“Flight”: Denzel Washington’s New Movie, Part I
I find myself in a conflicted position. While I enjoy being right as much as the next guy, it hurts to be right about something with negative consequences. Imagine, for example, that you are convinced you have a serious malady, yet your stubborn doctor pooh-pooh’s your concerns. As a result, you conduct a grueling online search and eventually pin down your ailment to an obscure but quite harmful degenerative disease.
You take these results to a more accommodating doctor, who indeed confirms your suspicious. You, then, are left congratulating yourself for outwitting your original doctor — but you have also confirmed that your quality of life is inextricably going to erode. Mixed emotions, right?
I suffer from a parallel syndrome. For well over a decade I’ve been parsing Hollywood films and finding in them a pronounced bias against straight White European-derived males. To be sure, we still have traditional fare with White male stars as the lead — think George Clooney, Brad Pitt, Leonardo DiCaprio, even Mel Gibson now and again. But we also find so many films in which only the White guy is bad.
What really troubles me is the fact that so much of this imagery is counterfactual. We race realists know that it is White males who have built so much of civilization over the last five centuries and that now it is we who bear the brunt of the anti-White multicultural onslaught. The cultural Marxists have cleverly used women and minorities against White males, and we see this imagery many times a day now. Go to your bank’s website, for instance, and I’ll bet you’ll see a parade of non-White faces and smart White women staring back at you. Try, however, to spot the White males. It’s often not easy. Read more