Charles Dodgson replies to comments

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I want to thank commentators for pointing out errors in my review of Band of Brothers. Watching the sequence again I can see that it was Webster who shouted out at the surrendering German troops. And sure enough there are the different types of uniforms on the camp inmates, as John Orloff notes. Also I did not realize that Liebgott was in fact Catholic or that Tom Hanks is partly Jewish (actually I still don’t realize that Hanks is Jewish). One part of the camp scene in which an error occurs is especially important because a prisoner explains what the camp is and who the prisoners are. The exchange is as follows:

(Liebgott interprets.)

Winters: “Will you ask him what kind of camp this is? Why are they here?”

Prisoner: “It is a work camp for Unerwuenscht.”

Liebgott cannot translate the final word.

Winters: “Criminals?”

Prisoner: “No. Doctors, clerks, musicians, taylors, farmers, intellectuals, . . . Jews, Jews, Jews . . . Poles, Gypsies.”

My review correctly quoted the prisoner as identifying the camp as a work camp. However, where the prisoner comes to describe ethnicity and nationality my review omits his mention of Poles, though I do include Gypsies in quoting him. The omission does not affect my argument because Jews are clearly emphasized, more so in the literal transcript above than in my review. Nevertheless this and other errors are embarrassing. Read more

Uri Avnery on Religious Jews

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Uri Avnery is an insightful observer of the Israeli scene and Judaism in general. In a recent column, he notes that the early Zionists were anti-religious, at least partly because prominent orthodox rabbis were anti-Zionist. But David Ben-Gurion subsidized “a few hundred” Yeshiva students so they could spend their time studying rather than working or joining the military. Now, these “Torah-shielded parasites”  “constitute 13% of the entire yearly crop of those liable to the draft. Moreover, 65% of all Orthodox male citizens do not work at all and live on the public purse.”

Photo from article on U.S. State Dept. Report criticizing Israel for favoring Orthodox sects (see below). Note the very close social bonds and close physical resemblance among these young men. This doubtless reflects their close genetic relatedness, their similarities accentuated by their common dress. It's an excellent one-picture-is-worth-a-thousand-words snapshot of traditional Jewish collectivism that has become politically and culturally dominant in Israel.

However, a small group of nationalist religious Jews were also encouraged by Ben Gurion. This group has prospered as well, giving rise to Gush Emunim (“the Bloc of the Faithful’), “the ideological core of the settlement movement. Nowadays this camp is directed by Rabbis whose teachings emit a strong odor of Fascism.” Read more

Steven Spielberg: Body Snatcher–A Review of the Miniseries “Band of Brothers”

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Band of Brothers, the 2001 TV miniseries, was produced  by Steven Spielberg and Tom Hanks.

Episode 9 was directed by David Frankel and written by John Orloff.

Based on the 1992 book by Stephen E. Ambrose, Band of Brothers. E Company, 506th Regiment, 101st Airborne from Normandy to Hitler’s Eagle Nest, Simon and Schuster (reviewed edition by Pocket Books, 2001).

In ten episodes, Band of Brothers depicts how E (“Easy”) Company, 506th Regiment, 101st Airborne Division, trained in America and England and then fought from D-Day through to the end of the European phase of WWII. It is a technically strong and gripping production. The battle scenes are among the most realistic I have seen, though one must allow for the demands of the cinematic medium — emphasis of a few individuals and spatial compression of combat groups. I am reminded of the grim and gritty street battle sequences in Spielberg’s Saving Private Ryan. This review looks at the ninth episode, which does not depict military conflict but is itself something of a black operation in the culture wars.

As our own Edmund Connelly has repeatedly demonstrated, Jewish interests have frequently been pushed by American television and Hollywood films in various ways, often as a backdrop to stories unrelated to ethnicity, like the omnipresent upper class Anglo twit and the Black genius technical expert. The 9th episode of Band of Brothers, titled “Why We Fight”, represents an unprecedented level of ambition — to claim America’s WWII sacrifices as motivated by the desire to save Jews from Nazi persecution, to make America’s sacrifice in WWII all about the Jews, not about Americans doing their duty in a tragic internecine conflict. Read more

The “Right to Migrate” Trumps All

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The Center for Immigration Studies has issued a report, Fewer Jobs, More Immigrants, maintaining that despite the loss of 1 million jobs, 13.1 Million immigrants arrived in the last decade. The level of immigration remained the same despite a huge worsening of job creation.

Most tellingly, in 2008-2009, in the midst of the greatest economic downturn since the Great Depression, 2.4 million new immigrants (legal and illegal) settled in the United States, even though 8.2 million jobs were lost over the same period. And the forecast is miserable, the LA Times print edition headline screaming “Fed forecasts hears of pain on job front.” The article did not quote anyone who thought that cutting back immigration would be a good idea.

Which tells us one thing: It’s not about economics. As the CIS notes, “the level of new immigration can remain high even in the face of massive job losses.” Read more

Moral and Aesthetic Idealism among Whites: The Constant Gardener

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There seems to be a certain moral fervor in many of us Whites. It’s apparent among the Puritans and some of their noisier descendants, the abolitionists of the 19th century. They waged Holy War on behalf of righteousness (see also here), often on against their own people on behalf of people quite a bit unlike themselves.

I was reminded of that while watching The Constant Gardener, a film starring Ralph Fiennes as Justin Quayle, a minor British diplomat posted to Kenya who is married to crusading humanitarian activist Tessa, played by Rachel Weisz. We see her originally holding forth in a room crowded with journalists blaming the British government for what’s going on in Africa, her rhetoric so extreme that the room quickly empties. Although Tessa gets married to the White diplomat, her heart is in all things African. We see her flirting with an African doctor, openly consorting with him at a high-level cocktail party, then opting to have his baby in a hospital swarming with poor Africans, except for the White nurses and doctors. The birth of the baby happens as though it is part of the natural order of things—the husband is just fine with it, acting as if there’s nothing to notice, while the father of the baby looks on proudly. Tessa’s only thought is to help the poor African girl in the next room.

Tessa and her African lover, amidst the squalor

Oddly, we are given only brief glimpses of the baby—as if the director didn’t think the audience would be quite ready to relate to the child of a married White woman and her very African lover—although, it must be said, we now have a president who was conceived under broadly similar conditions.  Read more

Courting the Jews on the European “Far Right”

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The Guardian’s definition of “far right”, and mine, differ considerably, which is the reason why I have not rushed to its website to read a two-page article published a few of days ago about “the threat of the far right in Europe” which, I am told, made no mention of the BNP or the state of race relations in Britain.

Guardian caption: A Roma family leaves a camp in northern France. Far-right groups across Europe are nurturing an anti-immigrant backlash.

The Financial Times simultaneously published a similar one-page survey, but this included a brief post-script item about the failure of the BNP to mobilise the full potential of anti-immigration sentiment persisting amongst the British electorate. It begins as follows:

In a pub garden in Birkenhead, a blighted post-industrial suburb in England’s north-west, Nick Griffin told the Financial Times that his party had a “once in a lifetime” chance to escape its white supremacist roots and emerge as an alternative for millions scorned by the London elite.

Less than 18 months later – following this year’s disastrous national election campaign, a savage internal power struggle and a court battle with the country’s equality watchdog that threatens to bankrupt the party – his dream is over.

The impression I have gained in recent years is that the only “far right” parties in Europe who have been able (allowed) to flutter near to the flame of power are those that have been able to convince the Establishment, the media and Jewry that they are most definitely not anti-Jewish, not “racist”, not against all coloured immigration (but only against the immigration of Muslims!) and not against the multi-racial society (just so long as it doesn’t include Muslims!) The Jobbik Party in Hungary may be the only notable exception to this. Read more

Jakob Friedrich Fries and the Intellectual Origins of Anti-Judaism in Europe

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German philosopher Jakob Friedrich Fries (1775-1843) was born at Barby in Saxony and studied theology with the Moravians in the German town of Niesky, which was then heavily populated by Czech refugees fleeing Catholic persecution from their former homeland of Bohemia. Fries then traveled to Jena and Leipzig to study philosophy. In 1806 he became professor of philosophy and mathematics at Heidelberg. Although his development in psychological theory led him away from the Moravian approach, he always respected the Moravians as bearers of a symbol of a higher spiritual truth. The Moravian Brethren were heavily influenced by the Czech philosopher, heretic and martyr Jan Hus. However, they entered a period of decadence when at a special Communion Service held at Berthelsdorf on August 13, 172, they revived their ancient Church, which was so successful that John and Charles Wesley, the famous founders of the Christina Methodist movement, were eventually converted.

It was from the exiled Moravians that German philosopher Friedrich Schleiermacher and especially the German poet Johann Wolfgang von Goethe drew a great deal of inspiration. However, the philosopher and the poet were alienated from the Moravians because they could not accept the doctrine of the substitutionary sufferings of Jesus Christ. Read more