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The NPI Conference — After the Fall: The Future of Identity

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*The National Policy Institute’s 2013 Leadership Conference will be held at the Ronald Reagan Building in Washington, DC on October 26th, with related events on Friday 25th and Sunday 27th*. It is still time to register online at our website http://www.npiamerica.org/2013-conference.*http://www.npiamerica.org/2013-conference.*

 Though there’s much talk about “identity” in political debates these days, it’s not always clear what we are talking about. Is identity defined by Race? Language? Religion? Ethnicity? Nationhood?

The National Policy’s Institute (NPI)’s coming conference—After the Fall: the Future of Identity—will raise such questions and provide the audience with important perspectives.

While the entire Western world is facing similar and inter-related challenges nowadays—from mass non-European immigration to financial bankruptcy, from cultural debasement to social atomization—the identity of “the West” that is at stake is not clearly understood. Often, what is meant by “the West” is its neoconservative conception: liberal democracy, human rights, and cultural and religious pluralism. (Paul Gottfried has quipped that when neocons say “the West,” they seem to mean the Upper West Side.) Since this “West” doesn’t recognize race, or culture in the full sense of the word, it knows no border. It is all too often conflated with the Occident, which has a history of its own and is embodied by a particular people—the European people.

The “West” as defined by mainstream discourse is challenged by Third World immigrants today. They might be willing to benefit from the delights of a technologically advanced society, but for most of them, they keep seeing themselves as members of distinct cultures, with different and often competing interests. They rarely adhere to the liberal values that, we are supposed to believe, define our identity. Quite often, they can even outright reject them. Read more

Richard Dawkins and the Beltway Celebrity Culture

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Richard Dawkins and #81277B

Book signing at the National Press Club hosted by Sally Quinn, the quintessential gossip columnist and D.C. socialite

Richard Dawkins has been making the rounds on the celebrity-author circuit with the release of his newly published memoir, An Appetite for Wonder, the first of a projected two-volume autobiography.

Dawkins addressed a standing-room only audience at the National Press Club in Washington, D.C., on September 30. The event’s host was Sally Quinn, who was once described as “the reigning queen of Washington dinner party culture.” Quinn has carved out a niche as the supreme hostess of the Georgetown salon, the keeper of the keys to the beltway’s celebrity circuit.

The 72-year-old socialite has attained celebrity status for who she is, not what she has accomplished. Quinn is the third wife of former Washington Post editor Ben Bradlee, who rocketed to fame during the Watergate scandal. Were it not for Nixon’s ill-fated cover-up, Bradlee and Quinn would have remained relatively obscure beltway figures as editor and spouse.

Her resume is quite thin. Quinn’s accomplishments include: graduating Smith College, getting hired at the Washington Post without any writing experience (Here is her reported job interview with Bradlee: “Can you show me something you’ve written?” asked Managing Editor Benjamin Bradlee. “I’ve never written anything,” admitted Quinn. Pause. “Well,” said Bradlee, “nobody’s perfect.”), failing to make it as a television news anchor on the CBS Morning News (leaving the program in six months), writing two books and various profiles for The Washington Post, and at 41 giving birth to a son. Read more

A indústria do Holocausto no Reino Unido

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Francis Carr Begbie: The Holocaust Industry in the UK, The Occidental Observer, 5 de outubro de 2011
Tradução, links e comentário ao fim do post: O Ocidental Lusófono
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poppyEm meados da manhã do segundo domingo de novembro, os clarins soarão no Último Posto, no Cenotáfio Memorial de Guerra em Londres, e por dois minutos a Inglaterra ficará em silêncio. A simples dignidade do Domingo da Recordação, a rainha depositando uma coroa de flores, o silêncio enquanto uma canópia de flores de papoulas vermelhas cai sobre os veteranos e homens das forças-armadas em posição de sentido, tornam este um momento de tristeza quase impossível de suportar.
Embora o evento comemore todos os mortos de guerra britânicos e da Comunidade Britânica, ele tem suas raízes nas trincheiras da Primeira Guerra Mundial e em batalhas como a do Somme, na qual os britânicos sofreram 58 000 baixas, um terço mortos no primeiro dia. O silêncio marca a décima primeira hora do décimo primeiro dia, quando as armas silenciaram em 1918. O símbolo da ocasião é a flor de papoula vermelho-sangue, distribuída pela Legião Real Britânica e usada por milhões.
Não há símbolo mais sincero do sentimento tradicional na Grã-Bretanha do que a flor da papoula. E é por isto que duas recentes decisões de financiamento do governo revelaram uma mudança tão espantosa de prioridades culturais. A primeira foi uma recusa em financiar um projeto para o plantio de de papoulas em um campo da recordação para os mortos de guerra da Grã-Bretanha. O segundo foi uma promessa do Primeiro-Ministro de despejar mais dinheiro dos contribuintes na promoção da indústria do Holocausto, atualmente em grande expansão.

Race as a biological reality and social construct

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I was pleasantly surprised to see an article on a radical website that actually says something positive about biological approaches to ethnicity, citing Frank Salter and me (Jay Knott, “Invention, Imagination, Race, and Nation,” posted on Dissident Voice). A couple comments:

Shlomo Sand: I really don’t know how anyone can take Sand seriously given that he simply dismisses the data on Jewish population genetics. But Knott is right:

Sand accepts that his work has had no effect on Israeli nationalism nor on Jewish identity worldwide. Why is this so? If you expose a delusion, wouldn’t you expect significant numbers to abandon it, and thank you?

Good point. Jewish ethnocentrism is legendary—I use the term ‘hyper-ethnocentrism’ to describe it (here are some contemporary examples from Israel). It’s beyond rational discussion and cries out for a biological explanation. Sand’s rational arguments, whatever their merit, are not going to persuade rabbis who are convinced that non-Jews are a lower life form.

The Ethics of Ethnocentrism: Knott accepts that there is a biology of ethnocentrism, but regards it as immoral. Commenting on Frank Salter’s opposition to immigration to Australia, he writes “Considering how white Australia was founded, it’s unethical to try to stop third world refugees settling there.” And he goes on to note that

American evolutionary historian professor Kevin MacDonald is also a right-winger. His Evolutionary Strategies of Ethnocentric Behavior9 argues that “ethnic affiliations are extraordinarily robust” and that this is because racial identity is biologically beneficial to the genes which cause it.

But the notion that racial identity is adaptive does not imply that it is morally justifiable, any more than accepting the obvious fact that heterosexuality is more adaptive than homosexuality has any consequences whatever for one’s views on gay rights.

From an evolutionary point of view, moral idealism is a very dangerous idea because it may well lead to altruism and evolutionary death. A moral idealism that results in displacement-level immigration is obviously an evolutionary dead end. Evolution is a game that, if one decides not to play, one automatically loses. Read more

Bill Kristol: Israel muss den Westen retten

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Translated by Michael Colhaze

Ich finde es erstaunlich, dass eine intelligente Person Washingtons Neocons ernst nehmen kann. In der letzten Woche trommelte Bill Kristol in The Weekly Standard für einen Krieg mit Syrien und behauptete allen Ernstes, der Präsident müsse nun unbedingt handeln „ um sicherzustellen, dass Assads chemische Waffen Amerika nicht mehr bedrohen können“.

Als ob Assad eine Batterie von ICBMs besitzt und bereit ist, Terror und Verderben auf Amerike regnen zu lassen.

Bill Kristol ist zutiefst besorgt darüber, dass der Frieden im Nahen Osten ausbrechen könnte bevor die USA den letzten Feind Israels zerstört hat. Der Artikel steckt voller Vergleiche mit Hitler und Mussolini, wie z. B. hier:

Es wird diesmal kein Rheinland geben. Iran ist nicht das Deutschland der 1930er Jahre, und die Vereinigten Staaten sind mehr als formidabel im Vergleich zu Großbritannien. Der Iran wird seine Ziele mit Hinterhältigkeit und Diplomatie erreichen müssen, während Hitler sie mit Kraft ubd Bravado gewann. Aber ein Hinnehmen des Strebens der Islamischen Republik Irans nach dem Besitz von Atomwaffen führt genau dazu, was mit der Akzeptanz von Nazi-Deutschlands expansionistischen Träumen geschah.

Die Iraner werden es diesmal heimlich und leise durchziehen, aber dann wird es nicht mehr lange dauern und sie sind in Cleveland.

Mehr: http://michael-colhaze.biz/KEVIN1Kristol.html 

The Holocaust Industry in the UK

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At mid-morning on the second Sunday in November buglers will play the Last Post at the Cenotaph war memorial in London and for two minutes Britain will fall silent. The simple dignity of Remembrance Sunday, the Queen laying a wreath, the silence as a canopy of red poppies fall on the veterans and  armed services standing to attention, make it a moment of almost unbearable sadness.

While the event commemorates all British and Commonwealth war dead, it has its roots in the trenches of the First World War and battles like the Somme where the British suffered 58,000 casualties, one third killed, on the first day. The silence marks the eleventh hour of the eleventh day when the guns fell silent in 1918. The symbol of the occasion is a blood red poppy distributed by the Royal British Legion and worn by millions.

poppyThere is no more heartfelt symbol of traditional feeling in Britain than the poppy. and this is why two recent government funding decisions revealed such an astonishing shift in cultural priorities. The first was a refusal to fund a poppy project in a field of remembrance for Britain’s war dead. The second was the Prime Minister’s pledge to pour more taxpayers money into promoting the booming Holocaust industry.

The decisions confirm what many have suspected  — that Holocaust promotion is gradually replacing the commemoration of the sacrifice of servicemen as the subject of community remembrance in Britain.

It is a change for which the British political elite seems to have a driving enthusiasm. The annual government grant to the Holocaust Educational Trust (HET) is already a very generous £2.1 million. The extra £300,000 a year will not only pay for more school Holocaust propaganda, but will also pay to set up a new national Holocaust Commission to erect yet another permanent memorial.

It was always predictable that the left-leaning Heritage Lottery Fund, the UK’s largest dispenser of public largesse, would decline an application from an unfashionable veterans group such as the Royal British Legion. Not only was the application rejected owing to “lack of funds” but the Fund then approached a pacifist group and invited them to submit an application to raise awareness of conscientious objectors.

Even by the standards of the Heritage Lottery Fund this was a calculated  insult. The Fund’s Trustees are dominated by the kind of women that seem to proliferate in the public sector. Privately-educated left-wing graduates from the BBC and elsewhere in the world of arts, who have never soiled their hands in the private sector. Read more

Introducing Mjolnir

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MJOLNIR

Mjolnir website: http://www.mjolnir-magazine.com

It must be self-evident to all those who consider themselves in some way politically right-wing that the left has achieved cultural hegemony throughout the Occidental world. Virtually every film, every television series, every soap opera, every song, every theatre or radio play, every novel, short story, poem, comic, graphic novel and cartoon is used to carry and push Marxist and neo-Marxist ideology to ever further extremes. How many songs have you heard that urge our youth to reject their parents? How many films have you seen where miscegenation is normalised and those against it demonised? How many soap operas promote ‘alternative sexualities’ and promiscuity?

Think of all the films and TV series that urge us to dissolve national borders and build to a one-world government. In the series Star Trek and its series of films and spin-offs, we have not only a world government, but an intergalactic federation too. Gene Roddenberry himself said that he was creating ‘morality plays’. Think of the recent trend in disaster films such as 2012, The Day After Tomorrow and Armageddon, where disaster is on a global scale. Global disasters call for global solutions and such trifling things as national borders are seen as ridiculous in view of such cataclysmic events.

MJOLNIR2Indeed, cultural Marxism is now all-pervasive. Most people believe cultural Marxism is synonymous with political correctness. But it is more than that. Cultural Marxism, after the ‘work’ of Antonio Gramsci, is about getting Marxist and neo-Marxist ideas ingrained in the public consciousness and even subconsciousness via subversion of the national culture. One way is to imprint Marxist ideology on cultural texts for public reception. Thus, the more texts are received and absorbed by the public, the more sympathetic to Marxist ideas they become.

Certainly, this is the core assumption behind the Reader Response and Reception Theories of the Konstanzer Schule, where a neo-Marxist system of value is placed upon a text, a text being deemed more culturally valuable the further it normalises a pseudo-morality that posits itself against traditionalist reader expectations.

Mjolnir is a major step in the cultural fightback against this tidal wave of propaganda. Our enemies have vast financial resources at their disposal and can therefore invest in all the arts – especially that latterly invented form of Gesamtkunstwerk so conducive to indoctrinating the masses: film. We have no such means at our disposal, yet classical art forms are not beyond our means: graphic art, plastic art and literature. Mjolnir is a print magazine set up to collate and showcase the illiberal Eurocentric arts. Read more