Falling down the memory hole: Reflections on the 1980s Soviet counterculture, Part 2
My personal involvement with ‘the system’ had seemingly innocent origins. All through my adolescent years, I had been dreaming of becoming a rock musician. Of course, harboring such dreams, especially by one born in the Soviet Union, smacked of a childish naiveté. For one thing, the Soviet authorities viewed rock music as a political and cultural deviation—and a sad result of the influence of ‘the rotten West.’ Theoretically, it was possible to join a low-profile commercial band and play in restaurants and at weddings, but I aspired to higher (or at least different) things.
But in pursuing my dreams, I did not appreciate another type of obstacle to my dreams. Spheres of influence in the USSR were clearly divided along many lines, including nationality. The Russian majority firmly controlled the government and military (you needed personal connections or better still, you had to be born into the right family to be able to get on the fast track to success). The Jews dominated culture and entertainment—clearly a demotion from their former positions as leading communists. In fact, this demotion was one of the reasons the Jews felt wronged by the Soviet system and why many of them were in silent or no-so-silent opposition to it. But in all artistic spheres and in a great many other liberal spheres, the Jews reigned supreme. For instance, in the early 1980s, the vast majority of movie actors, musicians, writers and journalists were Jews. They were slightly less represented in the medical and legal professions, but still Jews promoted Jews, so if you weren’t one, it was useless to try to squeeze into certain professions. Read more