Entries by Brenton Sanderson

Triggered by Bach: Classical Music as Implicit White Supremacy

“White supremacist” has long been the preferred Jewish epithet to throw at White people who have the temerity to do what Jews do routinely: openly advocate for their ethnic interests. This hackneyed label has always been utterly beside the point: whether Whites are superior to non-Whites has no logical bearing on the moral legitimacy of […]

Balzac and the Jews

Honoré de Balzac (1799–1850) was an incredibly prolific French novelist of the first half of the nineteenth century. A pioneer of realism, he wrote 85 novels in twenty years, many comprising parts of his multifaceted examination of French society, which, invoking Dante, he dubbed La Comédie Humaine—The Human Comedy. Through carefully observing every social actor, […]

Jews and the Left by Philip Mendes: Review — Part 1

Jews and the Left: The Rise and Fall of a Political Alliance Philip Mendes Melbourne, Victoria: Palgrave MacMillian, 2014 Introduction In 2018 I reviewed Alain Brossat and Sylvie Klingberg’s Revolutionary Yiddishland: A History of Jewish Radicalism, a shameless apologia for (and indeed glorification of) Jewish involvement in radical political movements in the early- to mid-twentieth […]

Leonard Bernstein and the Jewish Cultural Ascendancy – PART 2

Go to Part 1.  Bernstein’s Mahler obsession I have previously examined the tendency of Jewish intellectuals to use their privileged status as the self-appointed gatekeepers of Western culture to advance their group interests through the way they conceptualize the artistic and intellectual achievements of Jews and Europeans. Jews have long used their cultural dominance to […]

Leonard Bernstein and the Jewish Cultural Ascendency — PART 1

Introduction 2018 marks the centenary of the birth of Jewish-American conductor, pianist, composer and teacher Leonard Bernstein. This milestone has seen a global bonanza of 2,500 concerts, programs, exhibitions and theatrical productions. Bernstein features prominently in the pantheon of “Jewish geniuses” as designated by the West’s Jewish-dominated cultural and intellectual establishment. Bernstein’s centenary year inevitably […]