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One must make an additional distinction, this time between the mythical heroes in Western literary heritage and the real heroes or heroes hopeful in Western political life. Thousands of mythical heroes, including Achilles or Hector, fighting alongside the walls of Troy, or better yet, the demigod heroes such as Hercules or Theseus, combating the monsters in the underworld, have had a distinct advantage so far of being exempt from modern re-educational process consisting of political criminalization and demonization. The System continues to use their names as positive role models, although, to be sure, the System thought police, with its increasing guilt-tripping process designed to alter the minds of White peoples, may some day remove these mythical heroes from the role model reading list as well. The conclusion one can therefore offer is that any would-be heroic act, any heretical or rebellious deed, regardless of its factual, fictional or factitious nature, is always subject to different reinterpretations in a different political epoch.
Friedrich Schiller (1759–1805)
The same conclusion applies to literary heroes and their hero-crafting authors such as William Shakespeare, Wolfgang Goethe, Friedrich Schiller and hundreds more, each of them having received, or still receiving, a different accolade by a different ruling class at a different historical and political time. Thus Friedrich Schiller’s poem Ode to Joy (1785) is being widely and wildly used today as a trademark of the European Union. Schiller’s stanzas are being chanted today by multicultural transgenderists, pederasts and plutocrats as a call for a mandatory multiracial embrace and as a handy alibi for the free flow of non-European migrant labor.
Endure courageously, millions! /Endure for the better world/ Above the starry canopy/ A great God will reward you/.
By contrast, in National Socialist Germany the same Schiller was praised to the skies, albeit through differently worded official eulogies and different academic interpretations. In his drama The The Robbers (1781), Schiller depicts an armed gang’s leader Karl Moor who is always eager to first dispense the stolen goods to the local poor, yet who by his sheer association with other violent gang members could easily pass off today as a modern terrorist — or, short of that, fall short of some folkish road warrior Mad Max. Schiller’s other medieval hero, widely praised in academic circles all over Europe and whose name is used as an official state symbol of Switzerland, is the crossbow-toting hero from the same drama, Wilhelm Tell (1804) who could also be described as a perfect role model for modern terrorists. With his sneaky, ugly and cowardly weapon, Tell assassinates (from ambush!) the Austrian-appointed governor who rules over his native borough in Switzerland. Between 1933 and 1941 Schiller’s plays were performed all over liberal-weary, communist-scared Europe and particularly in Germany. Read more