The twentieth century saw a proliferation of art inspired by the culture of critique. The exposure and promotion of this art grew alongside the ever-expanding Jewish control of the media, and Jewish penetration and eventual capture of the Western art establishment. Jewish writers, painters and composers sought to rewrite the rules of artistic expression — […]
About Brenton Sanderson
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Entries by Brenton Sanderson
Abstract Expressionism and the Culture of Critique Abstract Expressionism was disproportionately a Jewish cultural phenomenon. It was a movement populated by legions of Jewish artists, intellectuals and critics. Prominent non-Jewish artists within the movement like Jackson Pollock and Robert Motherwell married Jewish women (Lee Krasner and Helen Frankenthaler). Willem de Kooning defied the trend, although […]
Creating a new “American” Art Before the rise of Abstract Expressionism, the American art scene after World War I was defined by two main currents. The first were what one might call the Regionalists (e.g. Grant Wood, Thomas Hart Benton and John Steuart Curry) who used their own signature styles to portray the virtues of […]
The life and career of Abstract Expressionist painter Mark Rothko is a prototypical Jewish story that encapsulates a range of themes discussed at The Occidental Observer. Central to Rothko’s story is the political radicalism of eastern European Jewish migrants arriving in the United States between 1880 and 1920; the reflexive hostility of these migrants and their […]
2011 marks the centenary of the death of Gustav Mahler. This follows last year’s one hundred and fiftieth anniversary of the composer’s birth. In addition to an upsurge in performances of Mahler’s works by orchestras around the world, last year also saw the release of a second book about Mahler by the journalist and music […]