Media Bias

Trayvon Martin and George Zimmerman: Reaffirming the Anti-White Religion

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Recent photo of Trayvon Martin tweeting as No_Limit_Nigga

Trayvon Martin as usually depicted in the media

You have to be living under a rock not to notice the deluge of media coverage of the Trayvon Martin-George Zimmerman affair. The accounts I have seen inevitably emphasize Blacks as victims and implicitly at least, the message reaffirms the narrative of Blacks as innocent victims of Whites. This of course flies in the face of data on crime showing that Blacks are much more likely to victimize Whites than the reverse, with the media bending over backwards to prevent any indication that race was a factor. I don’t recall any national media outrage recently when two Black teenagers set fire to a White teenager after dousing him with gasoline, even though they said they did it because he was a “white boy.” This happened only a few weeks ago. Rather than the wall-to-wall coverage seen in the Trayvon Martin case, there was only a brief and fleeting mention in the New York Daily News and no mention at all in the prestigious national media. It doesn’t fit the narrative that the media feasts on and promotes. No angst from Obama; no Justice Department investigation of a possible hate crime.

Indeed, it’s quite common for the media not to identify the race of non-White perpetrators. And somehow Mr. Zimmerman’s Latino background also slips into irrelevance.

Also virtually unmentioned is that Martin and Zimmerman were fighting, with at least one witness emphasizing that Martin had the upper hand just before the fatal shot. Although Zimmerman seems to have been overzealous in his scrutiny of possible criminals in his community, he may indeed have been “standing his ground” once the encounter escalated into violence. Indeed, the Orlando Sentinel reports that the police are sticking with the version that Martin was the aggressor.

Police sources say Martin was the aggressor on Feb. 26, knocking Zimmerman to the ground with a single punch and then climbing on top of the 28-year-old neighborhood watch captain and slamming the back of his head into the ground. Police say this account, given by Zimmerman, is supported by eyewitnesses, according to the Sentinel’s report.

One such witness reportedly told police that he saw Martin on top of Zimmerman, striking the man, while Zimmerman cried out for help. The attack left Zimmerman bloodied, police sources told the Sentinel, and led him to fire at Martin in self-defense.

Police say Zimmerman was bleeding from the nose, had a fat lip and confirm that the back of his head was cut. He received first aid at the scene but refused to go to the hospital and received medical treatment the following day, according to the Sentinel’s sources. (see “Trayvon Martin case: Martin was the aggressor, police sources say.“

The above report also indicates that Martin was suspended from school because he was found with an empty baggie for marijuana, a violation of  the school’s zero tolerance for drugs policy. Read more

Trying For NPR Job? Helps To Be Named ‘Ari Shapiro”

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On the drive home from work the other day, I was listening to an NPR report on a math geek get-together in Boston.

What got my attention wasn’t the story, but the name of the reporter:  Ari Daniel Shapiro.

The insertion of the middle name “Daniel” was perplexing, until it became clear that they were trying distinguish him from NPR White House correspondent Ari Shapiro.

But then I had to laugh— really?  Two Ari Shapiros, working for the same news organization?  I mean, dismiss conspiracies about Jewish media control if you will, but this one is just too hilarious to ignore.  Two (I presume) totally unrelated men, both with same first and last distinctly Jewish name, both talking up their take over the taxpayer-funded national public radio service.

The “greater” Ari: “GOP presidential candidates make bid for Jewish vote“

The “lesser” Ari: “Jewish holiday celebrated by Occupying Wall Street”

Whatever.  Their tastes, their interests, their spin— they bend in a predictable fashion.   Read more

“The Help”: Courageous, Color-Blind Strivers Overcome Racist Nitwits

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“Looking after White babies, that’s what I do,”  answers Abileen, the long-suffering Black heroine of  The Help when asked by Skeeter, the courageous budding journalist from the right side of the tracks, how it feels to raise someone else’s children while leaving your own at home.  And we’re off to another two hours treat from Hollywood on one of its two favorite themes, the suffering of Black folks.  You know the other one.

Viola Davis, who plays Abileen, says in an interview that she had a chance to act in a movie ‘depicting a part of our history we have a tendency to be silent about.’  Say what?  Did she say we have a tendency to be silent about the South and Blacks?  Does she live in the United States?  Am I deaf?  Is she deaf?

White boys, move over, because when it comes to vicious racism, pettiness, cruelty, and all over mean-spiritedness, you ain’t got nothin’ on your women.   And this is theme of The Help. When it comes to obsessing on the evils of racism in the South, no effort is ever spared in Hollywood and certainly not in this joint effort of Blacks, Jews and self-loathing liberals.

The Junior League set depicted in this movie about Black maids in Mississippi in the early 60s are uniformly despicable.  They are shallow, vain, lazy, as well as largely dim-witted and completely petty. Their brittle little personalities are acted out with malicious delight.     They play bridge and order the Blacks around.  And that’s all they do.

Thank God we have Hollywood to teach us the evils of racial stereotyping. Read more

Race realism: Breaking into the mainstream

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A friend  and I were talking about Arthur Jensen–the psychologist who reignited the race and IQ debate with his 1969 paper “How Much Can We Boost IQ and Scholastic Achievement?” published in the Harvard Educational Review. My friend said that starting with that paper there had been a huge amount of supportive research published in reputable academic journals like Intelligence and Personality and Individual Differences. There have also been major works like The Bell Curve that provoked a national discussion in newspapers and intellectual media. And there have been major works by J. Philippe Rushton and Richard Lynn published by academic presses.

The thrust of my friend’s comments was that it was just a matter of time before it becomes standard wisdom, informing all respectable discussions of the issue, even among politicians and the mainstream media. Read more

Driving Miss Ditzy: Review of “The Help”

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Skeeter Phelan (Emma Stone), Minnie Jackson (Octavia Spencer) and Aibileen Clark (Viola Davis) in "The Help"

As we’ve noted many times before, the cultural Marxists never tire of fanning the dying embers of the “Civil Rights” movement (CRM) because it can always be relied upon to burst into flame, warming the hearts of a credulous American public. Whenever the Left encounters massive public skepticism regarding the benefits of homosexual marriage, open borders, global warming, Obama’s presidency, or whatever the liberal cause du jour may be, they can always depend on striking a sympathetic chord with mainstream conservatives and liberals alike by dusting off yet another reminiscence about the bad old days of segregation to remind us of how righteous liberals are.

Unpleasant memories like the French and Bolshevik Revolutions, Chairman Mao’s Cultural Revolution, Pol Pot’s Cambodia, the Vendee, and the gulags fade into nothingness when those evergreen images of police dogs and fire hoses flicker on the screen. If Tombstone, Arizona was the town too tough to die, the CRM is the radical egalitarian movement too good to be forsaken. Its memory must be kept front and center, and on life support forever, preserved in an environmentally controlled glass covered casket like Lenin’s corpse.

The Help is the movie industry’s latest contribution to this endless enterprise. Billed as this summer’s premier chick flick, The Help gives moviegoers a heaping helping of all of the bromides and stereotypes we’ve come to expect from a Hollywood production depicting the benighted South before the triumph of liberalism – stoic, long-suffering Blacks imbued with both homespun wisdom and impeccable moral rectitude. They never lose their tempers or lapse into profanity. They are the match to any and all circumstances they encounter, especially all impediments clumsily or maliciously thrown in their path by racist whites. Read more

Hollywood and the Left, Again

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It’s virtually a cliche that Hollywood is the embodiment of cultural Marxism and exclusion of conservatives (see “Navigating Hollywood: Conservatives and Christians Need Not Apply“). Now a new book, Primetime Propaganda: The true Hollywood story of how the left took over your TV, promises to provide a great deal of detail and juicy anecdotes on Hollywood and the Left.

In the following video clip, Leonard Goldberg notes that liberalism in the TV industry is “100 percent dominant, and anyone who denies it is kidding, or not telling the truth.” When asked if politics are a barrier to entry, Goldberg says, “Absolutely.”

There’s the familiar sense of moral and intellectual superiority:

Friends co-creator Marta Kauffman says that when she cast Candace Gingrich-Jones, half-sister of Republican former House Speaker Newt Gingrich, as the minister of a lesbian wedding, “There was a bit of ‘fuck you’ in it to the right wing.”

Kauffman also acknowledges she “put together a staff of mostly liberal people,” which is another major point of Shapiro’s book: that conservatives aren’t welcome in Hollywood.

Maybe that’s because they’re “idiots” and have “medieval minds.” At least that’s what Soapand Golden Girls creator Susan Harris thinks of TV’s conservative critics.

However, the ranks of dumb right-wingers has dwindled, according to Harris, whose video has her saying: “At least, you know, we put Obama in office[!!], and so people, I think, are getting – have gotten – a little bit smarter.”

Ah yes, a sure sign of intelligence is voting for Hollywood’s preferred candidate. And now that Obama is president, we are all the wiser for it. Read more

Express Group now openly promoting the English Defence League

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The promotion which the billionaire Zionist Jew Richard Desmond is giving to the English Defence League via the Express Group component of his ever-growing media empire would seem to challenge the ‘official’ position of the Board of Deputies of British Jews and its Community Security Trust that Zionist-Jewry in Britain is firmly opposed to the EDL and its ‘Islamophobic’ policies. An article in Desmond’s Daily Star (“EDL to go political“), touts the electoral prospects of the EDL and reports results of a phone poll finding that 98% of Daily Star readers agree with EDL policies.

Desmond has always been a bit of a maverick. He built his fortune on pornography before selling up to raise the capital to buy the Express Group, which includes the Daily Express, the Sunday Express and the Daily Star. Last year he bought Channel 5 TV. Recently he withdrew his publications from the Press Complaints Commission, to which all major national and small local newspaper groups belong.

But his backing of the EDL should not be seen a genuine split within the Jewry.

Throughout history, wherever they have settled, the Jews have notbeen bothered by the concept of a principled, unified and consistent approach to any issue — except one: the survival and advancement of the Jews. In all other matters they are are entirely morally pragmatic and often deliberately contradictory. Read more