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Media Images of Whites

A Big-Breasted Blue-Eyed Blonde: Reflections on the Rocket-Like Rise of Sweet Shiksa Sydney Sweeney

September 19, 2026/16 Comments/in Arts and Clture and Politics, Featured Articles, Implicit Whiteness, Media Images of Whites/by Tobias Langdon

“The three most useless things in the world are you and the Pope’s balls.” That’s a typically inventive and obscene Australian insult. But it raises an interesting question: What are the three most useful things in the world? I’d say good candidates would be Sydney Sweeney’s blonde hair and big breasts.[1] Those three things have proved very useful in boosting sales and subscriptions for American Eagle and Novig, the Jewish-owned clothing and sports-gambling companies whose Sweeney adverts have cashed in by creating controversy.

Blonde, blue-eyed S.S.: the Jew-approved shiksa Sydney Sweeney (image from Wikipedia)

The blonde hair and big breasts have also been very useful for Sydney Sweeney herself, of course. They’ve made her famous around the world at a speed and scale that don’t seem natural to me. The big-breasted blue-eyed blonde is being boosted very hard. And it doesn’t seem natural. Or should I say “doesn’t seem organic”? No, I don’t think I should. I don’t like the trend for saying “organic” when “natural” is the more natural word. And Sydney Sweeney’s rise to fame is definitely organic in one sense, because it’s her organs that make her so appealing. Her big breasts, obviously, and her blue eyes, but less obviously her uterus and other internal organs whose good health is signalled by her glossy hair, glowing skin, plump lips, and curve-creating body-fat. In other words, Sydney Sweeney’s organic appeal is that she is a fertile young woman. More precisely, she’s a fertile young White woman.

Big-breasted blonde shiksa in the 1950s, big-breasted blonde shiksa in the 2020s: Marilyn Monroe and Sydney Sweeney (Images from Wikipedia and MovieWeb)

And that interests me a lot, because one thing is certain about the rise of this big-breasted blue-eyed blonde to world-wide fame. It wouldn’t be happening if Jews didn’t like it. She must be jew-seful — “useful to Jews” — in significant ways. And that’s very interesting, because Sydney Sweeney is a paradigmatic shiksa, which is the Yiddish word for “gentile female,” particularly one whom Jewish men lust after. Sweeney is blonde, busty and beautiful, but not obviously overburdened with brains. Her appeal is organic, not intellectual. She’s a lot like that earlier busty blonde shiksa Marilyn Monroe, who reportedly greeted her rise to fame with these relieved words: “I’ll never have to suck another Jewish cock again!” (See “Marilyn and the Jews.”) Then as now, Hollywood was controlled by Jews and those Jews preyed on shiksas. As she sought acting jobs and fame, Monroe had to give sexual favors to Jewish gatekeepers.

Blonde beauty, Black bloat

Then she became the supreme exemplar of a “blonde bombshell.” That’s a very old-fashioned term nowadays, because nowadays we’re not supposed to celebrate the beauty and power of blondeness. No, it’s Black and Brown that are beautiful now: blonde bombshells like Marilyn Monroe and Jayne Mansfield should be things of the ever-more distant past. But they aren’t: Sydney Sweeney is a blonde bombshell of the twenty-first century. She isn’t called that, but that’s what she is. She also demonstrates that there’s a shift in popular culture from the pygocentric back to the mastocentric: from the Black preference for buttocks back to the White preference for breasts.[2] Blonde and big-breasted Sydney Sweeney has eclipsed the dark-haired and big-buttocked Kardashians.

“My jeans are blue”: Why did Jews not object to Sydney Sweeney’s blonde blugenics?

This shift towards blondeness and breastiness wouldn’t be happening if Jews didn’t like it, so I’m interested in why Jews aren’t objecting. The question gets particularly interesting when you consider the big bang created by Sweeney last year in her advert for the clothing-company American Eagle, whose owner is a Jew called Jay Schottenstein. The punning tag-line of the advert was “Sydney Sweeney has good jeans,” which was a deliberately ambiguous reference to not just her blue jeans but also her blue-eyed beauty. It was obviously designed to stoke controversy and boost profits. Controversy duly arrived as leftists complained about “white supremacy,” “Nazi symbolism,” “racism,” and the promotion of “eugenics.” But no-one was more helpful to Gap’s bottom-line than a big-bottomed Black female “influencer” called Ivernon2000. She provided the perfect contrast between blonde beauty and Black bloat by photographing herself flipping off a giant poster of Sweeney in Times Square. Ivernon2000’s sub-Saharan steatopygia was on full display. She also provided this commentary:

Black bloat versus Blonde beauty: Ivernon2000 flips off a giant poster of Sydney Sweeney

Look what I found in Times Square. A double middle finger to American Eagle’s ‘Good Jeans’ ad. Sydney Sweeney ain’t the blueprint *tongue pop.*”

Let me tell you who has amazing genes. Black people have great genes.

Indigenous humans have amazing genes. Queer folks have the best genes.

Humans who have disabilities have boomin’ genes. Womxn have super-de-duper genes! […]

Black womxn have good genes. We’re the blueprint. Remember that, you ash filled buckets [!! and finishing with a bit of anti-White hate]. (“Influencer Slammed For Flipping Off Sydney Sweeney Ad, Making “Racist” Commentary In Viral Post,” AOL.com, 7th August 2025)

Black baldness versus Blonde beauty: Another jealous and ugly Black, Cynthia Erivo, objects to Sweeney’s “good jeans” advert

That was very good publicity for American Eagle and its owner Jay Schottenstein (born c. 1954), who is Jewish. But why would a Jew like Schottenstein want to celebrate the “good jeans” of a blue-eyed blonde beauty whose initials are S.S.? Why would the heavily Jewish advertising industry want to design a campaign like that? And to follow it up with a campaign for the sports-gambling company Novig, whose owner is the Jew Jacob Fortinsky, that is again based on the blue-eyed blonde beauty whose initials are S.S.? If Jews had wanted to crush that “good jeans” campaign and cancel Sydney Sweeney’s career, they could easily have done so. They didn’t. Instead, they allowed the campaign to make Sweeney even richer and even more famous. And she had risen to fame on Jewish lechery: the Jew Sam Levinson oversaw the TV-show Euphoria, based on an Israeli mini-series and featuring Sweeney as a fetish-performer infantilizing on the porn-site Only Fans. Later, she became the shiksa fiancée of a wealthy Jewish media mogul called Scooter Braun, just as Marilyn Monroe became the shiksa wife of a famous Jewish playwright called Arthur Miller.

Sweeney Bod

Monroe divorced Miller in 1961 and was dead the following year at the age of 36. Probably she committed suicide, possibly she was murdered. Either way, I hope Sydney Sweeney isn’t killed by fame so young. I’m happy to say I don’t think she will be, because she seems much more level-headed and much less fragile than Monroe. But she doesn’t seem more beautiful than Monroe (or than Monroe with her make-up on, at least). In fact, I don’t think Sweeney is beautiful at all. She has an attractive body and breasts, yes, but her face is not beautiful or perhaps even pretty. She’s slightly crossed-eyed, for one thing. She isn’t a goddess, she’s a girl next-door. And that adds to the interest of the way her blondness and big breasts have been boosted to world-wide fame. This hasn’t merely happened without Jewish objections: it must have happened with Jewish approval. Indeed, it may even have happened under direct Jewish orders.

Red hair and pale skin are also “white-coded”: the American actress Sadie Sink in another White-boosting advert for a Jewish company (image from theImpression)

So why? Why has a fertile blue-eyed blonde shiksa been allowed to become world-famous as a paradigm of sexual appeal? I’d suggest it’s part of something I’ve written about before at the Occidental Observer: a significant shift among some powerful Jews since the Hamas attacks on Israel in October 2023. As they watched non-Whites flood the streets of New York, London and Paris in solidarity with Palestinians, not with Israelis, those powerful Jews belatedly realized that the mud-flood — mass migration by non-Whites from the Third World into the West — is not so good for Jews after all. Non-White migrants have caused huge harm to Whites, as intended, but they haven’t become staunch allies of Jews, as also intended. Accordingly, a significant number of powerful Jews have turned against the promotion of non-Whites and begun to support “far right” parties like Reform in Britain and the National Rally in France.

A blue-eyed Jew

I’d suggest that the boosting of the blue-eyed blonde Sydney Sweeney is part of this ostensibly pro-White movement by powerful Jews. But in a sense Jews have never ceased to be “pro-White.” As I pointed out in my article “Efface the Facts,” you could regard elite Ashkenazi Jews as “white supremacists,” because they clearly accept pale skin and goyish features as the ideal both in Israel and in the Jewish Diaspora. In Israel, dark-skinned Mizrahi Jews from Arab countries still complain that David Ben-Gurion, the Ashkenazi who was Israel’s founder and first prime minister, “didn’t want them” in the country. Ben-Gurion worried that Mizrahi children would “descend to the level of Arab children” and claimed that “in the past few hundred of years the Jews of Europe have led the nation [i.e., Jewish people], in both quantity and quality.” In Britain, a very interesting advert once appeared in the Jewish Chronicle and other Jewish newspapers. It was specifically created for “Jewish Child’s Day” and used an animated image of a boy with pale skin and blue eyes whose face is progressively disfigured by dark bruises. That is why the advert was powerful (if ironic given the Israeli murder, rape and torture [including sexual torture] of Palestinian children): it showed light assailed by darkness. If you changed the words accompanying the images, you could run exactly the same image for “Aryan Child’s Day,” because the boy does not look Jewish.

Blue-eyed purity assailed by evil darkness: an Aryan-esque advert for Jewish Child’s Day in the Jewish Chronicle} (see “Efface the Facts”)

I called that Jewish “glorification of goyification,” borrowing the term goyification from David Cole, the Jewish writer who has discussed the Jewish envy of, and preference for, White features in articles like “Ruth-Bader Ginsburg… Shiksa?.” In my own article, I reached this conclusion:

[T]his [Jewish] glorification and envy of White features can also be accompanied by hatred and a desire to harm Whites. Jews promote mass immigration and race-mixing in part because they feel safer in atomized, culturally and ethnically chaotic societies. But I would also suggest that they promote these things because they like the idea of destroying Whiteness. From the Jewish point of view, it would be a delicious irony if Jews acquired and retained White faces even as Whites lost them thanks to race-mixing. (“Efface the Facts: White Supremacism in the Jewish Community,” The Occidental Observer, 4th January 2019)

That desire to acquire White genes is part of what attracts Jews to shiksas like Sydney Sweeney and Marilyn Monroe. But October 7 may have added another motive to the Jewish promotion of Sweeney. Some Jews are backing Blonde and bucking Black, because they no longer see non-Whites as “natural allies.” But Blaxxing — Black-maxxing — isn’t going away any time soon, as we can see from the Blue Lady of Trafalgar Square in London. Not that any healthy and racially sane White would want to see the Blue Lady, a grotesque statue by the appropriately named Black female sculptor Tschabalala Self. The statue shows a Black woman with giant buttocks performing a sub-Saharan strut in a once-White space. The statue is both pygocentric and Afro-centric. But I think that is all to the good, because I think it emphasizes the ugliness and arrogance of Black supremacism. Set beside sweet Sydney Sweeney’s assets, that bloated Black backside is excellent propaganda for the White cause.

Blue-eyed blonde beauty versus blue-buttocked Black bloat: Sydney Sweeney and the Blue Lady of Trafalgar Square


[1]  Appropriately enough, “candidate” comes from Latin candidatus, meaning “clothed in white,” from candidus, “shining white.”

[2]  Pygé and mastos are Greek for “buttocks” and “breast,” respectively, so pygocentric means “buttock-centered” and mastocentric means “breast-centered.” Preference for the buttocks is also correlated with lower IQ, preference for the breasts with higher IQ.

https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png 0 0 Tobias Langdon https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png Tobias Langdon2026-09-19 07:35:442026-09-19 09:27:01A Big-Breasted Blue-Eyed Blonde: Reflections on the Rocket-Like Rise of Sweet Shiksa Sydney Sweeney

Wet Whites, Dry Blacks and the Secret Apartheid of American Culture

January 14, 2015/16 Comments/in Featured Articles, Media Images of Whites/by Colin Liddell

American film and TV is often accused of racism. Leftists will complain that Blacks are underrepresented, only play minor roles, and are usually shown in a negative light. White nationalists will talk about “Magic Negroes” and the absurd absence of Black criminals and villains, when Blacks clearly play a much larger role in the criminal fraternity.

This is not unlike the case of the ancient Caledonians who were described as a fair-haired people by the Romans and as a dark-haired people by the subsequent Anglo-Saxons. In other words, it’s the case of the blind men and the elephant yet again.

The crux of the problem is simple. It stems from the central fact of “racial asymmetry” that exists in American society. By racial asymmetry I mean the complete imbalance between Blacks and Whites in society. It goes well beyond the simple fact that Whites are around 60-65% of the population and Blacks around 12-13%. Added to this numerical disparity is the disparity in achievement and dysfunction.

In real life, there are simply a lot less Blacks in higher or meritorious positions, and thus less scope for genuine and interesting Black characters in the culture. For the same reasons, there are also awkward effective stereotypes of Blacks – as opposed to mainstream-promoted ones. This distinction is important because effective stereotypes reflect attitudes that influence behavior, such as where one chooses to live. Read more

https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png 0 0 Colin Liddell https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png Colin Liddell2015-01-14 11:34:462015-01-14 11:34:46Wet Whites, Dry Blacks and the Secret Apartheid of American Culture

Nordics versus Implicit Jews in “The Switch”

June 10, 2013/2 Comments/in Featured Articles, Media Images of Whites/by Kevin MacDonald

We all know that the Jewish domination of Hollywood leads to consistently positive portrayals of all things Jewish and invidious portrayals of Christianity and anything touching on White identity or interests (see here, p. 53ff). But part of the art of Hollywood is to embed Jewish attitudes and values in other characters. After all, non-Jewish audiences are not going to relate to yarmulke-wearing, overtly Jewish characters preaching to them on the superiority of supposed Jewish values. So a more subtle approach is needed.

One such approach is to present characters that are Jewish in every way except that there are no explicit assertions of Jewish identity. Seinfeld was a great example. Although Jerry’s character was overtly Jewish, the character of George Costanza was obviously Jewish but presented as not Jewish. George is presented as Italian, but he is played by a Jewish actor whose parents on the show are also played by Jewish actors exhibiting stereotypical Jewish family patterns; George’s character was based on the show’s co-creator, Larry David who is quintessentially Jewish. It always seemed to me that the same could be said of the Elaine character, but perhaps less obviously so. She is played by a Jewish actress but is often seen wearing a crucifix; her name suggests she is Czech and in one episode she explicitly states she is not Jewish. But her character, her appearance, her interests, her mannerisms, her voice, and her rapport with Jerry and George seem obviously Jewish. None of this could be said about the Kramer character played by Michael Richards. Clearly a goy.

Such characters might be called implicitly Jewish—ways of expressing a Jewish sensibility without being overtly Jewish. Read more

https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png 0 0 Kevin MacDonald https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png Kevin MacDonald2013-06-10 10:27:562013-06-11 14:19:57Nordics versus Implicit Jews in “The Switch”

The media drumbeat: The West is evil

January 26, 2013/2 Comments/in Featured Articles, Jews as a Hostile Elite, Media Bias, Media Images of Whites, Media Influence/by Kevin MacDonald

A major theme at TOO has been Jewish influence on the media and that the media reflects the attitudes of the wider Jewish community hostile to the traditional people and culture of the West (e.g., Media images of Whites; Media bias). (Relatedly, Frank Salter exhaustively shows that the media in Australia is hostile to the traditional people and culture of Australia.)

It’s a pervasive phenomenon. The first paragraphs of Andrew Joyce’s recent TOO article emphasize the many reviews in the elite media of Anthony Julius’s Trials of the Diaspora. While there are some make minor criticisms, the book is taken seriously, and the general conclusion — that the English have had a pathological hatred toward Jews for nearly a millennium — is not challenged. The reviews typically lavish praise on an execrable book—execrable at least partly because it ignores data that fail to confirm its thesis.  The main function of the book and the reviews is to add to the constant condemnatory chorus from the media: the traditional people and culture of the West are evil.

Jewish readers are confirmed in their sense of innocent victimhood; they are once again assured that hostility toward to the people and culture of traditional English society and the West generally is entirely justified.   Read more

https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png 0 0 Kevin MacDonald https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png Kevin MacDonald2013-01-26 15:59:472013-01-29 12:26:04The media drumbeat: The West is evil

Norman Lear’s “All in the Family” resurfaces

November 4, 2012/287 Comments/in Jewish Support for Multiculturalism, Media Bias, Media Images of Whites, Media Influence/by Kevin MacDonald

In an argument about Jewish domination of the media, once you get your opponent to admit that yes, Jews do run the media, the usual fall back line is to say that it really doesn’t make any difference. Jews are Americans like everyone else, so we really couldn’t expect anything different no matter who was in charge.

I thought about this reading an LATimes article on the 40th anniversary of Norman Lear’s All in the Family (“Norman Lear Recalls ‘All in the Family’s’ Beginning“). The article begins with Lear recounting how proud he is of getting “a reference to sex that would be considered tame today” into the first episode  The show was wildly successful: “The series was brilliant, daring, funny and poignant. Over the seasons, “All in the Family” explored racism, homosexuality, women’s liberation, menopause, impotence, the Vietnam War and the loss of faith. It was the No. 1 series for five years, won 22 Emmys including four for comedy series…”

I remember reading an article about Carroll O’Connor, who played the main character, Archie Bunker, being wildly applauded whenever he went out in public during the height of the show’s popularity. The show was indeed brilliant—brilliant propaganda because it managed to identify ingrain in the American mind the idea that illiberal thinking was a sure sign of being an uneducated buffoon.

It is repeatedly brought out that the main character, Archie Bunker, is uneducated and none too smart—constantly mispronouncing even ordinary words and lacking a basic understanding of geography or history—Lincoln signed the Declaration of Independence, Denmark is the capital of Colorado, and Florida is on the West Coast. But this TV show still shapes current attitudes about people who have a problem with multiculturalism. I found the following posted online by a fan of the show:

This is definitely my favorite show and I am glad that there are re-runs on Nick-At-Nite. One of my favorite episodes is when Archie gets locked in the cellar and is finally “rescued” by a repair man, but Archie is drunk, and he thinks that the repair man is God; little does he now, that the repair man is black! (Not that it matters, but to Archie?!) And when Archie bows down to him and lifts his head to see his “God” the audience roared in laughter as did I. . . . I hope this show remains  on the air for a long time, because I could never get sick of watching All in the Family! (see here) Read more

https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png 0 0 Kevin MacDonald https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png Kevin MacDonald2012-11-04 12:44:222012-11-05 01:04:46Norman Lear’s “All in the Family” resurfaces

Denzel Washington in “Safe House” and “Flight”

October 31, 2012/120 Comments/in Featured Articles, Media Bias, Media Images of Whites/by Edmund Connelly, Ph. D.

The gala premiere of Denzel Washington’s latest film, Flight, was held last week at the ArcLight Cinemas in Hollywood. Washington plays the leading role of airline pilot “Whip Whitaker,” who saves his plane from certain disaster. According to the trailer, however, he might be in trouble because of his drinking problem. We regular Americans will have a chance to find out this Friday, Nov. 2nd, when the film opens nation-wide in theaters.

I’m intensely curious about how African American Washington will be portrayed. What I am hoping is that TOO readers who see the movie will discuss it here at the TOO site in the comments section. I’ve already written about the background to the film in the racial context we have in America (seehere), so we don’t have to start from scratch.

Still, since I suspect some surprises, I will further lay out ideas on what it means to have Washington appear as yet another heroic figure, particularly when he is cast completely against reality. Here are my thoughts. Read more

https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png 0 0 Edmund Connelly, Ph. D. https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png Edmund Connelly, Ph. D.2012-10-31 14:52:112015-08-14 07:36:05Denzel Washington in “Safe House” and “Flight”

The Trayvon Martin-George Zimmerman Affair: Previewed by Hollywood

April 9, 2012/152 Comments/in Featured Articles, Media Bias, Media Images of Whites, Media Influence/by Edmund Connelly, Ph. D.

Well, I’m waiting. I’m waiting for something to wake up White people all over the world, especially in America. I’ve thought before there was enough out there to do the job, but people’s survival instincts have yet to kick in. And now we have the Trayvon Martin-George Zimmerman affair.

I really thought this anti-White media propaganda campaign was a no-brainer, but my brother surprised me by piping up about how terrible it was that a White guy had shot this innocent black boy in cold blood. In other words, my brother had swallowed the media line hook, line and sinker.

What is so discouraging about this is that I’ve kept him informed over the years about racial realism and the real state of crime in America. Further, I’ve situated it in the context of a “culture of critique” explanation showing how ethnic warfare on Whites is being carried out in education, the government, courts, and most explicitly in the mass media. Read more

https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png 0 0 Edmund Connelly, Ph. D. https://www.theoccidentalobserver.net/wp-content/uploads/2018/06/TOO-Full-Logo-660x156-1.png Edmund Connelly, Ph. D.2012-04-09 11:10:352012-04-09 18:02:47The Trayvon Martin-George Zimmerman Affair: Previewed by Hollywood
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