Employment Agency to Labor Union

If there is someone out there who has the time and ability, and is in the right location, he or she or they should do an employment agency for Americans.

If I had the time I would do it where I live. Here’s the deal — perfectly competent and hard working Americans are making 9 to 12 dollars an hour, while illegals are making 15 an hour working on farms and rock quarries.

What you need to do is find a pool of only the best Americans to do these jobs; people who understand that if they fail at this job, the employers will go back to Mexicans and never look back.

What are the stakes? Here’s a quote from Baaltanit from wnthinktank.wordpress.com

Even if you live in a lily White neighborhood today, it will have a sizeable Mexican population within 20 years. You cannot compete for manual jobs with these people. They stand at attention when their boss is present and call him “sir”. They work every minute as if they were afraid of receiving lashes. If there are laws dictating that they receive extra pay, they give it back to their employer. They go to their employer’s house on the weekend and mow his …  lawn. They form cliques and then say negative things about you to their boss. You will not get a job as a White man! If you have one now, you will lose it later!

This is a real danger. We could have a situation where there are literally no jobs for White Americans, while Mexicans et al enjoy full employment, AND the welfare gets cut off. Read more

Jews Debate With Jews — By Repression


Cecilie Surasky’s candidacy…as adjusted

The Jewish Federations of North America (JFNA) is yet another in the seemingly endless procession of lavishly-funded “charities” devoted to promoting ethnic chauvinism amongst American Jews. Last year, saying it

protects and enhances the well-being of Jews worldwide through the values of tikkun olam (repairing the world), tzedakah (charity and social justice) and Torah (Jewish learning),

it spent $42 million: it reported $185 million in assets.

Kevin MacDonald has remarked that Jewish operations of this type devote what to outsiders seems an inordinate amount of energy in mutual self-congratulation — some kind of bonding process apparently. The JFNA’s particular contribution for the past three years has been running an online poll to select the “Jewish Community Hero of the Year”. Last year over 300,000 votes were cast.

Read more

Celebrating America’s European Heritage: Leif Erikson

Leif Erikson statue at the Hallgrimskirkja, the largest church in Iceland

Joseph F. Healey has pointed out that White ethnic identities are evolving into new shapes and forms, merging the various “hyphenated” ethnic identities into a single, generalized “European American” identity based on race and a common history of immigration and assimilation.  In light of the fact that virtually every minority group has generated a protest movement — Black Power, Red Power, Chicanismo — proclaiming a recommitment to its own heritage and to the authenticity of its own culture, European Americans should seize the opportunity to reclaim their ethnic and historical heritage on festive October occasions such as Columbus Day (Oct. 12) and Leif Erikson Day (Oct. 9).

Regarding Columbus, it should be remembered that the great Admiral of the Seas may well have had knowledge of earlier Norse explorations.  In 1477 he sailed to Ireland and Iceland with the merchant marine, as attested by his son, Fernando, who quotes a note of his father stating:

I sailed in the year 1477, in the month of February, a hundred leagues beyond the island of Tile [Thule, i.e. Iceland], whose northern part is in latitude 73 degrees north and not 63 degrees as some would have it … the season when I was there the sea was not frozen.

In all societies with a history of migrations, the question “who came first?” becomes important.  Centuries before Columbus and the Waldseemüller world map known as “America’s baptismal certificate,” the Icelandic sagas answered this question by immortalizing the names and deeds of the pioneers for posterity. Read more

The Importance of Columbus Day

King Ferdinand and Queen Isabella bid farewell to Columbus for his First Voyage, departure for the New World, August 3, 1492.

Columbus Day has suffered an unprecedented diminution in importance in recent years, at least in the eyes of the arbitors of modern American culture.

Why? Columbus Day celebrates Christopher Columbus, the first European (White person) to come to the Western Hemisphere and make the presence permanent. Columbus Day, in other words, celebrates the advent of the White race in the so-called New World of the Americas. This, of course, is the last thing that the multicultural Left wants celebrated.

Their guiding principal, invented by both Trotsky and the Cultural Marxists at approximately the same time, is best summed up by the late, unlamented Susan Sontag’s famous quote, “The White race is the cancer of human history.” Who wants to celebrate cancer? Consequently, Columbus Day has been transformed from a holiday into an occasion for weeping, wailing, rending of garments and gnashing of teeth by the Left.

We at The Political Cesspool Radio Program, however, beg to differ, and think it’s high time to challenge this modern orthodoxy regarding Columbus and Columbus Day.

Consider, if you will, the Western Hemisphere when Columbus discovered it in 1492. The entire continent is estimated to have sustained only 200,000 people. It was a huge undeveloped wildlife preserve; its population stuck for the most part in the New Stone Age. And despite what the Left would have you believe, it was not populated by peace-loving early environmentalists. Read more

Art in the Third Reich: 1933-1945 (Part 2)

Ernst von Dombrowski (1896-1985), “Little Angels” (woodcut)

The Archaic Postmodernity

National Socialist dignitaries devoted much energy to the promotion of German sculptors and helped them considerably in the execution of massive bas-reliefs and in the erection of monumental stone and bronze sculptures. The political goal was obvious: to bring German art as close as possible to the German people, so that any German citizen, regardless social standing, could identify himself or herself with a specific artistic achievement.

It should, therefore, come as no surprise that the German art of that time witnessed a return to classicism. Models from Antiquity and the Renaissance were to some extent adapted to the needs of National Socialist Germany. Numerous German sculptors benefited from the logistic and financial support of the political elite. Their sculptures resembled, either by form, or by composition, the works of Praxiteles or Phidias of ancient Greece, or the sculptures of Michelangelo during the Renaissance. Read more

Jewish Money Power Dictates: No Immigration/Social Issues At Next GOP Debate.

An interesting question has appeared at the VDARE.com blog: Has Michael Bloomberg Banned Immigration From Next GOP Debate?

Next Tuesday’s Republican Presidential Debate, jointly sponsored by Bloomberg News and The Washington Post, will exclude all issues except the economy, according to a Bloomberg press release.

From a news impresario point of view, presumably wanting drama, this decision makes no sense. As The Washington Examiner’s Byron York pointed out in the underlying story:

Recent Republican presidential debates have featured sharp exchanges between candidates on immigration, No Child Left Behind, U.S. policy toward Pakistan, and Gov. Rick Perry’s HPV virus directive in Texas …in previous debates, non-economic topics have made for some of the most revealing moments. Perry’s “no heart” remark at the Fox News-Google debate in Orlando did enormous damage to his campaign. Likewise, Michele Bachmann’s discussion of the HPV virus at the previous Republican debate, in Tampa, led Perry to make a rare admission of error.

Next GOP debate: hot topics off limits? October 5, 2011

But from the point of view of New York Mayor Michael Bloomberg, majority owner of Bloomberg News and in effect the dominant force in the debate partnership, it makes perfect sense. Bloomberg has a long record of fanatical enthusiasm for heavy immigration – VDARE.com has a large Bloomberg archive – and his contempt for the religious sensibilities of his countrymen was most recently displayed by his banning all religious observance from New York’s 9/11 Ground Zero commemeration: Vigil protests lack of clergy prayer at 9/11 event AP September 10th 2011 Before that he allied with a small group of fellow ultra-wealthy Jews to force/bribe Homosexual Marriage through the New York Legislature as I noted in We’re Rich; We’re Jewish: We Rule.

Far better the debate be bland and boring than the Peasantry be allowed to think cultural, religious and ethnic issues are for them to decide! Next they will be thinking America is a Democracy and expecting to influence Foreign Policy!

Perhaps the new type of Jewish Plutocrat is no more hungry for political power than their predecessors. They are certainly far less discreet.

Art in the Third Reich: 1933–1945 (Part 1)

Carl Spitzweg (1808–1885), The Butterfly Hunter

This is a slightly edited version of an article was first published in Ecrits de Paris (Nr. 645, July-August 2002, L’Art dans l’IIIème Reich. Translated by the author.)

When writing about or discussing the plastic and figurative arts in Germany during the period from 1933 to 1945, one must inevitably mention the art that highlighted the epoch of National Socialism. During that short and troubled period of time, art was also a reflection of modern European history, and, therefore, it must be examined, or, for that matter, conceptualized, within the larger geopolitical framework of Europe as a whole.

National Socialist culture has always been a sensitive subject, whose controversial nature is more apparent today than ever before in the ongoing media warfare between so-called anticommunists and antifascists. If one accepts the conventional wisdom, widely accepted in all corners of he world, that National Socialism was a form of totalitarianism, one must then also raise the question as to whether there were any authentic cultural successes achieved during the Third Reich at all. Certain parallels can and should be drawn between artistic efforts in the U.S.S.R. and National Socialist Germany, in view of the fact that culture in both systems was dominated by a specific ideology. Does this therefore mean that there were no valuable works of art created in the U.S.S.R. or in National Socalist Germany? What both National Socialism and Communism had in common was the rejection of “art for art’s sake” (l’art pour l’art) and the repudiation of middle-class aestheticism. Instead, both political systems favored a committed and normative approach to art, which was supposed to be a tool for the creation of the “new man.” On the other hand, from the thematic, aesthetic and stylistic point of view, the differences between art in Communism and art in National Socialism were immense. Read more