A Reply from Nietzsche.
Like these other figures, whose thought is sanitized and claimed by Peterson, Nietzsche possessed views of Jews quite at odds with Peterson’s own hasty conclusions. Robert Holub’s 2015 Nietzsche’s Jewish Problem: Between Anti-Semitism and Anti-Judaism (Princeton University Press) convincingly demonstrates that, at best, Nietzsche could be described as ambivalent towards the Jewish Question. Nietzsche was undeniably in tune with Wagner when it came to animosity towards those aspects of modernity most closely linked with the rise of the Jews in Germany: the hegemony of journalists, the press, newspapers, new ‘trends’ in art, and the stock market. He was a critic of both Berthold Auerbach and Felix Mendelssohn, whom he argued produced works typified by foreignness, jargon, mawkishness and internationalism. At Basel, one of Nietzsche’s closest colleagues was the historian Jacob Burckhardt, described in one dedication as “my honored friend.” Burckhardt was unequivocally opposed to Jewish emancipation and believed that everything of worth in European culture was due to its Greek and Roman heritage rather than the Jewish tradition. He would have balked at the idea of Europe as a ‘Judeo-Christian’ cultural entity—a favorite piece of Jordan Peterson’s nomenclature—and he was firmly convinced that Jews were responsible for the worst manifestations of modernity. Early in his career Burckhardt wrote to a friend that the presence of Jews in a theater would be sufficient to entirely destroy his enjoyment of the event.
Like the others reviewed here, Peterson references Friedrich Nietzsche in almost every interview, talk, or text he delivers. In 12 Rules for Life (p.59), Peterson describes Nietzsche as both “great” and “brilliant,” and calls him (p.85) “perhaps the most astute critic ever to confront Christianity.” In much the same way as he cites Solzhenitsyn, Dostoevsky, and Jung as his ideological forerunners, Peterson holds up Nietzsche as a prescient and thoughtful thinker whose work was characterized (p.37) by its “brilliance.” Read more