Working-Class Zero: The Political Autism of Alan Moore and His Labour Party Friends, Part 1

Alan Moore
Genius. It’s an over-worked term in modern popular culture, quickly bestowed on any musician, artist or writer who becomes famous or influential. But there are people for whom it seems appropriate. The British writer Alan Moore is one of them. In his prime, this proud son of Northampton bestrode the world of comics like a colossus, imagineering, innovating and inspiring like a combination of Hieronymus Bosch, H.P. Lovecraft and William Burroughs. He was, and remains, a master of both words and images, synergizing the verbal and the visual to create worlds of wonder for his millions of awestruck fans.
Alan Moore is a genius. It doesn’t sound wrong to say that.
Goodthinkful liberals
At least, it doesn’t sound wrong if you are one of those many fans. But I’ve never felt the Moore magic myself. I’ve tried masterpieces of his like Watchmen (1987) and V for Vendetta (1985) and found them over-written, pretentious and confused. And I thought this long before I became a crazed political extremist. When I first read Watchmen I was a goodthinkful liberal too, resolutely opposed to racism, sexism and homophobia.
That was then. Now I reject Moore not just as a writer but as a thinker too. His art is adolescent and so are his politics. Like the Yorkshire playwright Alan Bennett, he makes much of his humble origins and the simplicity and decency of his working-class parents. And like Bennett, he unflinchingly supports all the forces in British politics and culture that most despise the working class and people like his parents.
On the upside, those same forces will shower riches on any talented working-class writer who demonstrates his goodthinkfulness and collaborates with them in their anti-prole endeavours. As I pointed out in “Bend It Like Bennett,” Alan Bennett is a rich man who was well able to afford a wallet-lightening encounter with some vibrant Romanian Gypsies. Alan Moore is also rich: he has recently donated £10,000 to help a friend bring his “African wife” over from Mozambique. The British government were asking the friend to prove that he had the “minimum income threshold” required to support a foreign wife.
Moore thought there was “some unpleasant racial issue” in his friend’s difficulties, concluded that “racism” was at work, and expressed his “continuing incredulous disgust over the manner in which Mr Cousins and his wife Paula have been kept separate for what is now a period of years.”
In short, Moore was virtue-signalling, secure in the knowledge that his donation and the opinions that accompanied it would bring him nothing but approval and admiration from his fellow liberals. Read more







