Andrew Goldberg’s “White with Fear”

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Andrew Goldberg’s White with Fear. Needless to say, it’s devoid of an interest in the actual statistics on Black crime. See Ambrose Kane’s article.
In the documentary White with Fear, an insidious long-running campaign to villainize people of color in the US is laid bare
In the year 1968, a group of housewives in Dearborn, Michigan, then a nearly all-white suburb of Detroit, gathered for a workshop on how to shoot a gun. The women at the pistol range, mostly late-middle age and grandmotherly, were reacting to rhetoric from Richard Nixon’s presidential campaign, which fixated on a so-called crime wave. They were scared, defensive, willing to pick up a gun as a guard against what Nixon called “cities enveloped in smoke and flame”.
The neighboring city of Detroit was 40% Black, and the “crime” supposedly overtaking US cities meant, in this context, Black people, and white suburbia’s racist fear of them. […] Nixon’s approach demonstrated that “when you appeal to whites on the basis of race, they will go all the way to changing their political party,” said Andrew Goldberg, the film’s director.
As White with Fear immediately makes clear with footage of the old ladies with their pistols braided into clips of contemporary Republican “migrant crime” soundbites, the political tradition of dog-whistling white fear remains strong. The only difference between Dearborn housewives with, as a 1968 newscaster put it, “suburbia’s new tranquilizer”, and the viral photo of a white Missouri couple pointing an AR-15 at Black Lives Matter protesters in 2020, is the quality of the footage and the openness of the hostility.
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[Interviewer:] What are you working on next?
[Andrew Goldberg:] We are working on a film about antisemitism coming from progressive spaces, as told by voices within the progressive movement. Light fare, right?!
Andrew Goldberg’s filmography:
The Armenian Americans (2000)
The Armenians, A Story of Survival (2001)
A Yiddish World Remembered (2002)
Images of The Armenian Spirit (2003)
They Came to America (2003)
Proud to Serve: The Men and Women of the U.S. Army (2004)
The Armenian Genocide (2006)
Anti-Semitism in the 21st Century: The Resurgence (2007)
The Jewish People: A Story of Survival (2008)
Jerusalem: Center of the World (2009)
Out in America (2011)
The Iranian Americans (2012)
4 replies
  1. Freddy
    Freddy says:

    Welcome to Disney’s “Mosaic of Madness”—the only theme park where history’s darkest corners, today’s cultural chaos, and pure cartoon absurdity collide in a dazzling spectacle. At the gate, you’re greeted by a genderfluid, solar-powered Mickey Mouse who checks your pronouns, your carbon offset certificate, your “Certified Unproblematic” badge, and your “Refugees Welcome” wristband. The castle is now a shimmering rainbow mosaic, designed by former Nazi interrogator and current diversity artist Hanns-Joachim Scharff. In this world, everyone gets a redemption arc—provided they’ve completed Empathy Bootcamp with Goofy, Elsa, and a team of refugee sidekicks.

    Inside, the “Inclusive Interrogation Maze” awaits, where AI avatars gently question guests about their Disney memories, childhood microaggressions, misgendering of cartoon animals, and whether they’ve ever marched in a “Diversity is our Strength” parade. Those who answer with maximum intersectionality earn a Safe Space sticker, a “Refugees Welcome” tattoo, and a fast pass to the Virtue Signaling Carousel, powered by positive affirmations and biodegradable glitter.

    The Cancel Coaster remains a crowd favorite: you board as your nostalgic Disney self and, after a wild ride through the Tunnel of Problematic Tweets and the Forest of Outrage, emerge as a rebranded, vegan, body-positive influencer with a TikTok dance, a gluten-free magic wand, and a Diversity Certificate. The dwarves have unionized and now lead the “Fridays for Fairytales” climate protests—demanding green dragons, fair wages, and a ban on fossil-fueled pumpkin carriages.

    In the Pronoun Pavilion, every princess introduces herself with new pronouns each hour, while Prince Charming—now simply “Charming, the Ally”—hosts workshops on deconstructing toxic fairy tale masculinity. Elsa’s ice castle is melting—on purpose!—as part of the immersive climate experience, complete with vegan snow cones and a Greta Thunberg hologram reminding you to recycle your tiara.

    The Wall of Wokeness is a shimmering confession mosaic: guests add their own tiles, each representing a microaggression, an unconscious bias, or the time they watched a Disney classic without a trigger warning. An AI-powered empathy scanner rates your sincerity; those who score high enough unlock the Safe Space Spa, where trigger warnings are whispered by a cast of diverse, non-binary Disney sidekicks.

    New to the park is the “Diversity Court”: Here, people of color, refugees, and anyone who’s experienced discrimination or anti-tolerance can sue for millions in damages and reparations before a jury of Disney lawyers. The jury is a diverse mix of princesses, sidekicks, and the Drag Brothers Grimm. Winners not only receive the cash but also get their own song in the nightly musical.

    For the adventurous, there’s the Conspiracy Castle, where Rapunzel livestreams from her tower about how the deep state faked the moon landing in Agrabah, while Donald Duck in a trench coat investigates the case of the missing virtue points. In the Mosaic Workshop, kids and adults craft their own “Confession Stones,” installed in the ever-growing Rainbow of Remorse archway—curated daily to avoid microaggressions and maximize intersectional harmony.

    At night, the Virtue Parade sweeps through the park: canceled characters make triumphant returns, waving eco-friendly flags and chanting “Diversity is our Strength!” and “Refugees Welcome!” as fireworks spell out “Be Your Authentic, Carbon-Neutral Self!” across the sky. Cinderella, now a non-binary social media coach, leads the TikTok dance, while Hanns-Joachim Scharff—in drag as the “Mosaic Queen”—delivers a moving speech about the power of reparations, intersectionality, and compostable glass slippers.

    https://www.sfgate.com/disneyland/article/nazi-top-interrogator-artist-disney-parks-20347484.php

    What a heartwarming display of modern tolerance in action! An older gentleman, perhaps emboldened by a few too many drinks or simply lacking in self-preservation instincts, strolls into a punk concert in Las Vegas wearing a bright “Dago Choppers SS” shirt—complete with those ever-so-subtle SS runes. Now, in the nuanced world of outlaw biker fashion, this might just be a badge of “bad boy” rebellion, a wink to the club’s outlaw image, or a relic of postwar provocation. But in the eyes of the ever-vigilant punk community, it’s a flashing neon sign reading “Punch Me Now!”

    Bald-headed mudcatchers do the heavy lifting. This is only for real tough men! And so, in a stunning act of antifascist heroism, a courageous mob of self-proclaimed punks—true champions of diversity and open-mindedness—band together to demonstrate just how much they hate fascist violence: by engaging in a little fascist violence of their own. Shouting, shoving, and swinging fists, they valiantly defend the scene from the threat of one drunk biker, all while congratulating themselves on their moral superiority and “bravery.” Because nothing says “no tolerance for intolerance” quite like a group beatdown administered by people who pride themselves on their tolerance.

    But let’s be fair: the man’s choice of attire was, at best, staggeringly stupid. Walking into a punk show with SS runes is like showing up to a vegan potluck in a fur coat—provocative, reckless, and almost guaranteed to end badly. Still, one can’t help but wonder: what if, instead of SS runes, our hapless antihero had sported a bright red shirt emblazoned with hammer and sickle? After all, under that symbol, countless many more millions perished worldwide than under the SS. Would our punk defenders of justice have erupted in righteous fury? Or would they have nodded approvingly, perhaps even offered him a drink and a spot in the mosh pit, all in the name of “smashing the system”?

    It’s hard to find much more concentrated idiocy in a square mile outside of Las Vegas. The original home of such original, unprecedented mega-idiocy is called “America”, and is the self-proclaimed role model for all other countries in the world. Anyone who does not accept this will be dismantled into its individual parts by democratic liberation bombs! As is well known, “punk” was primarily a Jewish brainchild. And so a Jew by the name of Levitan comments on this (actuafly or all involved highly embarrassing) event, as a kind of brave little tailor who watches over the giants with the bird brains as a referee. In his own words, he explicitly states, “He’s Jewish and doesn’t have a childhood background in ‘Jesus Loves Me’ music to draw from”. https://living-las-vegas.com/2006/07/fear-and-loafing-in-las-vegas/

    https://www.casino.org/news/angry-mob-at-vegas-punk-rock-festival-attacks-biker-in-nazi-like-shirt/

    https://www.youtube.com/watch?v=PFyLODvVeEw

  3. Tim
    Tim says:

    Have you read about the alleged “terrorist attack” by an Egyptian citizen without a residence permit with Molotov cocktails in Boulder, Colorado with 0 fatalities at a pro-Israel event, which he had allegedly been planning for a year?

    Certainly, because the Jewish media speak as if on cue from one mouth. Within just a few hours, virtually the entire Western system press, which has been brought into line, has rolled around the world thousands of times like wildfire.

    There is even already a BolsheWiki article. One of the victims is said to be a so-called “Holocaust survivor”. and the FBI is investigating. At the same time, the “documentary” “Viral: Antisemitism in Four Stages” is being made with creatures like the hateful psychopath Lipstadt.

    https://en.wikipedia.org/wiki/2025_Boulder_fire_attack

    https://www.newsweek.com/mohamad-soliman-suspect-identified-boulder-terrorist-attack-2079586

    Now that Israel is temporarily experiencing a low point in the opinion of the world public because it massacres countless children and civilians every day, it is imperative that a supposedly drastic event is used to counteract this and warn against anti-Semitism.

    One should also remember such false flag ops as the self-filmed “terror attack” on a locked synagogue in Halle/Saale with a homemade shotgun [!], in which not a single Jew, but two German civilians who allegedly appeared by chance, were killed.

    https://en.wikipedia.org/wiki/Halle_synagogue_shooting

    Although in Germany anyone who wants to own a live firearm can easily obtain one unofficially even without a gun license: “According to a frequently cited estimate by the police, there are around 20 million illegal firearms in circulation in Germany.”

  4. ps
    ps says:

    (It’s always) da Jews themselves: These fckng psychopathic
    “fear” mongers! Collective mental illness in full “progress”…

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