Cowboy Kali Yuga: A Review of “Hell or High Water”

Bryan Christopher Sawyer


Neo-Westerns are the rough terrain that remain untamed and unclaimed by the heebs. Political Correctness does not sell here. Any feminist watching one would go into conniptions from their “toxic masculinity.” The men have guns and the women have curves. No one trusts the bank and everybody owes.

Hell or High Water is a tale of poor Southern White folks — Texans to be specific — suffering at the hands of usurious banksters who want to seize the land these people raised their kids on as the shylock’s pound of flesh. It’s not the protagonists that I’m referring to as “these people.” It’s the supporting cast. This is a film that excels at capturing the atmosphere of a place passing through the sieve of time. The quality of character that made the land, its sky above, and the people between so very great are being filtered out by modernity. The modern world is robbing Texas towns of their soul and the soil of its blood. In Hell or High Water we see the sovereign Lone Star demoted to one more vassal state in Weimerica.

I’ll tell it to you straight.: We’ve got us here a story you’ve all heard before. Two cow-pokes-turned-bank-robbers. Two Texas Rangers trying to out-think and out-maneuver them into the reach of the long arm of the law. That said, the story could take place over a century and a half ago. But this is a tale of the here and now in the dismal financial fallout of Obama’s America — and the desperation of much of White America.

Spoiler Alert: The following contains a lot of plot summary. The movie is highly recommended, but you might want to see it first.

Two masked bandits approach a branch of the Texas Midlands Bank. As the audience will later learn, Midlands Bank issued what is known as a reverse mortgage, where the bank loans a homeowner (usually elderly) enough money to keep the house until they die. Then the bank repossesses the house. It’s an offer sometimes made to a person who can no longer afford their home, or is living on valuable land unbeknownst to them. It won’t take much surfing on YouTube to uncover how many financial advisers warn their clients not to agree to such a loan. The mother of these bank robbers has passed away, so now Toby and Tanner Howard (played by Chris Pine and Ben Foster, respectively) have only a few days left to pay the debt before the bank forecloses on the property. Toby is divorced, with two sons who are not impressed with their father and his inability to pay child support.

Graffiti on the rear of the bank reads “3 TOURS IN IRAQ BUT NO BAILOUT FOR PEOPLE LIKE US.” The writing on the wall sets the populist tone for the film. If Texas Midlands Bank does not exist to safeguard the interests of Texans, why should it be allowed to exist? Their only interest seems to be capitalism for the sake of capitalism. Read more »

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Escaping the liberal bubble: Coming out as a conservative in liberal, gay New York

An article in the New York Post by Chadwick Moore, a self-described gay man, is an excellent window into the poisoned political atmosphere resulting from (and perhaps contributing to) the election of Donald Trump (“I’m a gay New Yorker — and I’m coming out as a conservative“). The very many Trump supporters who have found that longtime friends, lovers, and family will no longer speak to them — apart from invidious name-calling — will perhaps find a bit of solace in his experience.

Moore made the tragic mistake of writing a neutral article about Milo Yiannopoulis in Out, a liberal magazine catering to gays.

After the story posted online in the early hours of October 21, I woke up to more than 100 Twitter notifications on my iPhone. Trolls were calling me a Nazi, death threats rolled in and a joke photo that I posed for in a burka served as “proof” that I am an Islamophobe.

I’m not.

Most disconcertingly, it wasn’t just strangers voicing radical discontent. Personal friends of mine — men in their 60s who had been my longtime mentors — were coming at me. They wrote on Facebook that the story was “irresponsible” and “dangerous.” A dozen or so people unfriended me. A petition was circulated online, condemning the magazine and my article. All I had done was write a balanced story on an outspoken Trump supporter for a liberal, gay magazine, and now I was being attacked. I felt alienated and frightened.

I hope New Yorkers can be as accepting of my new status as a conservative man as they’ve been about my sexual orientation.

I lay low for a week or so. Finally, I decided to go out to my local gay bar in Williamsburg, where I’ve been a regular for 11 years. I ordered a drink but nothing felt the same; half the place — people with whom I’d shared many laughs — seemed to be giving me the cold shoulder. Upon seeing me, a friend who normally greets me with a hug and kiss pivoted and turned away.

Frostiness spread far beyond the bar, too. My best friend, with whom I typically hung out multiple times per week, was suddenly perpetually unavailable. Finally, on Christmas Eve, he sent me a long text, calling me a monster, asking where my heart and soul went, and saying that all our other friends are laughing at me.

I realized that, for the first time in my adult life, I was outside of the liberal bubble and looking in. What I saw was ugly, lock step, incurious and mean-spirited. …

I began to realize that maybe my opinions just didn’t fit in with the liberal status quo, which seems to mean that you must absolutely hate Trump, his supporters and everything they believe. If you dare not to protest or boycott Trump, you are a traitor.

If you dare to question liberal stances or make an effort toward understanding why conservatives think the way they do, you are a traitor.

Note particularly the last comment: “If you dare to question liberal stances or make an effort toward understanding why conservatives think the way they do, you are a traitor.” Being a Trump supporter is not simply misguided. Such a person is malevolent. Such a person is consumed by hatred, anger and fear towards gays, women, non-Whites, and every group in the victim class pantheon. Even trying to understand such a person is itself evil.

And that’s the problem. Being cast as evil means you are outside the moral community. There’s no need to talk with you, no need to be fair, or even worry about your safety. You are like an outlaw in Old Norse society  —“a person [who] lost all of his or her civil rights and could be killed on sight without any legal repercussions” — or sucker-punched by antifas, an action that is much approved on the left.  By vilifying us as moral cretins, people automatically close off the possibility of even trying to see the world as we see it. After all, if a person is morally culpable, there is the implication that that person is blameworthy. Excuses like having different, sincerely held beliefs, no matter how well-founded, don’t have to be considered. Immorality implies malicious intentions.

When I was growing up in the Midwest, coming out to my family at the age of 15 was one of the hardest things I’ve ever done. Today, it’s just as nerve-wracking coming out to all of New York as a conservative. But, like when I was 15, it’s also weirdly exciting.

I’ve already told my family, and it’s brought me closer to my father. He’s a Republican and a farmer in Iowa, and for years we just didn’t have very much to talk about. But after Trump’s inauguration, we chatted for two hours, bonding over the ridiculousness of lefties. But we also got serious: He told me that he is proud of my writing, and I opened up about my personal life in a way I never had before to him.

I’ve made some new friends and also lost some who refuse to speak to me. I’ve come around on Republican pundit Ann Coulter, who I now think is smart and funny and not a totally hateful, self-righteous bigot. A year ago, this would have been unfathomable to me. …

 

And I hope that New Yorkers can be as open-minded and accepting of my new status as a conservative man as they’ve been about my sexual orientation.

Good luck with that!