America as a Promised Land for Jews: Threatened by Muslims, Israel and White Identity?
Note: This is an edited, linked version of my talk at the NPI conference in Washington, DC, November 19, 2016.
I am going to talk about Jews. It’s not that I relish doing this, but somebody’s got to do it, and it’s definitely a subject that needs to be addressed as best we can, fairly and factually, and with the understanding that we are not talking about all Jews but about activist Jews and the general thrust of the organized Jewish community.
Beginning in the nineteenth century, Jews saw America as a promised land, whose “streets are paved with gold” as they often wrote to their families in Europe. Jews were therefore staunch advocates of unrestricted immigration. Writing in 1914, University of Wisconsin sociologist Edward A. Ross believed that liberal immigration policy was exclusively a Jewish issue and he quoted the prominent author and Zionist pioneer Israel Zangwill who articulated the idea that America is an ideal place to achieve Jewish interests.
America has ample room for all the six million [Russian Jews]; any one of her states could absorb them. And next to being in a country of their own, there could be no better fate for them than to be together in a land of civil and religious liberty, of whose Constitution Christianity forms no part and where their collective votes would practically guarantee them against future persecution. (Israel Zangwill, in Ross 1914, 144)
Zangwill wrote a famous play called The Melting Pot that premiered in 1908 in Washington, DC, the heart of American political culture. What’s interesting is his idea that America was a land where all the old ethnic hatreds would be abolished in a grand symphony of ethnic harmony. Sound familiar? In the play a Jewish immigrant fleeing Russian pogroms comes to America, writes a great symphony and marries a wealthy Christian woman. Audiences were wildly enthusiastic:
There were cries for Zangwill after every scene, and President Roosevelt himself joined in the applause. During the play he sat next to Mrs. Zangwill “and positively raved.” When Zangwill took his bows afterward, “the President shouted across the theater, ‘that’s a great play, Mr. Zangwill.’ “2 … Throughout the drama [the Jewish character] argues that the United States is a land of universal love and brotherhood. He sees it as a place in which the divisions among men will soon disappear. … Within the stirring and seething of the vast cauldron, the “Great Alchemist” was melting Celt and Latin, Slav and Teuton, Greek and Syrian, black and yellow. He was fusing together East and West, North and South, pole and equator, crescent and cross.”[1]
So there you have it. Crescent and Cross. Black, Yellow and White all coming together in blissful harmony — less than 50 years after the Civil War. The reception given the play, and remember this was over a century ago, shows that this optimistic image appealed to many Americans—prominent Americans like President Teddy Roosevelt. Read more