Denzel Washington in “Safe House” and “Flight”

Edmund Connelly

The gala premiere of Denzel Washington’s latest film, Flight, was held last week at the ArcLight Cinemas in Hollywood. Washington plays the leading role of airline pilot “Whip Whitaker,” who saves his plane from certain disaster. According to the trailer, however, he might be in trouble because of his drinking problem. We regular Americans will have a chance to find out this Friday, Nov. 2nd, when the film opens nation-wide in theaters.

I’m intensely curious about how African American Washington will be portrayed. What I am hoping is that TOO readers who see the movie will discuss it here at the TOO site in the comments section. I’ve already written about the background to the film in the racial context we have in America (seehere), so we don’t have to start from scratch.

Still, since I suspect some surprises, I will further lay out ideas on what it means to have Washington appear as yet another heroic figure, particularly when he is cast completely against reality. Here are my thoughts.


First, there’s a new journal coming out whose debut issue discusses “the experience of the White man in a world his race once dominated, and in which his heritage is being taken from him piece by piece: his cultural heroes, his literature, his pop icons, his identity — ultimately, everything.” The name of the journal is Radix, and late last year I was invited to contribute an essay to it. The editors are Alex Kurtagic and Richard Spencer, founder of

The title of my essay in Radix is “Hollywood and the Erasure of Whiteness in American Film and Television,” following a theme I have explored for two decades. Just to review, I’ve written a series of essays on this topic in the print journal The Occidental Quarterly, where my third essay addresses the topic I will discuss today. The essay is Understanding Hollywood III: Racial Role Reversals, and I unpack the meaning of the phrase “Numinous Negro,” which we can define in shorthand as “Brilliant, Do-No-Wrong African American.”  The two leading examples of such Negroes, I argue, are Morgan Freeman and Denzel Washington.

By the way, Freeman’s authority is now so overwhelming in America that even when I happened last night to watch the new George Clooney film The Descendants, the voice narrating a documentary the family was watching (March of the Penguins) was that of elder Numinous Negro Morgan Freeman. How can something be very serious if it isn’t narrated by him? No wonder he has already narrated three seasons of the science documentary Through the Wormhole, a Discovery Channel program. (The Jewish Newhouse family controls the Discovery Channel through ownership of 31% of the channel’s parent company, Discovery Communications.)

About the documentary, Wikipedia tells us that “general manager Deborah Myers heard that Morgan Freeman was very interested in things to do with the universe and space and ‘asks the big philosophical questions.’” Gosh, I’m glad at least someone is thinking BIG THOUGHTS out there.

Anyway, the Numinous Negro theme should be familiar to my readers, especially my discussions of Denzel Washington movies. Last year, for example, I parsed the underlying messages in the railroad action filmUnstoppable, and the year before that briefly addressed Washington’s role in the remake of The Taking of Pelham 123. (SeeWhat Would It Take?)

Washington has starred in over three dozen movies and shows no sign of slowing down. This year has been no exception. Early in the year his film Safe House appeared to much anticipation and has since earned over $200 million.

Washington as Tobin Frost in “Safe House”

Make no mistake, Safe House is a good action flick. It ranks up there with Tom Cruise’s Mission Impossible series, Matt Damon’s Bourne Identity movies, and other similar government agent films. Washington plays Tobin Frost, a renegade CIA agent now making deals in South Africa. As one official describes him back at Langley headquarters, “He was one of the most brilliant CIA operatives we ever had.” Of course he’s brilliant — he’s Black.

What stood out for me was the fact that it is yet another “buddy movie” in which a Black and a White character are paired. Significantly, it is also another film in which the Black actor plays the older, more experienced, more insightful mentor to a wet-behind-the-ears young White man. This was certainly true in Unstoppable and can also be seen in Morgan Freeman’s role opposite Brad Pitt in Seven or the acclaimed prison film The Shawshank Redemption. Does Hollywood never tire of this iteration of the Numinous Negro?

Denzel Washington, who was about fifty-six when making Safe House, has a full suite of positive traits as Tobin Frost: smart, composed, physically strong, far-sighted, and above all experienced. In contrast, Ryan Reynolds as Matt Weston is practically a rookie: young, impatient, and naive. While he is a decent man, he would not have transformed himself without the help of Frost. This is well represented when Weston says, “You’re not gonna get into my head,” to which the sage Frost replies, “I’m already in your head.”

Unpacking Safe House racially is not a clean-cut endeavor, however, as the Capetown, South Africa setting naturally allows Blacks to appear as a matter of course. In short, this is simply not a “Blacks good, Whites bad” kind of film. Good and bad guys of both races kill good and bad guys of both races. In that sense, it is an equal opportunity action film. Still, I’m going to have to say that it comes down on the side of the vast majority of Morgan Freeman/Denzel Washington movies: the characters these Black stars play are superior to most of the Whites who appear.

Of course it is not as stark as Unstoppable, a film so slanted that I concluded that “the movie shows heroics from both Black and White. The point, however, is that only Whites are associated with bad things . . . In other words, if it’s bad, it’s White. This may seem to be an insignificant point, but when viewed in the larger context of the multicultural project to dispossess White men, it becomes important.”

We see this in Safe House when we find out that rogue agent Frost is actually working to expose the real renegades in the CIA. It turns out that that some of them are very bad — and all of these higher-ups are White. Brendan Gleeson’s David Barlow, for instance, is particularly cold-blooded as he assassinates fellow agent Catherine Linklater (Vera Farmiga) without warning or remorse. The point is cemented at the end of the film when we learn that the CIA Deputy Director is corrupt and responsible for many murders. He is superbly played by Sam Shepard.

Sam Shepard as CIA Deputy Director Harlan Whitford

One final point I might make about Safe House is its reuse of the hook-nosed Arab killer image.  “Vargas” (Fares Fares) and other Arab men stalk Frost through the streets of Capetown, killing whomever they must in their mission to silence Frost (we later learn that they are thugs hired by the CIA).

Lebanese Actor Fares Fares as Hired Assassin Vargas

This all comes out when Barlow reveals the details to young Weston, expecting him to remain loyal to the CIA. Frost, however, returns and kills Vargas and his men, and is in turn killed by Barlow. Weston then makes the choice to side with the morally superior Frost over the utterly corrupt Barlow, shooting Barlow in the chest and killing him.

As Frost sits dying in a safe house, he gives Weston a package with critical espionage information and tells him, “You know what you are? You’re better than me.” This could mean that Weston survived this episode whereas Frost is mortally wounded, but most likely it is Frost’s moral assessment of the two men: one has led a life of violence and intrigue, while Weston is still pure. Ironically, Frost’s verdict here only serves to show his own moral integrity.

As I say, this is a solid action thriller. Readers may visit the official site here where you can easily click to see the movie trailer. Oh, there is one small bit to appreciate: the secret files also include information on rogue Mossad agents.

This brings us to Flight, the second Washington film of 2012, which, as mentioned, I discussed previously. It introduces an African American commercial airline pilot—a rare bird in real life given that only about 1% of such pilots are in fact Black. Further, the plot comes suspiciously close to replacing the two White pilots who successfully landed a powerless US Airways Airbus A320 on the Hudson River in what was later hailed as “The Miracle on the Hudson.”

US Airways Pilots “Sully” Sullenberger and Jeffrey B. Skiles, real life heroes who made a successful water landing of a powerless airplane filled with passengers.

So why is Hollywood again ramming down our throats the counterfactual image of a heroic Black pilot? Let’s face it, flying was invented by White men and practically all subsequent advances have been done by Whites. We know this. For instance, a few weeks ago I was browsing through a magazine and found a story about a project to crash an aged Boeing 727 into the Mexican desert. Part of the purpose was to get safety information about the event, and part of it was to give viewers of the Discovery Channel a thrill. (See a promo of the show and crash here.) The magazine had this photo, among others:

The “Broken Wing” Team

Isn’t that exactly what we expect to find when talking about pilots, aeronautical engineers, support crews and such? Of course it is. Flight is a White thing. It’s just that Hollywood (and so many other parts of our culture) creates fantasy images that ultimately underplay or even denigrate what real White men and women do.

Needless to say, I don’t believe for a minute that these consistent images are “just in the air.” On the contrary, I am convinced they are part of a deliberate plan led by our new Hostile Elite to dispossess us, if not attempt to physically remove us from the planet altogether. Certainly, we saw something heading in that direction in Russia nearly a century ago.

Not to put too fine a point on it, but the strategy to displace Whites follows a familiar yet sophisticated pattern, one ably outlined by French philosopher Jacques Ellul. His 1965 workPropaganda: The Formation of Men’s Attitudes  deals with the “psychological warfare” taking place in the modern world, though I doubt he imagined then that it would be aimed against the White race. He thought modern mass education is deliberately employed as “pre-propaganda.” Thus primed, the target is susceptible to indirect propaganda, which “is limited to creating ambiguities, reducing prejudices, and spreading images, apparently without purpose.” This is exactly why the Hollywood cabal has chosen Denzel Washington and consistently uses him in the way that it does.

What is so special about film, anyway? One key aspect is that until the advent of video and computers, most movies where viewed in a theater with hundreds of other anonymous viewers. This is critical for Ellul because “The most favorable moment to seize a man and influence him is when he is alone in the mass: it is at this point that propaganda can be most effective.”

But film is just one front in this kind of psychological warfare; many other facets are needed in order for propaganda to be effective. “Propaganda must be total. The propagandist must utilize all of the technical means at his disposal — the press, radio, TV, movies, posters, meetings, door-to-door canvassing. Modern propaganda must utilize all of these media.” In short, no part of the intellectual or emotional life can be left alone; “man is surrounded on all sides.” Further, “propaganda cannot be satisfied with partial success, for it does not tolerate discussion; by its very nature, it excludes contradiction and discussion.”

Now it becomes easier to understand why the System refuses to accept race differences (e.g., in IQ), and why images of the intelligent professional Black male are so common these days.

Yes, “Man is surrounded on all sides.” Read a magazine and you will see successful Black men and smiling children of all races in the ads. Go to your bank’s Internet sign-on page and a happy Asian couple holding a chubby little baby will greet you, followed by shot of a professional Black man with his wife and son out playing in the leaves in front of their handsome middle-class house. (See here for examples.) In the college classroom, your professor will recite the evils White men have committed through the ages yet never tell you what happened in places like Haiti and now South Africa. Psychological warfare is the reason for all of this.

Can I guarantee that Flight will fit this bill?  No, of course not. We all may end up being surprised.  For example, Bryan Alexander, writing in USA TODAY, reveals that Whitaker not only has a drinking problem but also uses cocaine, even just before flying. Another issue in the film is interracial sex. Alexander tells us that Whitaker has an affair with a White (Hispanic) flight attendant. And as with Unstoppable  and Safe House, a younger White man plays student to Washington’s character. In this case, the co-pilot during the crash is in a panic, while Whitaker remains calm and in command, instructing his gibbering White co-pilot about exactly what to do.

Still, I’m going to bet on my hunch. After all, director Robert Zemeckis has said about Washington, “He has this gravitas. I couldn’t imagine anyone else but (Washington) for that part. And he just nailed it beyond my expectations.” Gravitas. I like that. I guess I can file it under “Numinous,” along with all the other superlatives that the character possesses.

I’m going to predict that Denzel Washington will come out looking very good in this film. I also suspect we’ll see some “if it’s bad, it’s the White guys” kind of scenes, too. I know many of you readers will balk at feeding this anti-White media monster with your dollars, but let’s face it, even if a hundred of you readers see the film, it won’t affect their take all that much. And in the process we might further hone our skills at deconstructing the weaponized images arrayed against us.

I look forward to hearing from readers.


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119 Comments to "Denzel Washington in “Safe House” and “Flight”"

  1. Franklin Ryckaert's Gravatar Franklin Ryckaert
    November 5, 2012 - 4:01 pm | Permalink

    Normalizing the abnormal, yes, and its corollary : abnormalizing the normal. This was achieved by the publication of such works as The Authoritarian Personality and other shenanigans of the Frankfurt School. Normal white society is a disease which has to be “cured” – by Jews of course – otherwise it could lead to that bogeyman “anti-Semitism”.

  2. Junghans's Gravatar Junghans
    November 4, 2012 - 12:38 pm | Permalink

    Jewish Hollywood’s portrayal of virtually everything is invariably surreal in its corrupting effects. What they are essentially doing is normalizing the abnormal. The racial role reversal involved in the current “Negro as leading hero” genre of movies, is part and parcel of the toxic, anti-White psychological war that Jewry is waging against our sense of racial identity.

  3. Marcus's Gravatar Marcus
    November 4, 2012 - 3:34 am | Permalink
  4. HolyHoaxer's Gravatar HolyHoaxer
    November 4, 2012 - 12:42 am | Permalink

    @Vlad Writes: Perhaps Roulette Airways .

    We have to wonder about this Movie : Flight , if the screen writer and producer are not mocking both Blacks and Whites . Europeans really should ask themselves if this is not the idea of a twisted billionaires joke . Getting the goyem to eat t*rd and having them pay for it . Is this a sort of thing a rich soulless sarcastic cynical Jews would get kicks and kudos and worse they are OPENING a new genre of movie called Black Fantasy .
    This encourages miscegenation but they are also creating a dangerous delusion to millions of blacks around the world who will never be able to face the truth (and are encouraged not to by this system) , that genetically they are not predisposed to intelligence , they are predisposed to athletics .A perspective that makes the Obama fraud more evil in its inception .

    But what we are and will see is that emotional reply to this stark truth of low intelligence will be denial and then racist aggression towards the ‘discriminator’ . This equal rights stuff really has a nasty sting in its tail as we know and I am just reiterating for emphasis .
    The general public go along not realizing the stark implications of this Black Fantasy fantasy :-) , will lead to social chaos and collapse like affirmative action in the US Gov must be leading to widespread incompetence which opens wide avenues for corruption and embezzlement .

    Once again we a left to consider the Proclamation of the Elders of Zion . They will create chaos and eventually the goyem will beg us to solve their problems .
    So how do WE solve these social and political conundrums that the Elders of Zion are creating . As they say they have agents in every branch of Gov .
    I would guess that ‘they’ will try and solve these problems using dictatorship for which they need an excuse : Chaos , which requires activator : War or Monetary Collapse . Perhaps this is the clandestine (see for a wide range debate on this issue ) battle raging to the top of the military and political circles in the US , Europe (China and Russia ?) . Was the Libyan coup really an attempt at Kick Off by a Chinese/Russian response ?

    Sorry Chaps grim but their is no use in hiding from these sorts of things . Only by processing and activating our own solutions can we act as sentinels if such chaos unfolds ; if the mob looses it head .

  5. Pierre de Craon's Gravatar Pierre de Craon
    November 3, 2012 - 2:05 pm | Permalink

    @Sandy: You can say that again, if the unexampled popularity of the novels and stories of Karl May are taken to mean anything at all.

  6. Sandy's Gravatar Sandy
    November 3, 2012 - 1:15 pm | Permalink

    @Franklin Ryckaert: I have always found the Germans to have a genuine fondness of the world’s “native” peoples, especially the Red Indian

  7. Edmund Connelly's Gravatar Edmund Connelly
    November 2, 2012 - 10:14 pm | Permalink

    @Mary Thomas: Mary, Medved’s book is indeed excellent. I also highly recommend it. What is interesting is to pair it with Neal Gabler’s “An Empire of Their Own: How the Jews Invented Hollywood.” There is no question that Hollywood has from its inception been controlled by Jews.

    Interestingly, a documentary based on Gabler’s book, “Hollywoodism: Jews, Movies and the American Dream,” was essentially quashed by the Powers That Be. You can still find it on DVD, but mass distribution and airings on mainstream never happened, to the best of my knowledge.

    Maybe the Tribe figures not enough of us Whites read books but something on any screen is too dangerous.

  8. Bobby's Gravatar Bobby
    November 2, 2012 - 4:58 pm | Permalink

    @Trenchant: Actually, I do sometimes go and see film. My girlfriend and I prefer movies filmed or made it Europe, not because all of those are better, they clearly aren’t because of the influence leftists have there, but because you tend to get new faces, with themes that are a little less superficial than come out of Hollywood. Another advantage of European movies,(not all of them have subtitles)is the pleasure my girlfriend and I get from being in an almost empty theater. American audiences tend to not like movies that don’t have massive explosions and deafening noise every two minutes, so that they find most obscure movies that come out of Europe boring.

    I agree with you that film can be and has reached the level of a high art form. When I think of movies like Paths of Glory, 2001 A Space Odessy, A Clockwork Orange, Lost Weekend, Casablanca,(even though it was a propaganda movie) etc. I can only salute Hollywood and the many skilled people that have worked in that industry, whether they did lighting, carpentry, set design, make-up, directing or acting. These were skilled people who took their craft seriously.

    However, too often for the last fifty or so years, Hollywood which is basically run by Jews, and they make no bones about it, has been used to make film that supports their agenda and only their agenda, which I won’t support.

  9. Felix's Gravatar Felix
    November 2, 2012 - 3:39 pm | Permalink


    Denzel Washington should STFU. A black Bond? Malt liquor instead of a martini, shaken not stirred?

  10. Felix's Gravatar Felix
    November 2, 2012 - 3:18 pm | Permalink

    @Vlad Writes: They’re hypocrites. They’re not fools.

    Just as they demand everyone else’s schools and neighborhoods be forcibly integrated, they themselves would never fly on any affirmative action airline. More likely they’d try to institute a government program forcibly requiring goyim to do so.

  11. Felix's Gravatar Felix
    November 2, 2012 - 3:10 pm | Permalink

    @John hearns:

    When I realized that people can go to jail for raising legitimate questions about the $hoah business, then I cared more.

    Very well put.

  12. Franklin Ryckaert's Gravatar Franklin Ryckaert
    November 2, 2012 - 2:51 pm | Permalink

    @Vlad Writes:
    Yeah, save for 91%.

  13. Vlad Writes's Gravatar Vlad Writes
    November 2, 2012 - 2:46 pm | Permalink

    Found it!!! Doesn’t look good!

    AirZim pilots face bleak future

    August 4, 2012 in News

    Staff Writer

    PILOTS and flight attendants of beleaguered national carrier Air Zimbabwe
    face a bleak future as they have gone for months without pay and cannot seek
    alternative employment because their licences expired in January when the
    airline stopped operating.The airline suspended all international and
    regional flights and is currently only servicing the
    Harare-Bulawayo-Victoria Falls route.
    The Boeing 737 is only flying three hours a day, which is far less than the
    minimum 10 hours it must do to operate viably.
    Disgruntled pilots and flight attendants say they last received full
    salaries in July last year, consequently they are finding it difficult to
    make ends meet.
    “We last received payment in May and that was only a third of our normal
    salaries,” said a flight attendant. “Some of us are currently roaming the
    streets and that includes pilots.”
    One pilot told the Zimbabwe Independent that lack of flying time in the 2012
    calendar year has made it hard for them to look for employment elsewhere
    because flying hours are pre-requisites.
    Air Zimbabwe marketing and public relations executive, Shingai Taruvinga,
    acknowledged the airline was not generating enough income to meet most of
    its obligations, including salaries.

  14. Vlad Writes's Gravatar Vlad Writes
    November 2, 2012 - 2:43 pm | Permalink

    @Franklin Ryckaert: What is the racial makeup of their pilots and mechanics at Zimbabwe Airlines?
    South African AIr is no longer accepting white men for pilot training, but they are still 91% white, so presumably they are still safe.

  15. Franklin Ryckaert's Gravatar Franklin Ryckaert
    November 2, 2012 - 12:50 pm | Permalink

    @Vlad Writes:
    Not necessary, try Zimbabwe Airways.

  16. Vlad Writes's Gravatar Vlad Writes
    November 2, 2012 - 11:51 am | Permalink

    @Brian: I see a business opportunity for a truly enlightened jew in what you say. Some rich jew should buy some 20 year old airplanes, only hire black pilots and mechanics, and proudly advertise Jewish Diversity AIrlines, where people who believe in diversity put their beliefs to the test!
    I could respect a jew as sincere if he would fly in a 20 year old plane maintained, repaired and flown by black men and women.

  17. Trenchant's Gravatar Trenchant
    November 2, 2012 - 11:51 am | Permalink

    @Franklin Ryckaert: Yes, Riefenstahl’s Nubian homage was a necessary but not sufficient atonement for her part in the ultimate evil.

  18. Wilbern Sprayberry's Gravatar Wilbern Sprayberry
    November 2, 2012 - 11:27 am | Permalink

    @Harlan Butterfield: Well said. That is my policy as well. And when the subject comes up, I bluntly explain the reasons for my disinterest: that the masterful & heroic negro is a work of fiction, that his replacement of true life white heroes in movies is a work of deceit, and the producers of such movies are consciously working to harm white people and white civilization. The reaction is always polite, but seldom interested, for most whites have trained themselves never to think about these matters.

  19. Marcus's Gravatar Marcus
    November 2, 2012 - 11:21 am | Permalink

    @Trenchant, the subject matter didn’t stop Susan “Sontag” from vomiting an “analysis” that expounded on its “fascinating fascism.”

  20. rhondda's Gravatar rhondda
    November 2, 2012 - 9:51 am | Permalink

    As much as I disagree with alot this man says, he does have a good list of movies that reflect white values.

  21. Franklin Ryckaert's Gravatar Franklin Ryckaert
    November 2, 2012 - 8:44 am | Permalink

    Obviously that was to prove that she was not “racist”. Being nice to nature’s darkest always “proves” that.

  22. JPLex's Gravatar JPLex
    November 2, 2012 - 6:04 am | Permalink

    Hollywood TradeMarks:

    “MuslimBadJewGoodMuslimBadJewGood…” ad infinitum
    “MixedMarriageGood” (but not for Jews for some reason)

    Etc. etc.

  23. Trenchant's Gravatar Trenchant
    November 2, 2012 - 3:38 am | Permalink

    @Karlfried: Don’t you find it amusing that Leni Riefenstahl chose to re-direct her great visual talent to The Last of the Nuba?

  24. Trenchant's Gravatar Trenchant
    November 2, 2012 - 3:18 am | Permalink

    @Trenchant: Erratum corrige: Milli, not microseconds. Too much coffee.

  25. Marvelous Spirit's Gravatar Marvelous Spirit
    November 2, 2012 - 3:15 am | Permalink

    @Marvelous Spirit: Hey Guys & Gals , I have the movie title : African Labcoats : Genetics on the forefront of science .
    Here’s the plot . We have a team of Harvard graduates (that just happen to be all black ) who get a gov grant to setup a laboratory . They then employ Jew friends(?) from Harvard to help them run it and then we have the Africans make the Jews lives miserable with their incompetence : fires , contamination , drug abuse the possibilities are endless.
    Two birds with one stone :-))

    Now I must make a disclaimer that I’m not a racist but since our ‘leaders’ are turning reality on its head I think that OUR people need to get some satisfaction putting things back on their feet !

  26. Trenchant's Gravatar Trenchant
    November 2, 2012 - 3:14 am | Permalink

    @Pierre de Craon: 50µ seconds – I dare say this is not much different to the time it takes to process more complex images about situations and people, and form summary conclusions, difficult to modify thereafter. Isn’t the largest part (>50%) of the brain’s sensory input visual?

    • November 3, 2012 - 10:10 am | Permalink

      From the LATimes review:
      Tattooed, flabby and catastrophically hung over, Whitaker is introduced lying face down in an Orlando, Fla., hotel room bed after what has clearly been a dissipated night of sex, substance abuse and very little sleep. So it is dismaying to discover not only that this man is a pilot in good standing for mythical SouthJet airlines, but also that he is scheduled to fly 102 souls to Atlanta in a raging thunderstorm that very morning.

      It takes a brisk line of cocaine just to get Whitaker out of bed and a jolt of in-cabin oxygen combined with a clandestinely self-mixed pitcher of vodka and orange juice to clear his head. With so many intoxicants in him, it’s amazing that seeing straight is so much as an option.

      But even stoned out of his mind, Whitaker can fly like Sully Sullenberger if the need arises. When his aircraft inexplicably plummets into an uncontrolled dive and seems headed for unmitigated disaster, Whitaker puts his plane through some highly unorthodox maneuvers and saves the day.,0,2413331.story

      And of course, Whitaker’s love interest is a White woman, played by Kelly Reilly.

  27. Karlfried's Gravatar Karlfried
    November 2, 2012 - 2:30 am | Permalink

    Hello destouches.
    I like your thought to make postcards or give-away-flyers with heart-warming pictures and short sentences with the aim that our race must and shall survive. Inspired by this idea I have made a page with some pictures of German people (as a part of the white race) during the last 1000 years. Including the 800-year-old stone statue of the “Uta von Naumburg” as well as a photopicture of nowaday, same-looking children in the small town of Naumburg. I hope that the readers here on the Observer enjoy these pictures.

  28. Trenchant's Gravatar Trenchant
    November 2, 2012 - 2:26 am | Permalink

    @Bobby: Nice anecdote, thanks. Unlike some of the posters here, I can’t deny my love of film, and the visual arts in general. To not watch movies would be to punish myself more than I care to do. I hope, however, that I’m quite cynical enough that I don’t need a wake-up call from Stargate. (3:04?)

  29. Trenchant's Gravatar Trenchant
    November 2, 2012 - 1:34 am | Permalink

    @Pierre de Craon: Give me the child when he is young!
    But after a while, just watching doesn’t satiate, you want to get into into the making the images.

  30. Athling's Gravatar Athling
    November 2, 2012 - 1:17 am | Permalink

    The sick and twisted entertainment media never cease in their efforts to erase the white man from any type of heroic role. Even cartoon characters like the Green Lantern are no longer white. Denzel Washington himself has complained that there is no black James Bond. It appears now the African may get his wish.

    As a white man there is nothing more I would rather see than a bunch of white female actress/models drooling lustily over a negro. You believe that don’t you? Whose sick fantasy is this? Yes, we know the negro is ever ready to stick it to “the man” and we know there are twisted white whores who seek out strange flesh, primitive flesh, but there also seems to exist a certain psycho-sexual deviant who relishes this filth as entertainment.

    This trash should be protested. Loudly. I for one am nauseated by it.

  31. 90404's Gravatar 90404
    November 2, 2012 - 12:45 am | Permalink

    Produced by a joo or 2, who have a big ad agency.

  32. Pierre de Craon's Gravatar Pierre de Craon
    November 2, 2012 - 12:39 am | Permalink

    @Bear: I like your analysis.

    He’s slipping up more of late, however, than previously. Alice Teller remarked a while back that Obama had aged badly in his four years in office. When I happened to see a brief clip of him a few days ago, I was stunned to see how right she was. The worn look he can’t hide seems to extend to the veneer, though whether it’s harder for him to maintain it or he simply gives less of a damn about maintaining I wouldn’t hazard a guess at.

  33. Pierre de Craon's Gravatar Pierre de Craon
    November 2, 2012 - 12:30 am | Permalink

    @Curmudgeon: I can’t get anyone to take an even-money bet that I won’t be joining you there within the same window of time.

  34. Mark Robinson's Gravatar Mark Robinson
    November 2, 2012 - 12:18 am | Permalink

    @Bear: This is something that I was thinking about… Barack Obama don’t appear as a real person, he looks like a Hollywood movie caricature of a President.

  35. Harlan Butterfield's Gravatar Harlan Butterfield
    November 1, 2012 - 11:58 pm | Permalink

    I cannot understand how or why people who are pro white advocates keep on going to see these types of movies. It’s not like we don’t know what they are all about, they have been made for about 20 years or so. When I see a negro male starring in a dominant leading role in a movie I simply refuse to go see it. I cannot and will not stomach any movie that puts a negro in a position of power and prestige, which is completely contrary to reality. I will tolerate the kindly old negro butler type which was portrayed in the Shawshank Redemption, which is basically harmless because it doesn’t upset the white hierarchy, but these fantasy roles that they put Denzel Washington or Samuel Jackson in are roles that can only be played by white actors. I could never be entertained by such a movie. A mentally healthy white male wants to see another white male in a role of authority figure or action figure. Seeing a woman or man of another race in this role is simply not tolerable! Men who can sit through this humiliation might as well as well bend over at the Waling wall and allow themselves to be raped by Rabbis.

  36. Marcus's Gravatar Marcus
    November 1, 2012 - 11:52 pm | Permalink

    @Alice, it is truly pathetic to see the attitudes of many white girls today, not only do they ape the negroes in dress and behavior, they have been successfully alienated from their male peers in many cases. I can tell you from personal experience that they act completely different around non-white men, presumably due to guilt instilled from an early age. They take the restraint and composure of European males for granted, not realizing that other groups have much less respect for the fairer sex and have basically a possessive view of relationships. Comparing the current paradigm to that of my own grandparents, who raised 5+ children with dignity and kindness, is truly disheartening.

  37. Bear's Gravatar Bear
    November 1, 2012 - 11:40 pm | Permalink


    The ultimate numinous negro is Barack Obama and he acts the role very well.

    Certainly it can be argued that Hollywood actually prepared this stereotype and Obama merely stepped into the established myth. He just doesn’t appear like a real person, he’s an act in a creepy way.

    Only rarely does he slip up and show his hypocrisy.

  38. Jim's Gravatar Jim
    November 1, 2012 - 10:57 pm | Permalink

    Speaking of visualization – it may come off as low brow, but my first impression upon seeing Denzel’s caricitured grimace underneath a pair of shades and a military styled hat adorned with gold pins was “petty sub-Saharan dictator”.

  39. Jim's Gravatar Jim
    November 1, 2012 - 10:37 pm | Permalink

    Being that Hollywood, and it’s product, is an exaggeration (or outright corruption) of everything that is real, it makes sense that racial egalitarianism is also in movies like these, as well. Don’t forget, jews can feel as guilty as anyone, at times, and they have about half a century of casting negroes as butlers and manservants (who usually cower and run for cover at the first sign of trouble) that they have to live down.

    Enter the black hyper-hero. Never mind that blacks are routinely “underrepresented” (by choice) in real-life occupations such as fireman, rescue worker, Navy SEAL and Coast Guard air-sea rescue – we all know that life now immitates art, and after a few decades of movies like these, the process of “visualization” will produce a whole generation of black Charles Lindberghs.

  40. Alice Teller's Gravatar Alice Teller
    November 1, 2012 - 10:26 pm | Permalink

    @Alice Teller:
    I can spell loss – see.

  41. Alice Teller's Gravatar Alice Teller
    November 1, 2012 - 10:24 pm | Permalink

    What a lovely story, Bobby. It is good to be reminded, from time to time,that white women have had true elegance and grace and have used resources to cultivate a life pleasing to all the senses. I have been privileged to know several such women. Their passing is a lose we have not begun to calculate.

    When we lament the horrors wrought by feminism, we must never overlook the images which are rarely seem – as another commenter said. When was the last time motherhood, marriage or any traditional white images of women were portrayed with respect. Every mother is a Jewish mother, slightly crazed, over-involved, sharp- tongued and long-suffering. . Part of it is hostility, part is a simple lack of imagination. I have known, liked and respected several Jews. I have never known any who had a genuine understanding of our concept of a lady. They scorn it, they go through the motions, they imitate the external appearances, but they never feel it.

    Our daughters are targeted and are very susceptible from early childhood. They are in mortal danger and should be rescued and protected. If you doubt it, look at the array of sexy Halloween costumes for five year old girls.

  42. November 1, 2012 - 10:10 pm | Permalink

    @Pierre de Craon:
    I had anticipated an offer of five years – to be retro-active. At my age, in 5 years in the future may have me in eternity.

  43. Old White Guy's Gravatar Old White Guy
    November 1, 2012 - 9:53 pm | Permalink

    OT, related:

    When Wolves[MN Timberwolves NBA team] offseason moves built a squad that’s glaringly white, skeptics chimed in about motives.

    “scary” that the Wolves would assemble a roster almost 70 percent white in a sport so dominated by blacks.

  44. Pierre de Craon's Gravatar Pierre de Craon
    November 1, 2012 - 9:44 pm | Permalink

    @Curmudgeon: Would it be OK if I give my gratitude an expiration date of five years?

    I’m glad we see largely eye to eye on this matter. We can probably also agree that the area in which Hollywood makes, not just Canada, but the rest of the filmmaking world look lame is in its explosions. Indeed, Mr. Connelly might make more friends and fewer enemies in movie circles if he’d lay off all this subtext stuff and just do what Hollywood has successfully trained most of our white brethren (and their wives, sisters, and girlfriends) to do: have a grand old time watching things blow up in terribly dramatic, albeit utterly unrealistic, fashion.

  45. destouches's Gravatar destouches
    November 1, 2012 - 9:23 pm | Permalink

    I truly beleive that cornell west would be perfect as albert einstein…any freelance film makers out there? and while we are at it:

    maxine waters as golda meir
    marion barry as moshe dayan
    al sharpton as abby hoffman
    richard pryor as bob dylan
    jessee jackson as moses

    gee we could go on and on!

  46. Bobby's Gravatar Bobby
    November 1, 2012 - 8:19 pm | Permalink

    @Trenchant: I have an interesting, (for me at least it was), story involving Wagners music for you. Around the early seventies, of the last century, a good buddy of mine called me up and asked me to go to an estate sale with him. It was at a house in a rather upscale community in Southern California. When we arrived at the residence, the door was open and people just kind of sauntered in and out. The first thing I noticed was long tables with beautiful items ranging from expensive porcelain tea cups to souvenirs from Germany. These items were very old, at least fifty or more years, putting their production back to at least the nineteen twenties.
    The second thing I became aware of, was background music, played somewhat muted and I realized it was from Wagners Tristan and Isolde. Then an aged, very elegantly dressed woman, came out from the den and into the living room. I listened to here talk and it turned out she was born in Germany, probably around the late eighteen hundreds. Her husband had passed away recently and she was selling the house and this was the reason for the sale. Since I was always interested in older people and the stories they might share, I struck up a conversation with her. I wasn’t disappointed, as the woman, I believe her name was Charlotte, began to explain where some of the items on sale came from and a little history. This woman had lived through the Kaiser Reich period, the Weimar Republic, the National Socialist era, and a good many years after the war, and her stories fascinated me and my friend. She was a very elegant and very well educated person, and I felt priviledged to be able to talk to someone like her. By the way, the Wagner recording she was playing, was on one of the furniture type looling stereo systems of that time, Magnovox I think and the record itself was a 78RPM, recorded in the 1920’s by the Berlin philharmonic, conducted by Hans Knappertsbusch!! My only regret was not having bought more of her items from the sale, but I was barely out of my teens and money was the problem.

  47. November 1, 2012 - 6:23 pm | Permalink

    @Pierre de Craon: No offence Pierre.
    Canadian TV productions have been dominated by the tribe for decades. Most of the “actors” and “actresses” (loosely speaking) have been from the tribe.
    Other than a token few white non tribe members who can actually act, the overwhelming majority fit your description to a tee, and have as long as I can remember. It has become increasingly bad since we have representation from our new Canadians from southern climes.

    Fortunately you, Pierre, we have sent many of the tribe to be writers and producers for American TV programmes – like David Steinberg and Lorne Michaels – to poison your minds. You should be eternally grateful.

  48. Sandman's Gravatar Sandman
    November 1, 2012 - 5:47 pm | Permalink

    @Bobby, thanks for being my witness. It was a pretty obscure ad but just the fact that it was produced was offensive to me. So I’m seeing an increase in the volume of anti-White advertisment but also the viciousness of it is being ramped up as well.

  49. Trenchant's Gravatar Trenchant
    November 1, 2012 - 5:46 pm | Permalink

    @Bobby: Memo to self: Wagner, Wagner, Wagner…

  50. Tom's Gravatar Tom
    November 1, 2012 - 5:19 pm | Permalink

    I’m sure Denzel Washington would make an excellent skycap.

  51. Brian's Gravatar Brian
    November 1, 2012 - 5:01 pm | Permalink

    From my experience in U.S. airports you will rarely if ever see a black airline pilot and I don’t much diversity in the cockpit of Marine or Air Force One. Wonder why…

  52. Bobby's Gravatar Bobby
    November 1, 2012 - 4:58 pm | Permalink

    P.S. Great article Edmund.

  53. Bobby's Gravatar Bobby
    November 1, 2012 - 4:57 pm | Permalink

    @Edmund Connelly: Edmund, in reference to you comments about the corrosiveness of television watching, I’m reminded of the simple comment made by the German propaganda minister of WW11, that “the essence of propaganda is “repetition.” I had this proved to me when McDonalds once ran a commercial in which the same jingle was repeated, about a hundred times a day. For months afterward, no matter where I was, in my car, in a store, taking a shower, etc. ,this tune would pop up unexpectedly in my mind. It became absolutely sickening and I finally got rid of it, probably because of focusing on my many other interests. I wish people would be aware of what this repetition does. It’s essential for learning, and that’s the problem, the idea that someone is causing you to learn or remember things that are false or against your best interests.

  54. Bobby's Gravatar Bobby
    November 1, 2012 - 4:48 pm | Permalink

    @Sandman: I actually saw that commercial, and I agree, it was downright bizarre.

  55. Facio Libre's Gravatar Facio Libre
    November 1, 2012 - 3:18 pm | Permalink

    One can also check this movie out for free from a local public library. It should be stacked on the shelf about two to three months after it stops playing in the theaters. For those who don’t want to feed the beast but also want to keep things totally legal, that might be an option. ;-)

  56. John hearns's Gravatar John hearns
    November 1, 2012 - 3:17 pm | Permalink


    I imagine that by now you have heard that 21% of the respondents to a 60 Minutes/Vanity Fair Poll chose Denzil Washington to play Jesus if the movie was ever mad.

    Just goes to show you that a fairly large portion of people are very sick in their heads.

  57. John hearns's Gravatar John hearns
    November 1, 2012 - 3:06 pm | Permalink


    When I realized that history is full of holocausts yet only one whiningly gets all the coverage, I stopped giving a ****

    When I realized that people can go to jail for raising legitimate questions about the $hoah business, then I cared more.

  58. Sandy's Gravatar Sandy
    November 1, 2012 - 2:38 pm | Permalink

    @Scotsman: I imagine that by now you have heard that 21% of the respondents to a 60 Minutes/Vanity Fair Poll chose Denzil Washington to play Jesus if the movie was ever mad.

  59. Vendetta (we ''loves'' you)'s Gravatar Vendetta (we ''loves'' you)
    November 1, 2012 - 1:53 pm | Permalink

    Interesting how many have white actors who do not bother to do this kind of movie. What will be the percentage of Jewish actors in Hollywood? Are there many crypto actors Jews in Hollywood?

  60. franz's Gravatar franz
    November 1, 2012 - 1:07 pm | Permalink

    To Michael Santomauro

    It is not how ‘hollywood’ villifies a people. The title of the book should be How Jews Villify a People.
    This is part of the problem. The people who know refuse to state
    the plain truth. There is no hollywood. There is only jew.
    I hwar Bill OReilley, Sean Hannity, jews like Michael Wiener(Savage),
    Mark Levin(jew) complain about the liberal media and hollywood leftists. What a crock!
    The problem is jews. Period.
    Until everyone sees that we are all just whistling in the dark ( out of fear).

  61. Felix's Gravatar Felix
    November 1, 2012 - 10:41 am | Permalink


    A non stomach turning actress portraying Betty Friedan would require real creative license, but no more than a heroic black pilot.

    How about Danny DeVito? He would be perfect to take the role of Frau Friedan.

  62. Felix's Gravatar Felix
    November 1, 2012 - 10:36 am | Permalink

    @John hearns:

    Oh, God, not another “holocaust” movie.

    When I realized that history is full of holocausts yet only one whiningly gets all the coverage, I stopped giving a ****.

  63. Felix's Gravatar Felix
    November 1, 2012 - 10:30 am | Permalink

    @Scotsman: The demonization of the white patriarch and sanctification of the wise old black man (or mammy) started in the ’70’s, but took off full force in the ’80’s. You didn’t even need to see the show, just a picture of the cast of characters, to know who was the comic bumbler, (always a white father), who was the steady one who held the home together, (the mother), and who was the sage, a black maid or teacher dispensing hard learned advice to suburban white children who, otherwise, would have been clueless.

  64. franz's Gravatar franz
    November 1, 2012 - 9:33 am | Permalink

    One more shot of Denzel Washington on my screen I will vomit.
    Do we have any organization that encourages us to boycott?
    It worked for the Catholic Church against hollywood 70 years ago.
    Jews threaten boycott against WASPs all the time. We all pay the Kosher Tax.
    What if white American gentiles just stopped going to the movies? Stop buying Rap music? Stop buying videos? Stop wasting time on sports? Alcohol? Drugs?
    Moral superiority is what will destroy the stranglehold that ghe jew has.
    The problem is that not enough people are willing to make those sacrifices.
    Until then things will be like Joel Stein says, ‘It does not matter that the goyim know that jews control it all. What matters is that JEWS continue to control it all.’
    How can anyone play ‘nice’ with these people?

  65. Doug's Gravatar Doug
    November 1, 2012 - 6:50 am | Permalink

    @Sandman: Just another example of Supernegro in the advertising world. As the article states, “Propaganda must be total”.

  66. shrug's Gravatar shrug
    November 1, 2012 - 6:04 am | Permalink

    @Wilbern Sprayberry: You are too awesome! Wish I could post like that.

    A movie I read about (but haven’t seen) is the movie Bad Ass. It’s based on a the viral youtube video “epic beard man.” In the real life video an older white guy punched out a young black punk threatening him on a bus in LA or San Fran.

    Bad Ass Race Reversal.

    In Bad Ass our white hero is played by mexican Danny Trejo, star of the violently anti-white flick Machete, directed by Robert Rodriguez. Here is a description of the movie Bad Ass from wikipedia:

    “Decorated Vietnam vet Frank Vega (Danny Trejo) returns home only to be shunned by society, leaving him without a job or his high school sweetheart. It’s not until forty years later when an incident on a commuter bus, where he protects an elderly black man from a pair of skinheads, makes him a local hero, and he’s suddenly celebrated once again.”


  67. Trenchant's Gravatar Trenchant
    November 1, 2012 - 5:10 am | Permalink

    @Andrew:And don’t the Elders have a lot of capital invested in “intellectual property”. “I Got You Babe♫♪” enters the public domain in 2061. I can hardly wait.

  68. Andrew's Gravatar Andrew
    November 1, 2012 - 4:37 am | Permalink

    Mr. Connelly, I think the most responsible method of watching these films for a White Nationalist is to download them free via Torrent, which you can do easily with uTorrent or a similar program. Oftentimes the movie is available for download soon after it comes out in the theatre, although its from a videocam. I think it is bordering on immoral to support the enemy by purchasing a movie ticket, as a matter of principle.

  69. HolyHoaxer's Gravatar HolyHoaxer
    November 1, 2012 - 3:15 am | Permalink

    It will be interesting when statistics for internet Dating sites racial preferences (check box choices) come together with on demand movies streamed through the internet .Those with this information will get a complete insight into how entrenched racial identity is (as if ‘they’ don’t know it already ) . Here was an interesting link someone posted the other day on TOO regarding the obvious.

    We really have to wonder is the WEST run by nuts , living in a complete denial of reality .

  70. Tadzio's Gravatar Tadzio
    November 1, 2012 - 2:44 am | Permalink

    The ‘conservative’ talk show circuit is having a field day with a ‘Children of the Future’ video produced by a pro-Obama outfit. It appears to be a Hollywood mindset bit of sarcasm. Search youtube, it has many mirrors. The rightist yammers all miss the the most obvious thing about it. It is the Future these people want. The America they want. The power center they want.

    The children singing are mostly female, mostly Asian and Black. There is only one clearly identifiable White male and he looks Dachau emaciated.

    America is still over 70% White. That means over one third are White males. But the Children of the Future desired by these producers have only one White, a Death Camp survivor.

    Do not delude yourself, the hostile elite dreams of a Holodomor in America.

  71. Barkingmad's Gravatar Barkingmad
    November 1, 2012 - 1:35 am | Permalink


    Betcha that if Hollywood makes a “fictional” movie based on Auburn Calloway’s attempted takeover of the FedEx DC10 that the bad guy would be white and the 2 pilots and flight engineer would be numinous negroes. Actually, I’m amazed that the Discovery docu was even made.

  72. 90404's Gravatar 90404
    November 1, 2012 - 1:06 am | Permalink

    @Edmund Connelly:
    For instance, last month a student who took my class five years ago sent me an e-mail with a still photo from a Three Little Pigs cartoon. They were singing around the piano, but on the wall behind them was a painting titled “Father.” The content of the painting was a long link sausage. I have to give my student credit for being so attentive.

    OK, I dont get it. Explain, please.

  73. 90404's Gravatar 90404
    November 1, 2012 - 1:01 am | Permalink

    Indeed, at the longtime football coach and 12? of his 13 assistants were Black.
    The team was mostly Black.
    And one players name? Quintero!

  74. Hedgerow's Gravatar Hedgerow
    November 1, 2012 - 12:36 am | Permalink

    I never waste time and money on these types of movies because the racial manipulation is so ham-fisted and at odds with everyday reality that all I can think of is how corny and contrived it all is.

  75. Wilbern Sprayberry's Gravatar Wilbern Sprayberry
    November 1, 2012 - 12:30 am | Permalink

    Inspired by Mr. Connelly’s first article about FLIGHT, and his previous articles about movie blacks replacing white characters, especially real life heroes, I began posting about this subject on the most watched (400k+ views) FLIGHT trailer at . I posted as “supreme006″ 20+ times over a three month period. I repeated the main points Mr. Connelly makes in his articles. I had some intense discussions with various doubters, negrophiles, and equality fanatics, most of whom resorted to curses and name calling after having the facts shoved down their throats. Several others on our side joined in from time to time. I don’t know if I changed any minds, but I definitely rattled some cages, opened some eyes and enjoyed the push back. I haven’t posted there for over three weeks, but a couple of others who understand race have. The comment thread of youtube videos may not be the ideal place to discuss this subject (including the jewish role), but (for now at least) it is available. And it’s better than no place at all.

  76. Marvelous Spirit's Gravatar Marvelous Spirit
    November 1, 2012 - 12:18 am | Permalink

    @danaigh: What a about a comedy where all the scientist ,doctor engineers are black . I can see some funny shots of a lab with a lot of dumb looking blacks in white coates creating chaos .

  77. Pierre de Craon's Gravatar Pierre de Craon
    November 1, 2012 - 12:12 am | Permalink

    @D. K.: Was Shaheen aware of the fact that the author of the source of the film Caesar and Cleopatra was a certain Anglo-Irish swine called Bernard Shaw, who actually intended the roles in his play to be taken by … oh, the horror of it freezes my fingers in their course! … English stage actors?!?

    Will the hate never cease?

  78. Pierre de Craon's Gravatar Pierre de Craon
    November 1, 2012 - 12:00 am | Permalink

    @mari: Well spoken, mari.

    I watched an episode of Copper in OnDemand mode (the fact that it was a BBC America offering sucked me in). Besides everything you mention, I was struck by the cheesy production values and the godawful acting. At one point, I actually said aloud to the screen, “Where did the BBC find these actors? They’re presumptive New York pigshit Irish accents are dreadful. They’re bad enough to be Canadians!” Lo and behold, the credits revealed that it was a 100 percent (Jewish-)Canadian production.

    It’s bad enough that half the actors the BBC now uses for all but lead parts are Serb and Turk and Syrian Jews, but if the Beeb has now sunk to importing unpolished, unrehearsed Canadian productions filmed on a backlot somewhere in Alberta, what’s to be next? Jewish North Korean directors? Jewish Andaman screenwriters?

    (With sincere apologies if any unintended offense has been given to Curmudgeon or any of our other honored Canadian colleagues hereabouts.)

  79. Mark Robinson's Gravatar Mark Robinson
    October 31, 2012 - 11:28 pm | Permalink


    The Siege (1998)… a Denzel Washington movie that “predicted” 9/11…

  80. vlad writes's Gravatar vlad writes
    October 31, 2012 - 11:11 pm | Permalink

    FWIW, I really did enjoy watching “Kid Dynomite” on TV, although I felt the family was a little unappreciative of the taxpayers who funded their fine crib.

  81. Trenchant's Gravatar Trenchant
    October 31, 2012 - 10:56 pm | Permalink
    Fassbender: Too white.
    Westwick: Idem.
    Howson: Heathcliffe, black, as the zeitgeist demands.

  82. destouches's Gravatar destouches
    October 31, 2012 - 10:24 pm | Permalink

    I grew up in an ultra-liberal, “progressive” home, my parents were “flower chidren”, and today at the age of 42, I am one of the most “awakened” whites you could ever know; how did that happen? I came across a letter size flyer with a photograph of a white man, a white woman, and a white child in loving embrace, with a capitalized caption that read:
    BE PROUD OF YOUR RACE. Propaganda works, and you dont need billions to produce it.

  83. Trenchant's Gravatar Trenchant
    October 31, 2012 - 10:09 pm | Permalink
  84. Trenchant's Gravatar Trenchant
    October 31, 2012 - 10:02 pm | Permalink

    @Edmund Connelly:”Prescience” would suggest that the Official Version™ has credence, planes, Arabs and box-cutters, suicides notes, and all.

  85. Remnant's Gravatar Remnant
    October 31, 2012 - 10:01 pm | Permalink

    Very thought provoking article.

    Cinematic depictions of numinous negros* are doubly invidious.

    First, they reinforce in naive and well-meaning whites a false sense of security about blacks. Whites become more succeptable to entanglements with, fraud from and violence at the hands of blacks are a result of their lack of guardedness which is the natural result of false depictions of black benignity and ability.

    Second, many blacks operate under a mentality one might call cargo cult social relations, i.e. they themselves believe that adopting the trappings of culture and achievement create the reality of such things. Accordingly, more blacks take social cues from these films and other depictions of society: they dress ostentatiously nerdy, or preppy or Gordon Gecky’y or what have you. (The phenomenon Larry Auster calls the empty black suit.) This again creates more dangerous or simply unpleasant situations for whites (who themselves have been primed to accept, seek out and even promote such situations.) When put into situations they are not built for, they will more often crack, explode or go off. There are too many stories of white women shacking up with or even marrying men like this only to become subject to domestic violence, abuse and even death.

    *While we are coining alliterative epithets, I would suggest a better one for Washington: “competent colored” because, in Washington’s characters, it is usually his savoir-faire, dynamism and “can do” characteristics that are at the fore, not so much his innate goodness, which is Freeman’s forte. Think of “Training Day”, where Washington is “good” in the sense of capable but an obviously corrupt individual. Interestingly, that film also takes up the theme of the naive, wet-behind-the-ears young white guy under the wing of the experienced (but corrupted) black guy.

  86. shrug's Gravatar shrug
    October 31, 2012 - 9:34 pm | Permalink

    There are clues and signs embedded in movies and tv shows as well as other jewish media. Some signs are subtle and not easy to spot until after the predicted event comes to pass. An example is the many clues to 911 that weren’t noticed until after 911. If we can learn to decode these hidden messages there might be a chance to forestall the event, which is ultimately our genocide.

    Race reversals in movies (fantasy) as predictive of race replacement in reality. In the movie Safe House “hook nosed” dark, swarthy middle eastern Arab-Muslim bad guy Fares Fares replaces the standard jewish stereotype while stereotypical whites are replaced by “white” jews.

    Jewish media rejects the old jewish stereotypes (hooknoses, etc.) and have “cast” it onto their genetic middle eastern cousins.

    For jews to become the new whites the old ones must be eliminated. Every movie has only one star every world can only have one master race.

    The numinious superhero negro is a blackface for jews to hide behind. At the end of the movie, the black hero is eliminated and the white-jew survives to become the new hero. Just as blacks themselves will be eliminated when the ‘plot’ no longer needs them.

    The most jews can hope for is a hollywood style production (ie. false) replacement of whites. Jews are not white and can never be white because the truth about race is in DNA, not skin color.

    I look forward to watching these movies and reading more insights.

  87. Mary Thomas's Gravatar Mary Thomas
    October 31, 2012 - 9:28 pm | Permalink

    I’m currently re-reading an amazing book by Michael Medved,
    “Hollywood VS. America.” This is probably the BEST book of its’ kind in terms of clearly delineating the evils of Jewish influence, even though shockingly Medved himself is Jewish. I would imagine that he would disagree with what I just said, and would say that the Jews in Hollywood certainly spread evil, but they’re secular so they’re not really “Jews.” Anyway, I’ll share a few of the chapter titles; A Bias For the Bizarre, Comic Book Clergy, Forgetting the Faithful, Promoting Promiscuity, Encouraging Illegitimacy, Kid Know Best, The Addiction to Violence, Hostility to Heroes, Bashing America, etc.
    This is a GREAT book! It covers some of the same material as The Culture of Critique. Medved is brilliant, and the way he skewers Hollywood, it’s a wonder they didn’t kill him.
    This is a MUST read for TOO members. I found it at the local library.

  88. mari's Gravatar mari
    October 31, 2012 - 8:43 pm | Permalink

    BBC America has a new series “Copper” It is all about a New York City police officer during the Civil War. Luckily it is unwatchable because the photographers filmed it so dark it cannot be seen on TV. Even with the lights off and the drapes closed it is just too dark. This dark filming is fine in a movie theater but impossible to see at home because even at night with the curtains closed too much ambient light comes in from the moon and street lights.

    So I have given up on watching the show. In the first 15 minutes viewers were introduced to a heroic main supporting character, some sort of 19th century NYCPD medical examiner, a heroic black doctor. I just gagged. He is of course a fine and wonderful family man. The White cop depends on the black doctor not just for his instant diagnosis of cause of death, weapon, etc but most of the tips the stupid White cop uses to solve the crime.

    The heroic, brilliant black drs relatives were murdered by evil racist White men during the draft riots of course.

    Hopefully the fact that they filmed it so dark no one can see anything but a black and brown murk pn the screen will prevent much of an audience.

  89. Trenchant's Gravatar Trenchant
    October 31, 2012 - 8:24 pm | Permalink

    “rogue Mossad agents”. Brings to mind “baby shrimp”.

  90. Fatboy's Gravatar Fatboy
    October 31, 2012 - 8:12 pm | Permalink

    It’s instructive to consider how these days we don’t even have very many historical films about early (pre 1900) america or Europe. This genre used to be a cinematic staple. The reason: obviously these afford little opportunity to glorify minorities and necesssrily depict white Europeans in our proper role as having done and created everything. So it’s instructive to consider what is NOT being said, just as much as what is being said.

  91. Tom's Gravatar Tom
    October 31, 2012 - 8:12 pm | Permalink

    My favorite Black action figure is USC honors graduate Jiggaboo Jones:

  92. Marcus's Gravatar Marcus
    October 31, 2012 - 7:18 pm | Permalink

    I think “civil rights” is overtaking even the holocaust these days in Hollywood and other media. Spielberg’s new Lincoln film being marketed during election season is one of the more obvious examples. The paradigm will probably shift again if Obama wins. Maybe some Gloria Steinem or Bella Abzug features if Hilary runs in 2016? A non stomach turning actress portraying Betty Friedan would require real creative license, but no more than a heroic black pilot.

  93. John hearns's Gravatar John hearns
    October 31, 2012 - 7:10 pm | Permalink

    @Edmund Connelly:

    Of course if you really want to get published as a film scholar, write about Holocaust movies or anti-Semitism.

    I’ve heard that there is a new Holo movie coming out about a young German scientist who, early in WW2 , lobbied Adolf at his swiss alps retreat with ideas about using chambers filled with bug spray to kill people by the millions and also this scientist had ideas about putting screen doors on all the German U2 subs. The German top brass spent a dramatic weekend fighting over which Idea was to be “the one” , but, in the end Hitler went with the bug spray idea and the rest is history.
    Would make a good review for publishing.

  94. D. K.'s Gravatar D. K.
    October 31, 2012 - 7:02 pm | Permalink

    @Michael Santomauro:

    There is no doubt that Hollywood, for obvious reasons, seeks to demonize Arabs, especially by stereotyping them, since the 1970s, as terrorists. Dr. Jack Shaheen, however, is a typical ethnic activist, masquerading as a truth-seeking academic. He was Robert Osborne’s co-host, on TCM, last year, during that fine cable network’s annual paean to political correctness, The Projected Image. (Each year, it is pointed out by a TCM host, and a guest co-host, just how horribly bigoted Americans are– without bothering to point out, of course, that Hollywood was created by and for an ethnic minority that hates the American majority, above all else! This year’s prized victims, who had their swan song just last night, were the variously handicapped– or, whatever other euphemism may still be acceptable for the “differently abled,” at any given point in time!?!) In his most laughable choice, to show what anti-Arab bigots “Americans” are, Dr. Shaheen chose the 1945 film “Caesar and Cleopatra” (starring the British Claude Rains and Vivien Leigh, in those respective title roles), apparently unaware, or simply unconcerned, that the ancient Egyptians were not a Semitic people, at all, let alone Arabs (or Muslims), and that Cleopatra herself was an ethnic Greek, like the rest of her long line of Ptolemaic forebears!

  95. Edmund Connelly's Gravatar Edmund Connelly
    October 31, 2012 - 6:34 pm | Permalink

    @Michael Santomauro: Michael, you are absolutely right about the Shaheen books. Very well documented stuff. But fate was not on his side with respect to the publication of “Reel Bad Arabs”; it came out just prior to 9/11, and as far as I can tell, it sank without a trace. Instead, so many film studies scholars are still going on about how the awful White man is creating the “model minority” image of Asian Americans.

    Of course if you really want to get published as a film scholar, write about Holocaust movies or anti-Semitism.

  96. John hearns's Gravatar John hearns
    October 31, 2012 - 6:32 pm | Permalink

    It’s films like these that make a person appreciate that America is the land of the brave and the free.
    These movies are tribute to the many brave young men who fought and died in the many wars that were fought for freedom.

  97. Godfrey's Gravatar Godfrey
    October 31, 2012 - 6:31 pm | Permalink

    “I know many of you readers will balk at feeding this anti-White media monster with your dollars…”

    Bit torrent…

  98. Edmund Connelly's Gravatar Edmund Connelly
    October 31, 2012 - 6:27 pm | Permalink

    @WolfHound14: When writing these reviews, I realize many readers tune out the media, which I would do too if I weren’t studying it. But the fact is 90%+ or our White brethren ARE watching and listening to the media — and they are generally taken in by the propaganda. It is my hope that I can somehow reach more and more of them. They should be interested in popular culture, so we can use that as a “hook” to get them thinking about what’s behind the “entertainment.”

    In the university classroom, I have a captive audience, so over the course of a semester I have a fairly good success rate. The initial reaction with so many students is “I always thought it was just entertainment. Now I see things in so many movies.” For instance, last month a student who took my class five years ago sent me an e-mail with a still photo from a Three Little Pigs cartoon. They were singing around the piano, but on the wall behind them was a painting titled “Father.” The content of the painting was a long link sausage. I have to give my student credit for being so attentive.

    These cultural constructions are made by pros. They know what they’re doing. We need to deconstruct them — and get the message out.

  99. Scotsman's Gravatar Scotsman
    October 31, 2012 - 6:24 pm | Permalink

    The phenomena of blacks replacing whites historical persons/characters in film roles would be an interesting case study in itself. This was another aspect of popular culture I noticed even as a middle of the road liberal years ago, and they did so even when changing the race made the role seem jarring or out of place.

  100. Edmund Connelly's Gravatar Edmund Connelly
    October 31, 2012 - 6:19 pm | Permalink

    @italianexpat: That’s a fascinating insight — and likely true. I expect media propaganda to be integrated with other areas such as politics, education, etc. For instance, the 1998 Denzel Washington film “Siege” shows eerie prescience in showing how a group of Arabs in NYC manage to bring down a large federal building with a bomb. True, it’s not an airplane, but the story is close. Watch this trailer and go to the 2:40 mark to see the van.

  101. John hearns's Gravatar John hearns
    October 31, 2012 - 6:10 pm | Permalink

    Rumour has it that one of the key lines in the film is ” I am Whip and I be flyin’ this plane so dat you be hangin’ on real tight white boy! ”

    This one is a winner foww showw.

  102. John hearns's Gravatar John hearns
    October 31, 2012 - 6:00 pm | Permalink

    @Pierre de Craon:

    You gotta include a Gary Coleman “whah choo tokkin” type guy and maybe throw in a JJ “DI-NO-MITE” character as well…
    just for some block busting quality drama.
    Take it up a notch to surpass the already lofty hollywood standards.

  103. Sandman's Gravatar Sandman
    October 31, 2012 - 5:52 pm | Permalink

    As for the movie, I’ll guess that the new twist will be a story where the black hero will be a flawed (because the system is stacked against him) minority who still represents America’s best and perhaps only hope. Flawed but dripping with masculinity that draws in the White girls, but he’ll select a proud black woman in the end….The teaser about substance abuse is just that, a teaser. I won’t watch it either, but I’d bet that most of these themes will be present on the big screen…with Dolby suround sound.

  104. m's Gravatar m
    October 31, 2012 - 5:50 pm | Permalink

    Since this article is also an advertisement, I will make a brief comment about Radix. The magazine was first promised to subscribers in March 2012. Then, when nothing showed up, we were told that by mid-June 2012 that an e-version was going to be sent to subscribers. A hard copy was to follow by the end of that month. Emails inquiring about the magazine’s status were not answered, and I presumed it was stillborn.

    So now we can expect it later this year? Well…I guess better late than never. Would that it will be as excellent as Wilmot Robertson’s Instauration, but that is probably asking too much. Especially for vaporware, albeit expensive vaporware.

  105. John hearns's Gravatar John hearns
    October 31, 2012 - 5:49 pm | Permalink


    Ok to all that,
    but at least he could wear the captain’s cap. ( upside down and sideways with the price tag still on )

  106. Pierre de Craon's Gravatar Pierre de Craon
    October 31, 2012 - 5:36 pm | Permalink

    What a shame that Zemeckis didn’t return to his film roots for this flicker. Picture this: Christopher Lloyd (perhaps in blackface) in the Denzel role and Michael J. Fox as the panicky sidekick. Then retitle the film as Black [sic] to the Future Part IV. Throw in cameo appearances by Jessica Rabbit as a bosomy stewardess and Tom Hanks as a passenger named … uh, named … oh, I don’t know; maybe Forrest Gump … and you’ve got yourself ninety-eight minutes of real entertainment.

  107. October 31, 2012 - 5:06 pm | Permalink

    No doubt political correctness has gone too far in many cases. But in his book The TV Arab, Dr. Jack G. Shaheen describes his own two children’s reaction to “bad Arabs” on TV and his attempt to assuage their concerns-telling them about notables like Danny Thomas, Paul Anka and others. Before you jump to the conclusion that Shaheen, himself the offspring of Lebanese immigrants, is hysterical, take a look at examples he cites in his well-documented book. And things haven’t gotten any better since the book’s publication in 1984. Indeed, it’s worse as entertainment and news media continue to portray the Middle Easterner as terrorist and criminal-especially since the Gulf War. Shaheen does a brilliant job in showing the double standard that exists today between groups that are “in” and those that are “out.” The TV Arab, NOW has expanded with a new book:”REEL BAD ARABS.’ It is an important read for anyone looking for a primer on this subject such as this essay from the same point of view but a different ethnic group.

    Michael Santomauro

  108. Marcus's Gravatar Marcus
    October 31, 2012 - 5:02 pm | Permalink

    I also noticed that, judging by the commercials, the remake of “Red Dawn” will apparently be greatly diversified: the original had a black teacher of a group of white students, but not much more.
    @ John Hearns, a realistic black character would be named Quantavious (a very conservative black name these days, check any basketball or football roster), he would swagger through the plane with long dreadlocks, tattoos, and sagging shorts while communicating with his “niggaz” in a loud, yet unintelligible manner via his T Mobile device.

  109. Felix's Gravatar Felix
    October 31, 2012 - 4:59 pm | Permalink

    I haven’t gone to a movie in years. Why plunk down $12 for something that’s most likely going to be schlock when you can watch what you want on the internet?

  110. Shlomo Siegelbaum's Gravatar Shlomo Siegelbaum
    October 31, 2012 - 4:34 pm | Permalink

    Thanks for a great article. The mass media is the enemy’s most important weapon against us, and we have to use their own “critical theory” against them in order to expose the myths and lies they are spreading. This kind of movie analysis is especially important as it points out details that are overlooked by the great mass of viewers but nonetheless affects us on a deep, subliminal level.

  111. Marcus's Gravatar Marcus
    October 31, 2012 - 4:29 pm | Permalink

    @Edmund Connelly, might this actually incorporate part of a real life story? I believe there was a black pilot or co-pilot (part of the one percent, AA hire?) who was detained after showing up inebriated to work, fortunately I don’t think he even made it onto the plane. Needless to say he didn’t perform any heroic deeds like the Hudson Miracle pilots or the crew who stopped Auburn Calloway from crashing that FedEx plane.

  112. John hearns's Gravatar John hearns
    October 31, 2012 - 4:26 pm | Permalink

    Washington plays the leading role of airline pilot “Whip Whitaker,”

    Should have been”Blackie Flyjetaker”.

  113. Sandman's Gravatar Sandman
    October 31, 2012 - 4:18 pm | Permalink

    Quick comment on a tv commercial I saw only once. The product was V8 vegetable juice drink. Featured was a White man in a flimsy hospital gown which ties in the back. They have him seated on a table and talking nonsense in frantic jibberish. I think he was drooling a bit as well. He’s hooked up to wires that go to a control box operated by a black man with glasses and a white lab coat seated at a table. So the suggestion is that the White man is a lab animal and the black man is studying his pain and confusion as he turns knobs on a box….Never saw this commercial again, but it absolutely was aired during daytime tv. My personal take on it is that Jews want to literally have this type of power over us reminisent of the Communist torture hospitals. Anybody saying that “I’m making too much of it” should note that this type of image is never produced to humiliate non-Whites. Only Whites. These are the telling sign posts that are comming quickly in our direction. The hand goes where the mind is. This is what our enemies want to do to us and our children.

  114. WolfHound14's Gravatar WolfHound14
    October 31, 2012 - 3:59 pm | Permalink

    Why feed the beast at all? Movies are not a necessity in life and many of us have flourished without them and their endless zio-propaganda.

  115. italianexpat's Gravatar italianexpat
    October 31, 2012 - 3:52 pm | Permalink

    Notice the timing of this film? right before the elections…Is this movie a subliminal message for voters to go out an vote for Obama? The black pilot is Obama and passengers/plane represent the US. The pilot miraculously saves the plane from certain disaster. Instead of getting celebrated for his achievements he gets investigated, questioned, etc…
    Obviously Denzel is a hero, Obama is a hero so we must go out and vote for him.

  116. Bobby's Gravatar Bobby
    October 31, 2012 - 3:48 pm | Permalink

    Denzel Washington is a non-entity to me. I can’t stand the “entertainment industry” as it is, let alone this clown, who has bitched and complained in the past about low attendance by whites, do to………………you guess it Ra…m. I wonder when European-Americans will ever get enough of it? Possibly never.

  117. danaigh's Gravatar danaigh
    October 31, 2012 - 3:48 pm | Permalink

    Nothing new under the sun. Check out the various T.V. series via Netflix and there is guaranteed to be a black authority figure in, you name it, CIA, FBI or some higher-up position in in the organization.

    It is literally a formula, there MUST be a black inserted into the plot and character mix. It has become so predicable as to be laughable. Talk about propaganda, they’re not even bothering to be subtle anymore. Why bother with the movies or T.V.?

  118. Kristofer's Gravatar Kristofer
    October 31, 2012 - 3:07 pm | Permalink

    The Betrayal of our sense of uniqueness is staggering.

    Thanks for your efforts.

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