus can’t be genocidal. The Israeli journalist Ariel Oseran argued, for example, that the very word NAZA is exculpatory, writing, “If Israel’s specific objective were to destroy the Palestinian population, Palestinian deaths would not be categorized as collateral damage; they would be the intended goal.”

But “NAZA” suggests that the system Israel created had mass death built into it. In the frantic days after the Oct. 7 attacks by Hamas, Israel was full of calls to annihilate Gaza, and the murderous rhetoric has persisted. After 50,000 Gazans had already been killed, the former head of Israeli military intelligence said, in leaked audio, “For every one person on Oct. 7, 50 Palestinians must die. It doesn’t matter now if they are children.” In this atmosphere of rage, grief and total self-justification, the Israeli military made a series of choices that ensured Gaza would become a killing field, whatever the specific motives of everyone involved. “When people talk about ‘flattening Gaza,’ what do you mean if not executing people?” asked one of the subjects in “NAZA.”

At one point in the film, as an interviewee explained the rules of engagement, Abraham said, “But if you can kill 20 people per junior member, and there are tens of thousands of members …” To which the man responded, “You end up with all of Gaza, yes.”

Of course, we don’t know who these sources are. They were filmed on Tel Aviv rooftops at night, their faces shadowed, their profiles and voices digitally altered. Journalistically, the use of anonymous sources for explosive allegations isn’t unusual, but it makes some of the documentary’s claims impossible to check. The I.D.F. has emphasized the whistle-blowers’ anonymity in disparaging the film. At the same time, it’s opened a leak investigation to find out whether classified material was used in the production, a strange thing to do if the revelations are false.

Ultimately, Israel’s fury at “NAZA” — which has its U.S. premiere at the New York Film Festival on Sept. 26 — is almost certainly not about journalistic ethics. Part of the uproar is simply Netanyahu and his allies demagoguing ahead of next month’s parliamentary election, trying to cast the Israeli left as traitorous enemies of the military. (One Haaretz writer called the controversy a gift to Israel’s “fascist-nationalist bloc.”) But there’s also a broader sense of a taboo being smashed, of Israel being confronted with something it desperately doesn’t want to see.

“Israel has been in a state of denial now for close to three years,” said the Israeli American historian Omer Bartov, author of the recent book “Israel: What Went Wrong.” Until “NAZA,” he said, there had been little debate in the country about the leveling of Gaza. Now, he said, people are “actually speaking about the issue of what happened in Gaza rather than refusing to speak about it.”

But it’s a conversation many cannot face. “In Israel you may be on the left, but your children go to serve in the army, and often you are proud of them being soldiers,” said Bartov. “And then you’re told they maybe were involved in a criminal war. That’s very difficult for people to accept, and they will find all kinds of ways to resist it.”

It’s hard to tell whether Israelis are enraged by “NAZA” because they think it’s full of lies, or because they know or fear it’s true.

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https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png 0 0 Kevin MacDonald https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png Kevin MacDonald2026-09-19 13:03:252026-09-19 13:03:25Michelle Goldberg: Why Israel Fears This Searing New Documentary
5 replies
  1. fweedom fwies
    fweedom fwies says:
    September 19, 2026 at 2:57 pm

    Five auntie semitisms out of five the chosenites will cry.
    The Al Jazeera documentary has the warts and all.
    I can’t place the name of it right now.

  2. Alex
    Alex says:
    September 19, 2026 at 3:34 pm

    Might it be this one?

    https://www.aljazeera.com/video/featured-documentaries/2026/8/1/iran-the-making-of-a-war

    I plan to go see Naza in the theater, and I hope everyone does. Searching for when/where it’s showing will increase the buzz about it, too.

  3. Alex
    Alex says:
    September 19, 2026 at 4:06 pm

    I made it most of the way through this: https://www.youtube.com/watch?app=desktop&v=dLQzVLtvdv8

    It’s a massive Jew-fest. Everyone, with very, very few exceptions, is Jewish. People who I grew up with being considered scientific heroes, like Norbert Wiener, Jewish as gefiltha fish.

    Why, being less than 1% of the population, are they something like 99% of the power ruling over us all?

    Austrian painter tried to warn us.

  4. Joe Webb
    Joe Webb says:
    September 21, 2026 at 12:04 pm

    @ 20 years ago I was part of a list around Stanford and Palo Alto anti-zio leftish folks. A jew lady objected to the word “conquered” that I used in a post about Palestine. We had an exchange about it on the phone..I think. I went thru the post word by word for her. She refused to accept the word “conquest.” Refused, refused, refused.
    The outfit on which I posted was and still is, I think, a lefty one, which would regularly feature Amy Goodman, always covering for Israel. It got so bad that I called her out at a talk…shouting out, “talk about Israel”. The goons showed up and surrounded me. Jew justice. Since then Goodman has seen the writing on the wall and now ‘talks’ about Israel.

    Another jew who minimizes the reality of Israel is the economist, Sachs, who does criticize somewhat but never goes whole hog on the matter. Oh, Sachs is a jew, I forgot. Still he is better than nothing and is useful as long as one recognizes, the psychological limits for even people like Sachs to fully embrace jewish Reality. Sachs takes the line that the Iran War is just US imperialism and leaves out you know who.

    The only jew critics who do not lie are Finkelstein and Bloom… and maybe a few more younger jews who are surrounded by hyper reality of Gaza, West Bank, the war, and so on. Jews today are in a psychological hell, exit from which few can emerge whole. Tough, but they still have their money.

    • Diego
      Diego says:
      September 21, 2026 at 9:35 pm

      The question is when will anti-Israel jews, and the common jew, by that matter, will face head first the deeper and far more transformative issue of Jewish Power and its inherent condition of jewish identity.

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