The #StolenReferendum: How Cameron & Co have ruthlessly exploited the murder of MP Jo Cox to save their skins and the EU ‘Project’

Britain’s vote on Europe looks set to go down in history as the ‘Stolen Referendum’. As the Remain campaign’s ruthless exploitation of the appalling murder of MP Jo Cox continues, big business, banks and other Remain enthusiasts are increasingly confident of coming out on top in Thursday’s historic poll.
Yet such a victory will have been bought at a terrible price — a blatant triple fraud against the democratic process, perpetrated with the enthusiastic support and involvement of all three leaders of the UK’s old established governing political parties and of the overwhelmingly dominant political force in Scotland.
The damage such a consensus for deceit and election rigging will do to faith in the democratic process is incalculable.
The first great Establishment electoral fraud in the now terminally polluted campaign was in place even before the sorry farce began: In a shameless re-run of the corruption that discredited the UK’s first In/Out referendum, in 1975, the contest was drastically skewed by the fact that every household received two documents in favour of EU membership (one from the Government and one from the Europhile campaign) compared to just one from the campaign for independence. Read more




When sex scandals involving
For its fourth anniversary issue in the fall of 2016, Le Harfang, a French Canadian white nationalist publication, invited foreign contributions from a number of people, including me as an American. We were tasked with producing an article that 1) speaks to how the contributor sees the world for white people “in four or forty years,” and 2) offers advice on how to prepare for tomorrow’s world. Length was up to me, and Le Harfang’s editor would trim what I wrote if need be as he translates my English into French. I replied that I’d give it a go. This writing shares my response to the Le Harfang charge with an English speaking audience.
In this humorous film about Hitler’s return to modern-day Berlin, Er ist Wieder Da (English title: Look Who’s Back), Germans are caught on camera saying true things about Germany that are not what our elites want to hear. And it happens in the current year. They are so desperate to speak the truth that they are even willing to do so to an actor playing Hitler, Oliver Masucci (Italian and German heritage). This is remarkable, and it speaks to the desperation of German society. There must be such an infinite longing when one cannot dare utter the most commonsensical social observation, without reasonable fear of prosecution or at least censorship; and then to proclaim it for a film crew! It is ironic, and yet also somehow poetic. One cannot whisper the truth, yet one may broadcast it for millions, so long as they are willing to be cast as the fool in a masque of Cultural Marxism; a fool in the Shakespearean sense, which is to say, one who utters unspeakable truisms to an otherwise intolerant authority.



